PRESONUS HP-60 Headphone Amplifier 6 Channels

303.80 incl. GR VAT

Available on backorder

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The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent, loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each channel allowing you to mix between […]

 

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The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for “more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

Weight 2.00 kg

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Quick Comparison

PRESONUS HP-60 Headphone Amplifier 6 Channels removeFOCUSRITE ISA 428 MKII FOUR CHANNELS MIC PREAMPLIFIER removeFOCUSRITE ISA ONE Microphone Pre-amplifier removeDAP AUDIO D1535 ASC-202 2 Way Stereo Converter removeSOUND DEVICES MP-1 Portable, battery-powered microphone preamplifier with phantom power removeAVALON U5 MONO INSTRUMENT and DI PREAMPLIFIER remove
NamePRESONUS HP-60 Headphone Amplifier 6 Channels removeFOCUSRITE ISA 428 MKII FOUR CHANNELS MIC PREAMPLIFIER removeFOCUSRITE ISA ONE Microphone Pre-amplifier removeDAP AUDIO D1535 ASC-202 2 Way Stereo Converter removeSOUND DEVICES MP-1 Portable, battery-powered microphone preamplifier with phantom power removeAVALON U5 MONO INSTRUMENT and DI PREAMPLIFIER remove
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SKUAPA2018-00893ISA 428 MKIIISA ONED1535MP-1U 5
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Description
Content

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

Mic Inputs
• Frequency response at minimum gain (0dB): -0.35dB at 20Hz and –3dB at 122kHz
• Frequency response at maximum gain (60dB): –2.5dB at 20Hz and –3dB 103kHz
• Gain range: 0dB to +60dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +7.4dBu
• THD+N: 0.0009% (measured at 1kHz -20dBu input signal, at 30dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise EIN: -126dB (measured at 60dB of gain with 150Ω termination and 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -98dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 123dB (relative to max output 25dBu)
• SNR: 120dB (relative to 0dBFS (+22dBu)
• CMRR: 88dB.
• Input Impedance, variable: 600Ω, 1400Ω, 2400Ω, 6800Ω

Line Inputs
• Frequency Response at unity gain (0dB): -0.3dB at 20Hz and –3dB at 94kHz
• Gain range: -20dB to +10dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +25.4dBu
• THD+N: 0.002% (measured with +4dBu input signal, 0dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -91dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 116dB (relative to max output 25dBu)
• SNR: 113dB (relative to 0dBFS +22dBu). Input Impedance: 10kΩ

Instrument Inputs
• Frequency Response at +10dB gain: -0.2dB at 20Hz and 0dB at 200kHz
• Frequency Response at +40dB gain: -3dB at 20Hz and –3dB at 38.4kHz
• Gain range: +10dB to +40dB continuously variable
• Maximum headroom: +11.5dBu
• THD+N: 0.006% (measured with –20dBu input signal, at minimum gain (+10dB), with a 20Hz/22kHz bandpass filter)
• Noise at main output with minimum gain (+10dB): -95dBu (measured with a 20Hz/22kHz bandpass filter)
• Input Impedance = >1MΩ

High Pass Filter
• Roll off = 18dB per octave 3 pole filter
• Frequency range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)

Meters
• 6 LED meter is calibrated 0dBFS = +22dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:

Meter panel calibration value in dBFS / Equivalent dBu value
0dBFS / +22dBu
-2dBFS / +20dBu
-6dBFS / +16dBu
-12dBFS / +10dBu
-18dBFS / +4dBu
-42dBFS / -20dBu



Front and rear connectivity

Analogue Channel Inputs (Inputs 1-4)
• 4 instrument 1⁄4” TS jack inputs on front panel
• 4 microphone XLR inputs on rear panel
• 4 line 1⁄4” TRS jacks on rear panel
• 4 insert return 1⁄4” TRS jacks on rear panel
• 4 ADC XLR inputs on rear panel

Analogue Audio Outputs (Outputs 1-4)
• 4 line XLR outputs on rear panel
• 4 insert send 1⁄4” TRS jacks on rear panel

Other I/O
• IEC power input connector 100Vac – 240Vac

Front Panel Indicators
• 8 output meters, 6 segment
• 4 30-60 mic gain range selection indicator
• 4 +48V phantom power indicator
• 4 Phase indicator
• 4 Insert In indicator
• 4 Filter In indicator
• 4 Input selection indicators (Mic, Line, Inst)
• 4 Z In microphone input impedance selection indicators (Low, ISA110, Med, High) Clock select indicators (44.1, 48, 88.2, 96, 176.4, 192)
• Ext clock indicators (Lock, Word clock, 256X)

Weight
5.5kg
12.2lbs

Dimensions (W x H x D)
480mm (W) x 88mm (H) x 280mm (D)
19" (W) x 3.5" (H) x 11" (D)


