| Content | Specifications :
- Four mono mic/line Neutrik \"Combo\" input channels with user-adjustable compressors
- Two stereo mic/line channels with Neutrik XLR inputs, plus two stereo line inputs
- Stereo USB audio interface for PC and Mac computers (24-bit, 48 KHz)
- Playback of MP3, WAV and FLAC files from TransFlash media
- Internal TransFlash module for high quality stereo recording in WAV or MP3 formats
- 2.4GHz Bluetooth connectivity for streaming digital audio directly from smartphones and tablets
- 32/40-bit digital effect processor with 16 effect programs and one main parameter control
- 3-band EQ with swept-mid channels on each input channel, 4-band EQ on stereo
- AUX sends on each channel
- +48V phantom power on mic channels
- Phones source matrix for maximum monitor flexibility
- EFX/AUX send cue for monitoring individual channels
- Balanced main outputs with independent 60mm L/R faders
| Mic Input: |
5-6 |
| Effect: |
Yes |
| Rack Mount Possibility: |
No |
|
SOUNDCRAFT-SPIRIT
LX-7 32 II
Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids
Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs | Low-cost high-performance mixers
Key Features
- 6 Mono & 2 Stereo Input Channels
- 6x GB30 Microphone Preamplifiers
- Recording and Live Sound Audio Console
- Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
| Total # Of Inputs |
6x Mono
2x Stereo |
| Mic/Line Inputs |
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR |
| Stereo Line Inputs |
2x Stereo: L/R 1/4" TRS Phone |
| In-Line Inputs/Returns |
No |
| AUX Sends |
2x Aux Sends |
| AUX Returns |
No dedicated returns |
| Inserts |
1/4" TRS Phone - Mono Inputs, Main Stereo Output |
| BUS (Group) Outputs |
Stereo Output Only |
| 2 Trk Master I/O |
Mix L/R: Stereo Paired L/R RCA Phono |
| ALT I/O |
No |
| Monitor Outputs |
Monitor: L/R Stereo Paired 1/4" TRS Phone |
| EQ Section |
Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz - 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz |
| Solo/Mute |
All Input Channels |
| Channel Level Control |
100 mm Faders |
| Trim/Gain Control |
Rotary Potentiometers |
| Phantom Power |
+48 V Phantom |
| Metering |
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED |
| Frequency Response |
20 Hz to 20 kHz +/-1.5 dB |
| Dynamic Range |
Not specified by manufacturer |
| Signal-to-Noise Ratio |
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down |
| Total Harmonic Distortion (THD) |
Mic sensitivity 30 dB, +14 dBu @ mix output: |
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The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.
This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.
Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.
As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.
For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.
On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.
Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.
The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers. - Technical Specifications
- Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
- THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
- Noise Measured RMS, 22Hz to 22kHz Bandwidth
- Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
- Mix Output, 40 inputs routed to mix..
- Group & Centre Outputs..
- Aux Outputs (GB2 Groups only)..
- Matrix Outputs..
- Crosstalk Input Channel Mute..
- (@1kHz, typical) Input Fader cut-off..
- Pan isolation..
- Mix route isolation..
- Group route isolation..
- Adjacent channel crosstalk..
- Group to Mix..
- Aux Send pots offness (typical)..
- Matrix Send pots offness (typical)
- CMRR Typical @ 1kHz.. 80dB
- Input & Output Mono & Stereo Mic Inputs.. +15dBu
- Max Levels Mono & Stereo Line Inputs.. +30dBu
- Stereo Returns & Insert Returns.. +20dBu
- Any output.. +20dBu
- Nominal Operating Level.. 0dBu
- Headphone Power.. 2 x 250mW into 200Ω
- Input & Output Mic Inputs.. 2kΩ
- Impedances Line Inputs and Stereo Returns.. 10kΩ
- Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
- Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
- Insert sends.. 75Ω
- Recommended Headphone Impedance.. 100 - 600Ω
- High pass filter (Mono input).. 100Hz, 18dB per octave
- EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
- Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
- Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
- LF.. 80Hz, +/-15dB, 2nd order shelving
- EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
- Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
- Lo-Mid.. 450Hz, +/-15dB, Q=0.8
- LF.. 80Hz, +/-15dB, 2nd order shelving
- Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
- Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
- Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
- + Meterpod with 3 VU meters (L/R/C)
- Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
- (indicates monitor source level)
- Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
- Power consumption.. Less than 150W
- Operating conditions Temperature range.. -10ºC to +30ºC
- Relative humidity.. 0% to 80%
- Features
- * 19” Rackmountable console
- * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
- * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
- * Rotatable connector pod for top or rear cable entry
- * 8 (GB2R-16) or 10 (GB2R-12.2) busses
- * 2 full feature stereo inputs (GB2R-12.2 version)
- * GB30 Mic preamp and precision EQ on inputs
- * Switchable +48V phantom power on every mic input
- * 100Hz Hi-pass filter
- * Direct outputs on every channel
- * 100mm faders
- * Stereo Mix Output and separate Mono Sum output
- * Record output
- * Internal Universal switched mode PSU
| Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
- Frame sizes 8+2
- 2 configurable auxiliary buses
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
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Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a. |
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