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Designed for creative electronic music production.
Ideal for producers and small bands who want to record audio from a wide range of sources, the Studio 1810c 192 kHz USB-C™ compatible audio interface records up to 18 simultaneous inputs, including ADAT and S/PDIF, and features PreSonus® XMAX mic preamps, DC-coupled line outputs, and MIDI I/O. A complete, all-in-one recording package, the Studio 1810c offers control-room integration with included Studio One® Artist music production software and free UC Surface control software and is backward compatible with USB 2.0 and 3.0 connections.
World-class recording software included.
Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1810c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.
Take the tour.
The 18-in, 8-out Studio 1810c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including 4 microphone inputs with XMAX mic preamps, 4 dedicated line inputs, 8 channels of ADAT Optical input (4 channels at 96 kHz), and S/PDIF inputs. In addition to the main L/R outputs, you get four DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs with A/B switching for monitoring different mix streams. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
- Simultaneous I/O up to 18 inputs/8 outputs (8x6 at 192 kHz)
- 2 mic/instrument/line inputs with XMAX Class A mic preamps
- 2 mic/line inputs with XMAX Class A mic preamps
- 4 balanced ¼” TRS direct-to-ADC line inputs
- 8 channels of ADAT Optical input (4 channels at 96 kHz)
- 2 balanced ¼” TRS main outputs
- DC coupled for sending control voltages
- 4 balanced ¼” TRS line outputs for monitor mixing
- DC coupled for sending control voltages
- 2 stereo headphone outputs with the same mix or independent mixes
- MIDI In/Out
- Stereo S/PDIF digital I/O
- 1 USB-C™ compatible 2.0 port
- USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Integrated Software
- Studio One® Artist for Mac® and Windows®
- UC Surface control software for Mac, Windows, iPad®, and Android™
- Studio Magic Plug-in Suite
Meters, Controls, and Features
- 18x6 onboard DSP monitor mixer
- Front-panel mute and level controls for main outputs
- True +48V phantom power for condenser microphones (global)
- 6 ladder-style 8-LED level meters (4 input, 2 main output)
Digital
- USB-C™ compatible port (USB 2.0)
- 24-bit resolution
- 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
- Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB-C™ or USB-A 2.0 port compatiblity
- 32 GB hard disk space
- PreSonus Universal Control 2.0 or higher
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
- Multitouch-enabled monitor required for touch operation
iOS
- iOS 10 or later
- iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)
Android
- Android™ 5.0 (Lollipop) or later
- Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Technical Specifications
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General
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| Sample Rates |
44.1, 48, 88.2, 96, 176.4, 192 kHz |
| Converter Resolution |
24-bit |
| Converter Dynamic Range |
114 dB |
| Converter Dynamic Range |
114 dB |
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Microphone Inputs
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| Maximum Level |
+16 dBu, min gain |
| Gain Range |
80 dB |
| Frequency Response |
20 Hz - 20 kHz (unity gain) |
| Dynamic Range |
110 dB (A-wtd, min gain) |
| THD + N |
0.005% (1 kHz, 0dBu, unity gain) |
| EIN |
-128 dBu (A-wtd, 20 kHz BW, Rs=150Ω, max gain) |
| Input Impedance |
1400Ω |
| Phantom Power |
48V (>10 mA per channel) |
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Line Inputs
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| Maximum Level |
+21 dBu (balanced, min gain) |
| Gain Range |
40 dB |
| Frequency Response |
20 Hz-20 kHz (unity gain) |
| Dynamic Range |
112 dB (A-wtd, min gain) |
| THD + N |
0.005% (1 kHz, +18 dBu, min gain) |
| Input Impedance |
10 kΩ |
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Instrument Inputs
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| Maximum Level |
+15 dBu (unbalanced, min gain) |
| Gain Range |
80 dB |
| Frequency Response |
20 Hz - 20 kHz (min gain) |
| Dynamic Range |
112 dB (A-wtd, min gain) |
| THD + N |
0.020% (1 kHz, +10 dBu, min gain) |
| Input Impedance |
1M Ω |
