Content | Our best-selling studio monitors just got better.
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it\'s no wonder that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E5 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.
Studio speakers with a wide sweet spot.
We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It’s ideal for group listening and collaboration—while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Features
Components and construction
- 5.25-inch woven composite low-frequency transducer
- 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
- Front-firing acoustic port for superior bass-frequency reproduction
- Optimized, resonance-suppressing internal bracing
- 102 dB maximum continuous SPL
User controls
- HF Adjust (±6 dB, continuously variable)
- Midrange Adjust (±6 dB, continuously variable)
- Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
- Highpass filter (Off, 80 Hz, 100 Hz)
Power and safety
- 70 watt, Class AB biamplification
- RF interference, output current limiting, over-temperature, transient, and subsonic protection
- Amplifier "soft start” feature eliminates popping on power-up
- Internal power supply with IEC connector
- Power switch with on/off LED
Inputs and outputs
- Balanced XLR/¼-inch
- Unbalanced RCA inputs
Technical Specifications
Inputs |
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1- Balanced XLR |
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1- Balanced ¼” TRS |
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1- Unbalanced RCA |
Performance |
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Frequency Response |
48 Hz - 20 kHz |
Crossover Frequency |
3 kHz |
LF Amplifier Power |
45W |
HF Amplifier Power |
35W |
Peak SPL (@ 1 meter) |
102 dB |
LF Driver |
5.25” |
HF Driver |
1” silk dome |
Input Impedance |
10 kΩ |
Dispersion |
100 degrees horizontal by 60 degrees vertical |
User Controls |
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Volume Range |
A-type taper |
MF Control |
-6, 0, +6 dB |
HF Control |
-6, 0, +6 dB |
Low Cut |
Flat, 80 Hz, or 100 Hz |
Acoustic Space |
Flat, -2 dB, or -4 dB |
Protection |
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RF interference |
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Output-current limiting |
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Over-temperature |
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Turn-on/off transient |
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Subsonic filter |
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External mains fuse |
Power |
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100-120V ~50/60 Hz or 220-240V ~50/60 Hz |
Cabinet |
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Vinyl-laminated, medium-density fiberboard |
Physical |
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Width |
8” (203.2 mm) |
Depth |
9” (228.6 mm) |
Height |
11” (279.4 mm) |
Weight |
11 lbs (4.99 kg) |
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The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.
Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type
Input Sampling rate
No de-emphasis 29 - 200 kHz
Input Sampling rate
Using de-emphasis
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches
Speaker weight 5.6 kg (12.3 lb)
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PRICE PER UNIT The original A5 The small A5 managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one "of the best small monitors” and a "great choice for the small studio.” (Future Music, 01/2009). The new A5X The similar dimensions and name could make one believe that the A5X is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that. Like all other models of the AX-Series it features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this. A 5.5” Midwoofer reproduces the frequencies below 2.5kHz. The diaphragm is made from Carbon fiber/Rohacell/Glass fiber, which is the same composite structure shared in the next two bigger models. This material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics. Stereolink A very handy and exclusive feature found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects two A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily. Controls and Connectors The front of the A5X sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting. Review: "The A5X: a superb impression.