PRESONUS ERIS E-5 Active Studio Monitor 80W Pair

• 5.25-inch (E5) / 8-inch (E8) Kevlar® low-frequency transducer
• 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
• 70 (E5) /130 watt (E8), Class AB biamplification
• Front-firing acoustic port for superior bass-frequency reproduction
• Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
• RF interference, output current limiting, over-temperature, transient, and subsonic protection
• Optimized, resonance-suppressing internal bracing
• Balanced XLR/¼-inch and unbalanced RCA inputs
• 102 dB (E5) /105 dB (E8) maximum continuous SPL

• 150W active studio monitor with 8" military-grade Kevlar low-frequency driver and 1.25" silk dome tweeter
• Bi-amplified design delivers a sound that's both powerful and precise
• Custom waveguide ensures accurate dispersion for an incredibly tight soundstage
• Optimized rear-mounted port produces defined low-end response with bass extension down to 37Hz
• Acoustic Space Control tailors your monitor to your mix space
• Volume control for dialing in the perfect playback level
• Balanced combo input allows for flexible installation
• Front-panel LED shines brightly when the speaker is positioned at an ideal angle

• Frequency Range: 37Hz – 22kHz
• Crossover: 2.0kHz
• Maximum Peak Input Level: -2dBU
• Input Types: Balanced 20kO XLR, and TRS
• Unbalanced: 10kO TS
• Input Sensitivity: -12dBU
• HF Driver Size: 31.8 mm (1.25“)
• LF Driver Size: 203 mm (8“)
• Amplifier Power: 150W Class A/B
• HF Driver Power Amp: 70W
• LF Driver Power Amp: 80W
• Port: Rear internally flared
• Controls: Yes
• Magnetic Shielding: Yes
• AC Input Voltage: 100–120V, 50/60 Hz 220–240V, 50/60 Hz
• Enclosure Construction: MDF
• Enclosure Finish: Black PVC
• Baffle Construction: Injection-molded ABS
• Baffle Finish: Matte black with Soft-touch
• Dimensions (HxWxD): 384 mm x 250mm x 302mm (15.1” x 9.8” x 11.9”)
• Weight: 10.5 kgs (23.1 lbs)
• Display Carton (HxWxD): 398mm x 345mm x 482mm (15.6” x 13.5” x 18.9”)
• Shipping Carton (HxWxD): 412mm x 359mm x 502mm (16.2” x 14” x 19.68”)
• Shipping Weight: 12.8kgs (28.22lbs)
• Configuration: 2-Way bi-amp
• System Type: Active Monitor
• Fuse Rating: 220–240V~ T1AL, 250V 100–120V~ T2AL, 250V
• Power Consumption: 150W
• Shape: Bass-reflex

Features of the HR824mk2 Studio Reference Monitor:

- High-resolution Active studio reference monitor
- Ultra-linear frequency response for accurate mix translation
- 8.75 in. high-precision, low-distortion LF transducer
- 1 in. titanium dome, ferrofluid cooled tweeter
- Optimized Waveguide for wide, even sweet zone
- Twin FR Series amps -- 150W for LF / 100W for HF
- Cast aluminum Zero Edge Baffle minimizes diffraction
- Full internal damping eliminates midrange artifacts
- Onboard passive radiator extends bass response to 35Hz
- Acoustic Space, LF roll-off, and HF controls
- Balanced XLR, TRS, and unbalanced RCA inputs
- OmniMount ready for easy wall/ceiling placement
- THX pm3 certified for surround sound applications
- Perfect for High Definition audio, cinema and gaming systems

PRICE PER UNIT

A revolutionary formula: 2 x 7 = 77

In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line.

The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring.

Driver technology

Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels.

The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image.

Amplifiers / controls

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.
To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

Review samples:

“… a refreshing change“
"… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012

“… wide and spacious soundstage with solid left/right imaging“
"… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012

High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer

• Ultra-linear studio monitor with true active design
• Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
• Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
• Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
• Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
• High-precision crossover network with 4th order Linkwitz-Riley filters
• Adjustable to a wide range of acoustic conditions
• Separately controlled limiter for low and high frequency overload protection
• Magnetic shielding allows placement near computer monitors
• “Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany