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Zoom iQ6 Overview
The iQ6 Stereo X/Y Microphone from Zoom turns your iOS device with Lightning connector into a field recorder for capturing the sounds of concerts, interviews, meetings, lectures and more, at up to 16-bit/48kHz resolution. The microphone uses the same two, high-quality, unidirectional condenser mics found in the popular H4n recorder, allowing your recordings to cover a wide area, while still capturing sound sources in the center with clarity and definition.
The X/Y microphones can be set at two different angles, 90 degrees for a tightly focused image, or 120 degrees for a more immersive wide-angle stereo. The input gain can be adjusted using the large, mic gain wheel on the front of the unit, while you monitor your levels using the 3-segment LED. The iQ6 also features a dedicated 3.5mm headphone jack, enabling direct monitoring during both recording and playback. The headphone output can also be used as a line out for making a backup recording if desired.
The iQ6 comes with a removable spacer that allows it to be used with most iPhone, iPad, and iPod cases. The mic is compatible with Zoom\'s free Handy Recorder app, which gives you the option to record as PCM or AAC files, and offers effects such as compression, EQ, and reverb. Additionally, it will work with Apple\'s Voice Memo app and GarageBand, as well as most apps that support input from an external microphone.
Zoom Handy Recorder App
Zoom\'s Handy Recorder app, available for free from the iTunes App Store, provides an assortment of tools for your iQ6 and iOS device. In addition to offering onscreen level metering, it enables you to set the iQ6 headphone volume, as well as adding an automatic recording function-handy for capturing the sound of meetings, speeches, and other situations. Choose linear PCM format for the highest quality sound or AAC format to conserve storage space, then apply compression, EQ and reverb effects to your recordings. Handy Recorder even allows you to email your files to friends and to upload them to SoundCloud for sharing with the world.
Microphone
SPECIFICATIONS
Stereo/Surround Configuration |
X/Y (Adjustable Stereo Width) |
Capsule |
Condenser |
Polar Pattern |
Unidirectional |
Gain Adjustment |
+11 to +51 dB |
Performance
Connectivity
Output Connectors (Analog) |
1 x |
Output Connectors (Digital) |
1 x Lightning |
Headphone Connector |
1 x 1/8" / 3.5 mm |
Digital Audio
A/D Conversion |
16-Bit |
Sample Rate |
44.1 / 48 kHz |
Operating System Support |
iOS |
Mobile Device Compatibility |
iPhone 5, 5c, 5s iPod Touch 5th Gen. iPad 4th Gen. iPad Air iPad Mini iPad Mini with Retina |
Power
Physical
Dimensions |
H: 2.4 x W: 1.2 x L: 2.1" / H: 61.1 x W: 30.6 x L: 53.1 mm |
Weight |
1.07 lb / 30.5 g |
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Korg D-4 Digital Recording Studio
High-performance recording studio in a friendly, compact package
Welcome a new member to Korg?s lineup of D-series recorders - acclaimed for their superb audio quality and intuitive ease-of-use. About the same size as a VHS video tape, the D4 Digital Recorder contains built-in effects, rhythms, and a tuner, everything needed to plug in a guitar or mic and start recording right away. Five real-time knobs provide immediate control over numerous functions, including a full array of Korg?s proprietary ?REMS? modeling effects. These same knobs perform double duty as Pan knobs and Record Select buttons; an informative backlit LCD screen keeps it all together. Inside, you?ll find powerful recording and sophisticated editing functions that rival high level models. There?s even a USB connector that makes it easy to transfer song data to a computer. With enormous potential packed into its small size, the D4 is the ideal partner for your creative music life.