ISA OneClassic Single-channel Microphone Pre-amplifier with Independent D.I. Key Features ISA Series Transformer-based Pre-amplifier Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone pre-amplifier at its lowest cost to date. Flexible Independent D.I. Channel ISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional ADC. Switchable Impedance Choose one of four carefully selected input impedances, including the original ISA 110 setting, to suit any microphone. Optional Stereo 192kHz ADC This optional card embodies cutting-edge conversion technology, incorporating Focusrite analogue circuitry to deliver the best A-D performance in its class (Dynamic range of 119dB). Rugged Custom Flight Case Built to protect your ISA One from the rigors of the road. Rugged plywood construction with a solid polypropylene exterior and reinforced corners. Headphone Output with Volume Control ISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit. Dedicated Insert Point Allows you to place extra processing between the pre-amplifi er or D.I. and the optional converter, such as an EQ or compressor. Specifications Analogue Channel Inputs
  • XLR Mic input
  • One XLR and one TRS line input
  • XLR Instrument input TRS Jack
  • External ADC input TRS Jack
  • TRS jack return
Analogue Channel Outputs
  • TRS jack send
  • XLR balanced line output
  • XLR DI output
  • TS jack DI through
Analogue Channel Additional I/O
  • TRS Jack cue mix left input
  • TRS Jack cue mix right input
  • 1/4” TRS Jack headphones output
Mic Input Response
Gain range 0dB to 60dB in 10dB steps + 20 dB of variable gain
Input Impedance Switched Impedance setting Equivalent Input Impedance at 1kHz Low = 600 Ohms ISA110 = 1400 Ohms Med = 2400 Ohms High = 6800 Ohms
EIN (Equivalent Input Noise) -126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz/22kHz band-pass filter
Noise Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu
Signal-to-Noise Ratio 106 dB relative to max headroom (9dBu)
Total Harmonic Distortion + Noise Measured at medium gain (30dB) with a 1kHz -20dBu input signal and with a 22Hz/22kHz band-pass filter
Frequency Response At minimum gain (0 dB) -0.5dB down at 10Hz and -3dB down at 125kHz
At maximum gain (60dB) -3dB down at 16Hz and -3dB down 118kHz
CMRR (Common Mode Rejection Ratio) 98dB (Channel 1, 1kHz, maximum gain with +24 dBu input)
Crosstalk Channel to Channel With 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA
Line Input Response
Gain range -20dB to +10dB in 10dB steps + 20 dB of variable gain
Input Impedance 10 kΩ from 10 Hz to 200 kHz
Noise Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter -96 dBu
Signal-to-Noise Ratio Measured with a 22 Hz-22 kHz band pass filter 120 dB relative to max headroom (24 dBu) 118dB relative to 0dBFS (+22dBu)
Total Harmonic Distortion + Noise Measured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter 0.0001%
Frequency Response At unity gain (0 dB) -0.3dB down at 10Hz and -3dB down at 200kHz
Instrument Input Response
Gain range 10dB to 40dB continuously variable
Input Impedance High = greater than 1M Low =greater than 300k
Noise Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB): -92 dBu Maximum gain (+40dB): -62dBu
THD At minimum gain (+10)
Frequency Response At minimum gain (+10 dB) -10dB input: 10Hz-100kHz +/- 0.6dB
At maximum gain (+40 dB) -40dB input: -2.5dB down at 10Hz and 0dB at 100kHz
Meters
Moving Coil (MC) Meter factory calibrated to 0VU = +4dBu with 1kHz sinewave. With the VU Cal button pressed the meter can be adjusted on the rear panel to allow 0VU to equal +10dBu to +26dBu with the centre detent being equal to +22dBu.
Peak LED Meters Calibrated in the detent position for 0dBFS = +22dBu, calibration is adjustable on the rear panel to allow 0dBFS to equal +10dBu to +26dBu
Routing for MC and Peak1 meter is after the HPF, pre insert send or switched post insert return. Peak2 is always pre ADC channel 2, which can be fed by external input or Instrument input.
LED Levels As follows, when peak calibration is set to center detent on the rear panel. (This is when using the internal ADC). 0 = +22dBu -2 = +20dBu -6 = +16dBu -12 = +10dBu -18 = +4dBu -42 = -20dBu
Frequency Response At minimum gain (+10 dB) -10dB input: 10Hz-100kHz +/- 0.6dB
At maximum gain (+40 dB) -40dB input: -2.5dB down at 10Hz and 0dB at 100kHz
High-Pass Filter
Roll-Off 18 dB per octave (3 pole filter)
Frequency Fixed 75Hz measured at the 3dB down point
Weight and Dimensions
W x D x H 220mm (W) x 104mm (H) x 254 - 290mm (D - top to bottom) 8.66" (W) x 4.1" (H) x 10" - 11.4" (D - top to bottom)
Weight 3.9 kg 8.6 lbs
• Road proof housing • High quality components • Professional balanced XLR outputs • Level control The ASC-202 converts consumer level stereo RCA signals to balanced XLR professional line level, and back. One side of the unit, has two XLR inputs and stereo RCA outputs. The other side has stereo RCA inputs and two XLR outputs. Each side has stereo level controls. A possible application of the SC-13 is to use it as a level control in balanced audio lines. The DAP Pro Audio Solutions are a complete line-up of audio tools for the professional musician or audio engineer. It is a series of audio modifying tools like mini-mixers, pre-amps and converters available in active or passive models. All audio solutions are designed to meet the highest stage and audio demands and feature a metal road proof housing with rubber feet and easy accessible controls. The units also have a small footprint which make them ideal to be used and placed in any environment where space is critical. Specifications Frequency Response: 20Hz-20KHz Inputs: XLR/Jack Combo, RCA Outputs: XLR male, RCA Input sensitivity RCA in: -10 dBv Input Impedance RCA in: 10 kOhm Input sensitivity XLR/Jack in: +4 dBu Input Impedance XLR/Jack in: 20 kOhm Output voltage RCA Out: -10 dBV Output Impedance XLR Out: 100 Ohm Output voltage XLR Out: +4 dBu Output Impedance XLR Out: 200 Ohm Power supply: 18V AC (adapter included) Dimensions: 53 x 158 x 135 mm (HxWxD) Weight: 0,65 Kg

