PRESONUS Studio 1824C Audio interface

443.00 incl. GR VAT

Only 1 left in stock (can be backordered)

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Created for demanding producers. The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing […]

 

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Created for demanding producers.

The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One® Artistmusic production software and UC Surface control software.

World-class recording software included.

Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour.

The Studio 1824c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Features

Input/Output

  • Up to 18 inputs/20 outputs simultaneously (8×8 at 192 kHz)
  • 2 mic/instrument/line inputs with XMAX Class A mic preamps
  • 6 mic/line inputs with XMAX Class A mic preamps
  • 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
  • 2 balanced ¼” TRS main outputs
    • DC coupled for sending control voltages
  • 8 balanced ¼” TRS line outputs for monitor mixing
    • DC coupled for sending control voltages
  • 2 stereo headphone outputs with individual level controls
  • MIDI In/Out
  • Stereo S/PDIF digital I/O
  • 1 USB-C™ compatible 2.0 port
    • USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
  • BNC word clock output

Integrated Software

  • Studio One® Artist for Mac® and Windows®
  • UC Surface control software for Mac, Windows, iPad®, and Android™
  • Studio Magic Plug-in Suite

Meters, Controls, and Features

  • 18×8 onboard DSP monitor mixer
  • Front-panel level controls for main outputs
  • Mono and Mute buttons for the main outputs
  • True +48V phantom power for condenser microphones (global)
  • 10 ladder-style 8-LED level meters (8 input, 2 main output)

Digital

  • USB-C™ compatible port (USB 2.0)
  • 24-bit resolution
  • 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates

Physical

  • 1U rack-mountable
  • Road-rugged construction with all-metal chassis and metal knobs

Computer system requirements:

Below are the minimum computer-system requirements.

Mac

  • macOS® 10.11 or higher (64-bit only)
  • Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
  • Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • USB-C™ or USB-A 2.0 port compatiblity
  • 32 GB hard disk space
  • PreSonus Universal Control 2.0 or higher
  • Monitor with 1366×768 resolution (high-dpi monitor recommended)
  • Multitouch-enabled monitor required for touch operation

iOS

  • iOS 10 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)


Android

  • Android™ 5.0 (Lollipop) or later
  • Android tablet (8-inch) with 1024×768 resolution (UC Surface)

Technical Specifications

General
Sample Rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
Converter Resolution 24-bit
Converter Dynamic Range 114 dB
Converter Dynamic Range 114 dB
Microphone Inputs
Maximum Level +16 dBu, min gain
Gain Range 80 dB
Frequency Response 20 Hz – 20 kHz (unity gain)
Dynamic Range 110 dB (A-wtd, min gain)
THD + N 0.005% (1 kHz, 0dBu, unity gain)
EIN -128 dBu (A-wtd, 20 kHz BW, Rs=150Ω, max gain)
Input Impedance 1400Ω
Phantom Power 48V (>10 mA per channel)
Line Inputs
Maximum Level +21 dBu (balanced, min gain)
Gain Range 40 dB
Frequency Response 20 Hz-20 kHz (unity gain)
Dynamic Range 112 dB (A-wtd, min gain)
THD + N 0.005% (1 kHz, +18 dBu, min gain)
Input Impedance 10 kΩ
Instrument Inputs
Maximum Level +15 dBu (unbalanced, min gain)
Gain Range 80 dB
Frequency Response 20 Hz – 20 kHz (min gain)
Dynamic Range 112 dB (A-wtd, min gain)
THD + N 0.020% (1 kHz, +10 dBu, min gain)
Input Impedance 1M Ω
Main Outputs
Type ¼” TRS female, DC Coupled
Maximum Level +18 dBu, balanced
Frequency Response 20Hz – 20kHz (unity gain)
Dynamic Range 108 dB (A-wtd, unity gain)
THD + N 0.004% (1 kHz, -1 dBFS, unity gain)
Line Outputs
Type ¼” TRS female, DC coupled
Maximum Level +18 dBu, balanced
Frequency Response 20 Hz – 20 kHz
Dynamic Range 108 dB (A-wtd, -60 dBFS)
THD + N 0.004% (1 kHz, -1 dBFS, unity gain)
Headphone Outputs
Maximum Power 150 mW/channel (60Ω load)
Frequency Response 20 Hz – 20 kHz (unity gain)
Dynamic Range 103 dB (A-weighted, 1 kHz, unity gain)
THD + N 0.250% (1 kHz, 150 mW, unity gain)
Impedance Working Range 32Ω to 600Ω
Physical
Height 1.75″ (44 mm)
Width 19″ (483 mm)
Depth 5.5″ (140 mm)
Weight 4.8 lbs (2.2 kg)
Weight 2.50 kg