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Main Outputs
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| Type |
¼" TRS female, DC Coupled |
| Maximum Level |
+18 dBu, balanced |
| Frequency Response |
20Hz - 20kHz (unity gain) |
| Dynamic Range |
108 dB (A-wtd, unity gain) |
| THD + N |
0.004% (1 kHz, -1 dBFS, unity gain) |
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Line Outputs
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| Type |
¼" TRS female, DC coupled |
| Maximum Level |
+18 dBu, balanced |
| Frequency Response |
20 Hz - 20 kHz |
| Dynamic Range |
108 dB (A-wtd, -60 dBFS) |
| THD + N |
0.004% (1 kHz, -1 dBFS, unity gain) |
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Headphone Outputs
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| Maximum Power |
150 mW/channel (60Ω load) |
| Frequency Response |
20 Hz - 20 kHz (unity gain) |
| Dynamic Range |
103 dB (A-weighted, 1 kHz, unity gain) |
| THD + N |
0.250% (1 kHz, 150 mW, unity gain) |
| Impedance Working Range |
32Ω to 600Ω |
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Physical
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| Height |
1.75" (44 mm) |
| Width |
12.5" (317 mm) |
| Depth |
5.5" (140 mm) |
| Weight |
3.2 lbs (1.45 kg) |
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Yamaha AUDIOGRAM3 Computer Recording System Specifications:
- Mic/Hi-Z input: 1
- Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
- Combo Connectors: 1
- Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
- USB Connector: To Host x 1
- Headphone connector: Stereo Phone connector x 1
- Stereo Out connector: Phone connector x 2 (L, R)
- Power Supply: USB powered
- Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
- Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
System Requirements - Windows Vista
- Windows-based computer with built-in USB interface
- OS: Windows Vista
- CPU: 1GHz or better Intel Core / Pentium / Celeron processor
- Memory: More than 1GB
Windows XP - Windows-based computer with built-in USB interface
- OS: Windows XP Professional / XP Home Edition
- CPU: 750MHz or better Intel Core / Pentium / Celeron processor
- Memory: More than 128MB
Macintosh - Macintosh computer with built-in USB interface
- OS: Mac OS X 10.3.3 or higher
- CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
- Memory: More than 128MB
Cubase AI4 System Requirements:
- Windows
- OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
- CPU: Intel Pentium 1.4GHz or better
- Available Memory: More than 512MB
- Hard Disk: Free disk space of 1GB or more
- Audio Interface: Windows DirectX / ASIO compatible
Macintosh - OS: Mac OS X 10.4 or higher
- CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
- Available Memory: More than 512MB
- Hard Disk: Free disk space of 1GB or more
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Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers ![]( "MBOX")
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Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.
The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.
The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.
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![]() | ![]() | ![]() | 8 channels of premium 24-bit 192K AD/DA conversion | | | ![]() | ![]() | 4 digitally controlled 75db microphone preamps | | | ![]() | ![]() | 2 fully balanced inserts on mic pre channels | | | ![]() | ![]() | 4 Hi-Z instrument inputs capable of handling high level instruments | | | ![]() | ![]() | 2 individual, controllable and assignable high level headphone outputs | | | ![]() | ![]() | 2, 6 or 8 channel monitor outputs | | | | ![]() | 8 channels of ADAT I/O | | | | ![]() | FireWire 400 I/O, compatible with OS X Core Audio (no driver required) | | | | ![]() | 2 channels of SPDIF I/O | | | | ![]() | “Soft Limit” for maximum digital input level without overs | | | | ![]() | “UV22HR” for superior dither of 24 bit resolution down to 16-bit | | | | ![]() | Advanced, dual-stage "Intelliclock” | | | | ![]() | Complete integration and control with Appleʼs Logic Pro Software | | | | ![]() | Compatibility with any CoreAudio software applications | | | | ![]() | Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro |
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The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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