AKG PERCEPTION 420 large-diaphragm condenser microphone

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A/B, X/Y, and M/S stereo recording Ambience recording Grand piano, woodwind and brass instruments Percussions Drums Classical music recording Studio applications Back-to-back large-diaphragm multi-pattern transducer True condenser technology High sensitivity and 155 dB maximum SPL capability Switchable 20 dB preattenuation pad Switchable bass cut filter Legendary, pristine AKG sound quality Complete with spider-type shock mount […]

 

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A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
  • Back-to-back large-diaphragm multi-pattern transducer
  • True condenser technology
  • High sensitivity and 155 dB maximum SPL capability
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary, pristine AKG sound quality
  • Complete with spider-type shock mount and aluminium carrying case
Type Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone
Polar pattern Cardioid, omnidirectional, figure-eight
Frequency range 20 to 20,000 Hz
Sensitivity 28 mV/Pa (-31 dBV)
Max. SPL 135/155 dB SPL (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave, 300 Hz
Impedance =1000 ohms
Current consumption
Weight 2.00 kg

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Quick Comparison

AKG PERCEPTION 420 large-diaphragm condenser microphone removeAvantone AV-CK7 Condenser FET mic, inc shock mount, wooden mic box and metal case removeNEUMANN U-87 Ai Studio Set Condenser studio microphone removeRODE NT-2A Multipattern Condenser Microphone removeAKG PERCEPTION 120 Condenser microphone removeNEUMANN M-150 TUBE Condenser Tube Microphone remove
NameAKG PERCEPTION 420 large-diaphragm condenser microphone removeAvantone AV-CK7 Condenser FET mic, inc shock mount, wooden mic box and metal case removeNEUMANN U-87 Ai Studio Set Condenser studio microphone removeRODE NT-2A Multipattern Condenser Microphone removeAKG PERCEPTION 120 Condenser microphone removeNEUMANN M-150 TUBE Condenser Tube Microphone remove
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SKUPERCEPTION 420AV-CK7H11NE00046H11RD00030PERCEPTION 120H11NE00026
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Price 222.00 incl. GR VAT332.19 incl. GR VAT 2,849.00 incl. GR VAT 339.00 incl. GR VAT 110.00 incl. GR VAT 6,659.00 incl. GR VAT
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Description
ContentA/B, X/Y, and M/S stereo recording Ambience recording Grand piano, woodwind and brass instruments Percussions Drums Classical music recording Studio applications
  • Back-to-back large-diaphragm multi-pattern transducer
  • True condenser technology
  • High sensitivity and 155 dB maximum SPL capability
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary, pristine AKG sound quality
  • Complete with spider-type shock mount and aluminium carrying case
Type Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone
Polar pattern Cardioid, omnidirectional, figure-eight
Frequency range 20 to 20,000 Hz
Sensitivity 28 mV/Pa (-31 dBV)
Max. SPL 135/155 dB SPL (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave, 300 Hz
Impedance =1000 ohms
Current consumption

The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.

Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.

The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.

Applications.

studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic

Specifications

Type: True Condenser
Polar Pattern(s): Cardioid , Omni , Figure 8
Capsule: Dual-sided 35mm center-terminated gold-sputter Mylar (6 micron)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance:

Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation

Ideal as main and as support microphone in the most differing recording situations

 

Acoustical operating principle Pressure gradient transducer
Directional pattern Omnidirectional, cardioid, figure-8 plus
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)
Rated impedance 200 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR2) 26/23/25 dB1)
Equivalent noise level, A-weighted2) 15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)
Maximum SPL for THD 0.5%3) 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3) 127 dB
Maximum output voltage 390 mV
Dynamic range of the microphone amplifier (A-weighted) 105 dB
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 0.8 mA
Matching connectors XLR3F
Weight 500 g
Diameter 56 mm
Length 200 mm

 

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm

Live sound
Podcasting Home recording Vocals Musical instruments Perception 120
  • General-purpose cardioid recording microphone
  • Extended frequency response
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications. Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type 2/3\" Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 22 mV/Pa (-33 dBV)
Max. SPL 130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 72 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance
Recommended load impedance >= 1,000 ohms
Powering
Power requirement 48 V phantom power to DIN/IEC
Connector 3-pin XLR
Finish metallic blue
Dimensions 53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight 525 g (18.5 oz.)
Shipping weight 955 g (33.7 oz.)
Acoustical operating principlePressure transducer
Directional patternOmnidirectional
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm20 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-328 dB
Equivalent SPL DIN/IEC 65115 dB-A
S/N ratio CCIR 468-366 dB
S/N ratio DIN/IEC 65179 dB
Max. SPL (tube characteristic)K
Dynamic range (of the amplifier)K
Maximum output voltage8 dBu
Weight800 g
Diameter78 mm
Length165 mm
* THD of the microphone amplifier at an input voltage which is equivalent to the capsule output voltage at the specified SPL.
Weight2.00 kg0.70 kg2.00 kg2.90 kg0.50 kg0.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 0.70 kg
Weight 2.00 kg
Weight 2.90 kg
Weight 0.50 kg
Weight 0.80 kg