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PRESONUS Studio 1824C Audio interface removeYAMAHA GO 46 FIREWIRE AUDIO-MIDI INTERFACE removeMOTU 8 Pre USB - 16 x 12 FireWire audio interface removeMOTU HD192 removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeBEHRINGER UCG-102 Guitar INTERFACE SOUND CARD remove
NamePRESONUS Studio 1824C Audio interface removeYAMAHA GO 46 FIREWIRE AUDIO-MIDI INTERFACE removeMOTU 8 Pre USB - 16 x 12 FireWire audio interface removeMOTU HD192 removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeBEHRINGER UCG-102 Guitar INTERFACE SOUND CARD remove
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Description
Content

Created for demanding producers.

The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One® Artistmusic production software and UC Surface control software.

World-class recording software included.

Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour.

The Studio 1824c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Features Input/Output
  • Up to 18 inputs/20 outputs simultaneously (8x8 at 192 kHz)
  • 2 mic/instrument/line inputs with XMAX Class A mic preamps
  • 6 mic/line inputs with XMAX Class A mic preamps
  • 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
  • 2 balanced ¼” TRS main outputs
    • DC coupled for sending control voltages
  • 8 balanced ¼” TRS line outputs for monitor mixing
    • DC coupled for sending control voltages
  • 2 stereo headphone outputs with individual level controls
  • MIDI In/Out
  • Stereo S/PDIF digital I/O
  • 1 USB-C™ compatible 2.0 port
    • USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
  • BNC word clock output
Integrated Software
  • Studio One® Artist for Mac® and Windows®
  • UC Surface control software for Mac, Windows, iPad®, and Android™
  • Studio Magic Plug-in Suite
Meters, Controls, and Features
  • 18x8 onboard DSP monitor mixer
  • Front-panel level controls for main outputs
  • Mono and Mute buttons for the main outputs
  • True +48V phantom power for condenser microphones (global)
  • 10 ladder-style 8-LED level meters (8 input, 2 main output)
Digital
  • USB-C™ compatible port (USB 2.0)
  • 24-bit resolution
  • 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates
Physical
  • 1U rack-mountable
  • Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:

Below are the minimum computer-system requirements.

Mac
  • macOS® 10.11 or higher (64-bit only)
  • Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)
Windows
  • Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
  • Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
  • USB-C™ or USB-A 2.0 port compatiblity
  • 32 GB hard disk space
  • PreSonus Universal Control 2.0 or higher
  • Monitor with 1366x768 resolution (high-dpi monitor recommended)
  • Multitouch-enabled monitor required for touch operation
iOS
  • iOS 10 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)

Android
  • Android™ 5.0 (Lollipop) or later
  • Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Technical Specifications
General
Sample Rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
Converter Resolution 24-bit
Converter Dynamic Range 114 dB
Converter Dynamic Range 114 dB
Microphone Inputs
Maximum Level +16 dBu, min gain
Gain Range 80 dB
Frequency Response 20 Hz - 20 kHz (unity gain)
Dynamic Range 110 dB (A-wtd, min gain)
THD + N 0.005% (1 kHz, 0dBu, unity gain)
EIN -128 dBu (A-wtd, 20 kHz BW, Rs=150Ω, max gain)
Input Impedance 1400Ω
Phantom Power 48V (>10 mA per channel)
Line Inputs
Maximum Level +21 dBu (balanced, min gain)
Gain Range 40 dB
Frequency Response 20 Hz-20 kHz (unity gain)
Dynamic Range 112 dB (A-wtd, min gain)
THD + N 0.005% (1 kHz, +18 dBu, min gain)
Input Impedance 10 kΩ
Instrument Inputs
Maximum Level +15 dBu (unbalanced, min gain)
Gain Range 80 dB
Frequency Response 20 Hz - 20 kHz (min gain)
Dynamic Range 112 dB (A-wtd, min gain)
THD + N 0.020% (1 kHz, +10 dBu, min gain)
Input Impedance 1M Ω
Main Outputs
Type ¼" TRS female, DC Coupled
Maximum Level +18 dBu, balanced
Frequency Response 20Hz - 20kHz (unity gain)
Dynamic Range 108 dB (A-wtd, unity gain)
THD + N 0.004% (1 kHz, -1 dBFS, unity gain)
Line Outputs
Type ¼" TRS female, DC coupled
Maximum Level +18 dBu, balanced
Frequency Response 20 Hz - 20 kHz
Dynamic Range 108 dB (A-wtd, -60 dBFS)
THD + N 0.004% (1 kHz, -1 dBFS, unity gain)
Headphone Outputs
Maximum Power 150 mW/channel (60Ω load)
Frequency Response 20 Hz - 20 kHz (unity gain)
Dynamic Range 103 dB (A-weighted, 1 kHz, unity gain)
THD + N 0.250% (1 kHz, 150 mW, unity gain)
Impedance Working Range 32Ω to 600Ω
Physical
Height 1.75" (44 mm)
Width 19" (483 mm)
Depth 5.5" (140 mm)
Weight 4.8 lbs (2.2 kg)

