Our best-selling studio monitors just got better. With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound… it\’s no wonder that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E5 XT is a substantial […]
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound… it\’s no wonder that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E5 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.
Studio speakers with a wide sweet spot.
We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It’s ideal for group listening and collaboration—while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Our best-selling studio monitors just got better.
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it\'s no wonder that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E5 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.
Studio speakers with a wide sweet spot.
We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It’s ideal for group listening and collaboration—while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Features
Components and construction
Front-firing acoustic port for superior bass-frequency reproduction
Optimized, resonance-suppressing internal bracing
102 dB maximum continuous SPL
User controls
HF Adjust (±6 dB, continuously variable)
Midrange Adjust (±6 dB, continuously variable)
Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
Highpass filter (Off, 80 Hz, 100 Hz)
Power and safety
70 watt, Class AB biamplification
RF interference, output current limiting, over-temperature, transient, and subsonic protection
Amplifier "soft start” feature eliminates popping on power-up
Internal power supply with IEC connector
Power switch with on/off LED
Inputs and outputs
Balanced XLR/¼-inch
Unbalanced RCA inputs
Technical Specifications
Inputs
1- Balanced XLR
1- Balanced ¼” TRS
1- Unbalanced RCA
Performance
Frequency Response
48 Hz - 20 kHz
Crossover Frequency
3 kHz
LF Amplifier Power
45W
HF Amplifier Power
35W
Peak SPL (@ 1 meter)
102 dB
LF Driver
5.25”
HF Driver
1” silk dome
Input Impedance
10 kΩ
Dispersion
100 degrees horizontal by 60 degrees vertical
User Controls
Volume Range
A-type taper
MF Control
-6, 0, +6 dB
HF Control
-6, 0, +6 dB
Low Cut
Flat, 80 Hz, or 100 Hz
Acoustic Space
Flat, -2 dB, or -4 dB
Protection
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
External mains fuse
Power
100-120V ~50/60 Hz or 220-240V ~50/60 Hz
Cabinet
Vinyl-laminated, medium-density fiberboard
Physical
Width
8” (203.2 mm)
Depth
9” (228.6 mm)
Height
11” (279.4 mm)
Weight
11 lbs (4.99 kg)
The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.
Specifications
Frequency response :
40Hz - 40kHz
Maximum SPL :
113dB SPL (peak @ 1m)
Input :
Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV
Integral through cancellation magnets or by magnet design
Box :
7-1/2" (19mm) MDF panels
Finish :
Dark red natural veneering side panels, black body
Dimensions (HxWxD) :
13 x 9-7/16 x 11-7/16 " (330x240x290mm)
Weight :
24.2lb (11kg)
Features
Professional 2-way active DJ monitors
Output: 2x 30 W RMS
Frequency response: 35 Hz - 20 kHz
S/N Ratio: > 75 dB
Impedance: 8 ohm
Magnetically shielded bass drivers
Speakers: 13.34 cm (5.25“) bass, 2.54 cm (1“) tweeter
Technical Data
Dimensions: 232 x 320 x 180 mm
Weight: 5.0 kg (per piece)
Features
Ruler-Flat Response 52Hz to 20kHz, + 1.5 dB
Benefit: Sound true to actual recording
Benefit: Any pair of speakers is a matched pair
Active Technology
2 FR (Fast Recovery) Series Amplifiers; HF 40W; LF 100W
Benefit: Precise dividing slope, correct phase, and low distortion
Benefit: Minimal chance of speaker damage due to overdriving
Servo Loop Woofer Technology
Electronic control and dampening
Benefit: Speaker output is as true to incoming signal as possible
Frequency Response Controls
80Hz low-cut switch; 3-position live/dead switch (-2bdB, Normal and +2dB)
Benefit: Excellent response in a variety of acoustic environments
Wide Sweet Spot
Custom-designed die-cast wave guide
Benefit: User hears the same thing across a wider range of motion
3-Position Acoustic Space Switch
Compensation in bass response for half-space (-2dB) and quarter-space (-4dB) placement
Benefit: As close-to-flat performance as possible regardless of placement in room
Applications
Professional Recording Studios
Home and Project Studios
Film (THX) and Post Production Studios
Home Theater Installations
Acoustic Performance
Free Field Frequency Response: 52Hz - 20Hz
Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany
PRICE PER UNIT
ADAMs A7 & A7X: the evolution of a legend
The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.
With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.
Driver technology
The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.
The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.
Amplifiers / controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
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