Designed for high-definition field production environments, the studio-quality MP-1 is an ideal line-driver for critical radio, television, and film applications.

The MP-1 is extremely durable and easy to use. With rugged mechanical and electrical construction and high-quality components it will provide years of superb audio performance under the most punishing field conditions.

MP-1 Key Features
  • Superb audio specifications
  • 66 dB of gain, in eleven discrete steps
  • Transformer-balanced input and output
  • Phantom power - 48 volt or 12 volt
  • High pass filter @  80 Hz or 160 Hz, 6 dB/octave
  • Limiter makes unit virtually "unclippable“
  • High current line output drive
  • Excellent immunity to RF interference.
  • Battery power (two x AA)
  • Durable mechanical construction

 

The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable
gain preamp and filter. The high input impedance accepts a wide variety of signal levels
and instruments from acoustic guitars to high-output active bass guitars and keyboards.
The U5 direct box is loaded with sonic character and user features professionals demand.

U5 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Variable gain preamp to +30dB.
Dual microphone and line outputs
Hi-Z   3,000,000 ohm input impedance
Very low noise -100dB
High headroom +30dB
Six tone bank selections.
DC coupled Class A output for superior bass
High cut switch eliminates noise
LED active signal indicator
Headphone monitor output jack
Low distortion less than 0.5% THD and IMD
High level 400 watt speaker input
Active to thru selector - ground isolation switch
100% discrete power supplies for audio path
Internal toroidal power supply for low noise
Long lasting, stainless steel hardware
 
SONIC EXCELLENCE
The Avalon U5 Pure Class A instrument DI & preamplifier is the most powerful direct box
available today.  Designed to optimize absolute signal integrity and musical performance,
the U5 includes many features and sonic excellence unequaled by lesser designs. The
U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers
and low output pickups. 
Features include state-of-the-art, high input impedance input stage for zero load effect on
sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical
user features and rugged hardware designed to deliver true high performance audio for many
years. 
DESIGNED FOR DEEP & CONTROLLED BASS
Avalon U5 DI-preamps have been in use around the world since 1995. They have found their way
into the world's leading musicians rigs and recording sessions and been featured on thousands
of the best selling (and sounding) albums and live performances.
MINIMUM SIGNAL PATH DESIGN
The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high
level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ
curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch
eliminates unwanted acoustic pickup and high frequency noise, while a  headphone monitor amp
has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low
level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing.
The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized
signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth
loop or AC buzz problems with complete safety.

U5 SPECIFICATIONS
Circuit Topology:  100% discrete, high-voltage Class A 
Gain:  Switched 3dB steps, maximum gain +30dB 
Input Impedance:  3 ,000,000 ohm unbalanced (single ended) 
Maximum Input Level  +24dBu unbalanced, 400w speaker input 
Output Connectors (2):  XLR type, pin 2 hot electronic balanced 
Maximum Output Level (Class A):  +30dBu DC coupled, balanced 600 ohms (mic and line out) 
Headphone Output:  0.5w into 600 ohms 
Noise 20kHz Unweighted:  -100dBu minimum gain position 
Distortion THD, IMD:  0.1% at +10dB 
Frequency Response, -/+0.5dB:  5Hz to 100kHz 
Frequency Response, -3dB:  1Hz to 500kHz (input band limited) 
High Cut Filter:  -3dB at 8kHz minimum phase design 
Tone Selector:  Six position rotary switch, all passive filters 
AC Power:  Internal toroidal AC supply 
Dimensions:  8.5 x 3.5 x 12 in (216 x 88 x 305mm) 
Weight-Packed:  12lbs (5.4kg) 
Rack mount kit (1) RM-1:  Single U5 19 inch rack mount kit (holds one half rack unit) 
Rack mount kit (2) RM-2:  Dual U5 19 inch rack mount kit (holds two half rack units) 

Weight2.00 kg5.50 kg4.00 kg0.65 kg2.00 kg5.40 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 5.50 kg
Weight 4.00 kg
Weight 0.65 kg
Weight 2.00 kg
Weight 5.40 kg