Yamaha GO46 FireWire Interface

The GO46 FireWire interface from Yamaha provides a means to stream
high-quality 24-bit/192kHz digital audio and MIDI into a computer. Connect
it to a laptop, and you've got a rugged and portable interface that can go
anywhere you go, hence the name "GO46." This box is the ideal interface
for great-sounding audio on the "GO."

Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI

Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
 on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.

FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.

Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.

Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE

Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.

The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.

The 8pre as your primary audio interface

Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.

The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.

The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

The 8pre as a microphone preamp expansion interface

The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.

If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.

 

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
GUITAR LINK UCG102 The Ultimate Guitar-to-USB Interface to Jam and Record with Killer Modeling Amps and Effects
  • Plug in your favorite guitar and turn your PC or Mac computer into a guitar amp and recording system without the need for any other hardware
  • Enjoy immediate access to Guitar Combos from Native Instruments—the leading authentic guitar amp and stomp box modeling software—now including VST, AU and RTAS plugin versions
  • Create Music Now! Incredibly powerful energyXT2 Compact music production software and Audacity editing software—both with full portability on all PC, Mac or Linux computers
  • Directly works with your PC or Mac computer—ultra-low latency ASIO driver for PC audio optimization included
  • Stereo Headphone output lets you jam with your computer and can also be used for monitoring with active monitor speakers
  • Guitar Combos with variable-speed file playback function for MP3, WAV, AIFF audio files—perfect for easy learning and practicing—tuner and metronome function
  • Powered via USB—no additional power supply required
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
  The UCG102 is a USB interface that, like a guitar amp, receives signal from your guitar via a 1/4" input jack. A built-in USB cable then sends signal directly to your computer, where the amazing included software package simulates guitar amps and stomp boxes, in addition to tracking your latest masterpiece. It has a 1/4" headphone jack and PHONES volume dial so you can monitor your performance as you record, a CLIP LED to tell you when your signal is too hot, and a HI/LO level selector. Super Software The UCG102 comes packaged with Native Instruments' "Guitar Combos" software that models guitar amps and stomp boxes. Take your pick of the "PLEXI COMBO“, "TWANG COMBO” or "AC BOX COMBO” for stunningly real amplifier tones. Sample them all, then activate the full version of the classic rockin' "AC BOX COMBO" rig. Native Instruments extends special offers to all registered Guitar Combos users, making it more affordable than ever to take advantage of their award-winning GUITAR RIG software packages. Visit http://co.native-instruments.com/index.php?id=4101&prid=247&redirected=1 for the latest special pricing on this incredible software. You also get energyXT2.5 BEHRINGER Edition, a multi-track recording program. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. energyXT includes its own multi-FX processor, built-in synthesizers and a drum machine, both of which can be accessed directly via an external controller (such as our UMA25S or UMX25) or programmed in step-write mode. To learn more about energyXT Compact BEHRINGER Edition, visit http://www.behringer.com/EN/Support/energyXT.aspx.
Weight2.50 kg1.50 kg4.00 kg5.50 kg2.00 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 1.50 kg
Weight 4.00 kg
Weight 5.50 kg
Weight 2.00 kg
Weight 0.50 kg