Main features ? 4-Track digital recorder features 8 virtual tracks per track, for a total of 32 tracks. ? Two tracks of simultaneous recording. ? High audio quality with extended recording times using MPEG1 Layer 2 compressed recording format. ? XLR and 1/4 inch inputs accommodate both a microphone and/or guitar. ? Intuitive user interface provides plenty of knobs for easy operation. ? Instantly recall frequently-used effect settings, including custom-tailored settings, using the Favorites knob. ? Five knobs (with push-button function) allow for easy effect editing and pan control. ? Full suite of non-destructive editing tools includes punch-in/out, bounce, copy/paste, delete ? even pro-level functions such as time compression/expansion are provided. ? Korg?s proprietary ?REMS? modeling technology delivers 93 effect types that can be used for guitar, insert, master, or final effect processing. There are 100 preset effect programs ready for immediate use, and 100 user program locations. ? High-capacity CompactFlash data storage. ? Transfer data to a computer quickly and easily via the USB connector. ? Built-in mic allows immediate recording on the go. ? 87 Rhythm / metronome patterns and a chromatic tuner are built-in. ? The custom LCD display is backlit for easy visibility - even in dark locations. ? AC adaptor and 64 MB CompactFlash media are included.
A studio that?s just the right size The D4 is a complete four-track recording studio, providing multi-effects based on Korg?s proprietary ?REMS? modeling technology, and an array of rhythm and metronome patterns to compliment any musical style. Just plug a guitar or microphone into the D-4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes ?High Quality, Standard or Economy ? providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. There?s also a built-in tuner, ensuring that you?ll be in tune whenever you record.
*maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.
Simple, easy-to-use controls, including new ?turn and push? knobs Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select recording status of each track and turn effects on and off. There?s also a ?favorites knob? that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), you?ll be able to get the optimum level in any recording situation.
A full suite of editing tools bring a final polish to your song The D4 provides the functionality and flexibility you?ve come to expect from Korg digital recorders, including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one ? with no loss of fidelity ? and frees up tracks for additional recording. You can also use professional time compression/expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.
“REMS" modeling effect technology KORG?s proprietary "REMS" (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. The AMP effect faithfully recreates a range of amps; from classics such as the VOX AC30TB through today?s latest guitar amps. The CABINET effect accurately simulates a wide variety of speaker cabinets that match the various AMP types. The 4-BAND EQ allows you to make detailed adjustments to the tonal character and you can also apply chorus, phaser, and flanger type MODULATION effects. For recording bass parts, the BASS DRIVE and BASS CABINET effects provide a broad spectrum of bass sounds that perfectly simulate the character of various bass rigs. When it comes time to add vocals ? or another acoustic instrument ? the mic simulator recreates the ideal tonality for various recording applications.
What is REMS? REMS (Resonant structure and Electronic circuit Modeling System) is Korg?s proprietary modeling technology that digitally simulates a wide range of factors that affect sound, including the sound-producing mechanism of acoustic and electric/electronic instruments, the body and cabinet resonances that affect the tone, the spatial character of the sound field in which the sound is heard, the electrical and acoustical response of the mics and speakers that are in the sound-transmission path, and the way in which electrical circuits such as vacuum tubes and transistors affect the tone.
Create multi-effect ?chains? using up to five simultaneous effects The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material you?re recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. Four chain types are provided. [GUITAR/MIC] is used when applying effects to a mono input, such as guitar or vocal; [INSERT/GTR+VO] is for use with a stereo input, or when applying separate effects to a vocal track and a guitar track that are being recorded simultaneously; [MASTER] makes the overall sound more consistent; and [FINAL], which applies overall adjustments to the final output stage. A dedicated switch is provided to select each chain type. No complicated operations are required, letting you concentrate on your recording.
High-quality PCM rhythms Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.
Reliable, convenient CompactFlash storage CompactFlash capacities of 16 MB ? 2 GB are supported for data storage.*1*2 The data is written automatically when you?ve finished recording or editing. The D4 also provides a USB connector, so it?s easy to transfer song data and user effect data to your computer for backup.*3 Completed songs created within the D4 as stereo MPEG format*4 song files, can be played back as stereo MPEG files on your computer.*5 This also makes it easy to distribute or exchange data on the Internet.