“ "A sparkling and lively desktop monitor with an open, powerful character. Good filters and practical ergonomics as well as useful equipment make ADAMs A5X an ideal partner in multimedia nearfield sound." (Stereo, 10/10) Mid-Woofer | | Number | 1 | Basket Ø | 5.5" (145 mm) | Voice coil Ø | 1.5" (32 mm) | Cone material | Carbon/Rohacell/Glass Fiber | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Mid-Woofer | 1 | Type | PWM | Amp. power RMS / music | 50 W / 75 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 75 W | Control panel | | Input Sensitivity | -∞ to +14 dB | High Shelf EQ > 5 kHz | ±6 dB | Low Shelf EQ | ±6 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | General data | | Frequency response | 50 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.6 % | Long term output | ≥102 dB | Max. peak | ≥110 dB | Crossover frequencies | 2500 Hz | Input impedance | 30 KOhm | Weight | 14.6 lb (6,6 kg) | Magnetically shielded | No | Height x Width x Depth | 11" (280 mm) x 6.5" (170 mm) x 8.5" (220 mm) | Warranty | 5 Years | Delivery contents | Cinch-cable, Power cord, Manual |
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PRICE PER UNIT S1X The S1X nearfield monitor delivers high quality sound in a very small cabinet. The S1X has all the critical features of the new SX-Series: the X-ART tweeter in combination with the ADAM designed class A/B amplifier and the HexaCone woofer with optimized magnet/voice-coil systems, driven by premium PWM amplifiers. The smallest reference speaker The combined features of crystal clear resolution, tight and precise low-frequency reproduction and the effortless musical reproduction sets this speaker apart from all conventional designs. The S1X is the first choice in all environments that require high quality within a small space, whether it is a smaller studio, an OB vehicle, or a 5.1 installation. Woofer | | Number | 1 | Basket Ø | 6" (156 mm) | Voice coil Ø | 1.5" (37 mm) | Cone material | HexaCone | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Woofer | 1 | Type | PWM | Amp. power RMS / music | 200 W / 280 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 100 W | Control panel | | Input Sensitivity (coarse) | ±10 dB | High Shelf EQ > 6 kHz | ±6 dB | Low Shelf EQ | ±6 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR | General data | | Panel | Rear | Frequency response | 40 Hz - 50 kHz | THD > 80 Hz | ≤1.5 % | Long term output | ≥103 dB | Max. peak | ≥113 dB | Crossover frequencies | 2200 Hz | Input impedance | 10 KOhm | Weight | 13.2 lb (6 kg) | Magnetically shielded | Optional | Height x Width x Depth | 11.5" (295 mm) x 7" (175 mm) x 10" (260 mm) | Warranty | 5 Years | Delivery contents | Power cord, Manual |
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Features of the HR824mk2 Studio Reference Monitor:
- High-resolution Active studio reference monitor
- Ultra-linear frequency response for accurate mix translation
- 8.75 in. high-precision, low-distortion LF transducer
- 1 in. titanium dome, ferrofluid cooled tweeter
- Optimized Waveguide for wide, even sweet zone
- Twin FR Series amps -- 150W for LF / 100W for HF
- Cast aluminum Zero Edge Baffle minimizes diffraction
- Full internal damping eliminates midrange artifacts
- Onboard passive radiator extends bass response to 35Hz
- Acoustic Space, LF roll-off, and HF controls
- Balanced XLR, TRS, and unbalanced RCA inputs
- OmniMount ready for easy wall/ceiling placement
- THX pm3 certified for surround sound applications
- Perfect for High Definition audio, cinema and gaming systems
Dimensions and Weight in PackagingShipping Weight: 41 lbs Shipping Dimensions: 14 x 18 x 22 in
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PRICE PER UNIT ADAMs A7 & A7X: the evolution of a legend The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios. With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level. Driver technology The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels. The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors. Mid-Woofer | | Number | 1 | Basket Ø | 7" (175 mm) | Voice coil Ø | 1.5" (38 mm) | Cone material | Carbon/Rohacell/Glass Fiber | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Mid-Woofer | 1 | Type | PWM | Amp. power RMS / music | 100 W / 150 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 75 W | Control panel | | Input Sensitivity | -∞ to +14 dB | High Shelf EQ > 5 kHz | ±6 dB | Low Shelf EQ | ±6 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | General data | | Frequency response | 42 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.5 % | Long term output | ≥106 dB | Max. peak | ≥114 dB | Crossover frequencies | 2500 Hz | Input impedance | 30 KOhm | Weight | 20.3 lb (9,2 kg) | Magnetically shielded | No | Height x Width x Depth | 13.5" (337 mm) x 8" (201 mm) x 11" (280 mm) | Warranty | 5 Years | Delivery contents | Power cord, Manual |
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