*1 One (1) 64 MB CompactFlash card containing demo song data is included. *2 CF TYPE I cards only. CF TYPE II cards are not supported. *3 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. If your computer does not have a USB connector, you can still use a card reader/writer to backup data that?s stored on the card. *4 MPEG1 Layer2 format. *5 Windows Me, Windows 2000, Mac OS 9.0.4, or later systems are supported - when using a PC with an audio card that supports 32 kHz.
Recorder Section: |
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Number of Tracks: |
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4 tracks x 8 virtual tracks; 4 tracks simultaneous playback /2 tracks simultaneous recording |
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Recording Format: |
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16 bit MPEG 1 Layer 2 compression, 32 kHz |
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Recording Time: |
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Hi Quality = approx. 44 minutes /1 track Standard = approx. 64 minutes /1 tracks Economy = approx. 132 minutes /1 track (when using 64 MB CompactFlash), maximum of approx. 4200 minutes /1 track (Economy, when using 2 GB CompactFlash)
* Recording time may vary slightly depending on conditions of use. |
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Number of Songs: |
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99 songs per card |
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Tempo: |
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40 ~ 240 |
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Metronome Patterns: |
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32 |
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Rhythm Patterns: |
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55 |
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Track Editing: |
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Copy, Insert, Erase, Delete, Time Expansion/Compression |
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Song Editing: |
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Rename, Copy, Delete |
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Counter: |
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Min/Sec/Msec, Meas/Beat/Tick |
Mixer Section: |
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Structure: |
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4 ch + 2 ch (when using sub-input function) |
Effect Section: |
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Structure: |
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Guitar/Mic, Insert/Guitar+Vocal, Master, Final; One of the above effects can be selected for use. |
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Effects: |
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100 presets / 100 users |
Tuner: |
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Detection Range: |
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27.5 Hz ~ 2093 Hz |
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Calibration: |
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fixed at A=440 Hz |
Card: |
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Usable Type: |
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16 MB ~ 2 GB CompactFlash |
General: |
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Power Supply: |
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Included AC adapter |
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Dimensions: |
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7.52? (W) x 5.71? (D) x 1.61? (H) 191 (W) x 145 (D) x 41 (H) mm |
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Weight: |
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0.91 lbs./415 g |
Analog/Digital Input/Output Specifications: |
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A/D, D/A Conversion: |
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20 bit |
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Sampling Frequency: |
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32 kHz |
INPUT 1, 2: |
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Connector: |
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ψ6.3 mm phone jacks (unbalanced), XLR-3-31 type (balanced); when selecting INPUT 2 MIC |
LINE: |
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Input Impedance: |
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22 kOhm |
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Rated Level: |
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-32 dBu (INPUT LEVEL = Max), +4 dBu (INPUT LEVEL = min) |
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Maximum Level: |
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-18 dBu (INPUT LEVEL = Max), +16 dBu (INPUT LEVEL = min) |
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Source Impedance: |
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600 Ohm |
MIC: |
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Input Impedance: |
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10 kOhm: ψ6.3 mm phone jack (unbalanced), 10 kOhm: XLR-3-31 type (balanced)
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When using phone jack (unbalanced): |
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Rated Level: -52 dBu (INPUT LEVEL = max) -16 dBu (INPUT LEVEL = min) Maximum Level: -40 dBu (INPUT LEVEL = max) -4 dBu (INPUT LEVEL = min)
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When using INPUT 2 XLR (balanced): |
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Rated Level: -60 dBu (INPUT LEVEL = max) -28 dBu (INPUT LEVEL = min) Maximum Level: -48 dBu (INPUT LEVEL = max) -16 dBu (INPUT LEVEL = min) Source Impedance: 600 Ohm
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GTR: |
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Input Impedance: |
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890 kOhm
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Rated Level: |
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-30 dBu (INPUT LEVEL = max) +4 dBu (INPUT LEVEL = min) |
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Maximum Level: |
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-18 dBu (INPUT LEVEL = max) +16 dBu (INPUT LEVEL = min) |
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Source Impedance: |
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600 Ohm |
OUTPUT: |
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Connector: |
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RCA phono jacks
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Output Impedance: |
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1 kOhm |
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Maximum Level: |
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+2 dBu |
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Rated Level: |
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-10 dBu |
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Load Impedance: |
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Greater than 10 kOhm |
Phones Output: |
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Connector: |
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Mini-stereo phone jack
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Output Impedance: |
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10 Ohm |
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Maximum Level: |
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15 mW @ 33 Ohm |
Foot Switch: |
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Connector: |
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ψ6.3 mm phone jack (use separately sold PS-1 foot switch)
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USB: |
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Connector: |
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Type B
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Supported OS: |
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Windows Me/2000 or later, Mac OS 9.0.4 or later |
Included Items: |
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CompactFlash, AC adapter |
D4 Options: |
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PS-1 Foot Switch |
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Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware. Features: - Primary HD port for connecting directly to HD Core or Accel cards.
- Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
- Compatible with the latest versions of ProTools
- May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
- Please note: Not compatible with Pro Tools|HD Native
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The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.
* 0 dB = 0.775 V Power Source | 220 - 240 V AC | Power Consumption | 18 W | Volume Adjustment | 100 mm motorized fader x 12
Rotary encoder x 8 | Line Input | 1 channel (stereo) | Headphone Output | Stereo 100 mW + 100 mW (32 Ω load) | Monitor Bus | 1 stereo input
Connector: RJ45 connector
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable (2 pairs of data lines)
Maximum cable distance: 100 m (109.36 yd) (between D-2012C and D-2008SP) | LAN | Network I/F: 10BASE-T/100BASE-TX (Automatic-Negotiation)
RJ45 connector
Network protocol: TCP/IP
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable
Maximum cable distance: 100 m (109.36 yd) (between D-2008SP and switching hub) | Control | RS-232C: D-sub connector (9 pins) for maintenance use | Finish | Panel: Surface-treated steel plate
Rack mounting bracket: Surface-treated steel plate | Dimensions | 482 (W) × 266 (H) × 138 (D) mm (18.98 × 10.47" × 5.43) | Weight | 6.6 kg (14.55 lb) | Accessory | Power cord (2 m (6.5 ft)) ……1
Fader knob (yellow) ……3 | Option | Console case: D-2012AS |
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Stereo Rack Memory Recorder
The UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
The UR-2 is a new generation stereo memory recorder from Fostex that uses 2 SD cards (SDHC compatible) and USB storage device as the recording media. The recording/ playback file format is BWF (WAV). Its ample playback functions will adapt to the wide variety of playback requirements. It offers high quality recording of up to 24bit/96kHz (in BWF format). Employing FAT 32 disc format, it is easy to process the file transfer to a PC based DAW.
The analog input and output are balanced XLR/+4dBu and un-balanced RCA/-10dBV, the digital input and output complies to AES/EBU and S/P DIF digital signal. It is flexible to be used in the available audio system. The playback function includes Chain Play and Timer Play, it is suitable for live stage performance and sound installation. In addition to the external control via parallel remote with D-Sub 25pin and RS-232C serial remote, a USB keyboard and 10-key keyboard can trigger the instant playback start, which is very useful at a live event, theater and broadcast environments.
The Mic input located on the front panel offers 48V phantom power, it can be used not only for recording but also for speech to be mixed with playback source. Last but not least, its newly employed organic EL display gives an extremely clear visibility. This combined with DC power operation, it serves for outdoor use very well.
MAIN FEATURES
• 2 sets SD card slots and a USB host connector for alternate recording/playback among the different media.
• Stereo or Mono WAV (BWF) recording to SD card (also SDHC) and USB storage device
• Fs: 44.1/48/88.2/96kHz, Quantization: 16/24bit
• High speed file transfer with PC via USB 2.0 (bi-directional)
• Employing FAT32 format, it allows to directly mount the recorded files to PC.
• It adapts to a wide variety of use environment by offering Chain Play and Memory Play.
• Timer Play and Power ON Play enable automatic playback start for such as chime and repetitive announcement, which are convenient in the installation audio industry.
• The play mode list employs CSV file format so that it is easy to edit by a text editor or spread sheet program software on PC.
• 99 Cue points with locate function. Waveform display under Scrub mode offers easy and visual Cue point setting
• Microphone input with P48V available on the front panel. Not only for recording but for speech to be mixed with playback source.
• Analog I/O with balanced XLR and un-balanced RCA pin jacks, Digital I/O with XLR connectors
• An organic EL display offers high visibility.
• Remote transport control via Foot SW, Parallel remote pot (Dsub 25pin) and RS-232C (D-sub 9pin)
• External USB keyboard can be used not only for file name editing but for transport control such as REC and PLAY.
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Specifications General | Recording media | | CompactFlash (CF) card | File system | | FAT32 | Recording format | | BWF (Monophonic, Polyphonic) | Number of channels | | 8 channels (44.1/48/88.2/96 kHz) 8 channels + stereo mix (44.1/48 kHz) 4 channels (176.4/192 kHz) | Quantization bit rate | | 16/24 bit | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | Limiter | | Attack time: 3 ms Release time: 300 ms Threshold: –5 dBFS Ratio: 32:1 | Analogue audio inputs and outputs | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | ANALOG INPUT (1-8) | | D-sub 25-pin | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | Input impedance | | 10 kOhm | Nominal input level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | Output impedance | | 100 Ohm | Nominal output level | | When reference level is –9 dB: +6 dBu (1.55 Vrms) When reference level is not –9 dB: +4 dBu (1.23 Vrms) | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | PHONES connector | | 6.3-mm standard stereo jack | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | Digital audio inputs and outputs | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | Minimum input voltage | | 2 Vpp | Maximum input voltage | | 7 Vpp | Output voltage | | 2–5 Vpp | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | DIGITAL I/O (ADAT) | | ADAT optical | Format | | ADAT | DIGITAL INPUT A-B | | XLR-3-31 | Input voltage | | 2–7 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | DIGITAL OUTPUT L-R | | XLR-3-32 | Output voltage | | 2–5 Vpp at 110 Ohm | Format | | AES3-2003 (AES/EBU) | Other inputs and outputs | RS-422 | | D-sub, 9-pin | RS-232C | | D-sub, 9-pin | PARALLEL | | D-sub, 25-pin | CASCADE IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | CASCADE OUT | | BNC | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | TIME CODE IN | | BNC | Input voltage | | 0.5–5 Vpp | Input impedance | | 20 kOhm | TIME CODE OUT | | BNC | Output voltage | | 2–5 Vpp | Output impedance | | 600 Ohm ±10 | WORD/VIDEO IN | | BNC | Input voltage | | TTL equivalent (5 V) | Input impedance | | 75 Ohm ±10 % Allowable frequency deviation of external synchronization: ± 100 ppm | WORD/VIDEO THRU/OUT | | BNC OUT/THRU switch included (OUT is for WORD OUT only) | Output voltage | | TTL equivalent (5 V) | Output impedance | | 75 Ohm ±10 % | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | ETHERNET | | RJ45 | Keyboard | | Mini-DIN (PS/2) | USB | | USB A-type, 4-pin | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | Audio performance (analogue input to analogue outp | Frequency response | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | Power requirements and other specifications | Power requirements | | 100–240 V AC, 50–60 Hz | Power consumption | | 26 W | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | Weight | | 4.8 kg | Operating temperature range | | 5–35 °C |
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