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Created for demanding producers.
The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One® Artistmusic production software and UC Surface control software.
World-class recording software included.
Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.
Take the tour.
The Studio 1824c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
- Up to 18 inputs/20 outputs simultaneously (8x8 at 192 kHz)
- 2 mic/instrument/line inputs with XMAX Class A mic preamps
- 6 mic/line inputs with XMAX Class A mic preamps
- 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
- 2 balanced ¼” TRS main outputs
- DC coupled for sending control voltages
- 8 balanced ¼” TRS line outputs for monitor mixing
- DC coupled for sending control voltages
- 2 stereo headphone outputs with individual level controls
- MIDI In/Out
- Stereo S/PDIF digital I/O
- 1 USB-C™ compatible 2.0 port
- USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
- BNC word clock output
Integrated Software
- Studio One® Artist for Mac® and Windows®
- UC Surface control software for Mac, Windows, iPad®, and Android™
- Studio Magic Plug-in Suite
Meters, Controls, and Features
- 18x8 onboard DSP monitor mixer
- Front-panel level controls for main outputs
- Mono and Mute buttons for the main outputs
- True +48V phantom power for condenser microphones (global)
- 10 ladder-style 8-LED level meters (8 input, 2 main output)
Digital
- USB-C™ compatible port (USB 2.0)
- 24-bit resolution
- 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates
Physical
- 1U rack-mountable
- Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB-C™ or USB-A 2.0 port compatiblity
- 32 GB hard disk space
- PreSonus Universal Control 2.0 or higher
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
- Multitouch-enabled monitor required for touch operation
iOS
- iOS 10 or later
- iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)
Android
- Android™ 5.0 (Lollipop) or later
- Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Technical Specifications
General
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Sample Rates |
44.1, 48, 88.2, 96, 176.4, 192 kHz |
Converter Resolution |
24-bit |
Converter Dynamic Range |
114 dB |
Converter Dynamic Range |
114 dB |
Microphone Inputs
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Maximum Level |
+16 dBu, min gain |
Gain Range |
80 dB |
Frequency Response |
20 Hz - 20 kHz (unity gain) |
Dynamic Range |
110 dB (A-wtd, min gain) |
THD + N |
0.005% (1 kHz, 0dBu, unity gain) |
EIN |
-128 dBu (A-wtd, 20 kHz BW, Rs=150Ω, max gain) |
Input Impedance |
1400Ω |
Phantom Power |
48V (>10 mA per channel) |
Line Inputs
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Maximum Level |
+21 dBu (balanced, min gain) |
Gain Range |
40 dB |
Frequency Response |
20 Hz-20 kHz (unity gain) |
Dynamic Range |
112 dB (A-wtd, min gain) |
THD + N |
0.005% (1 kHz, +18 dBu, min gain) |
Input Impedance |
10 kΩ |
Instrument Inputs
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Maximum Level |
+15 dBu (unbalanced, min gain) |
Gain Range |
80 dB |
Frequency Response |
20 Hz - 20 kHz (min gain) |
Dynamic Range |
112 dB (A-wtd, min gain) |
THD + N |
0.020% (1 kHz, +10 dBu, min gain) |
Input Impedance |
1M Ω |
Main Outputs
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Type |
¼" TRS female, DC Coupled |
Maximum Level |
+18 dBu, balanced |
Frequency Response |
20Hz - 20kHz (unity gain) |
Dynamic Range |
108 dB (A-wtd, unity gain) |
THD + N |
0.004% (1 kHz, -1 dBFS, unity gain) |
Line Outputs
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Type |
¼" TRS female, DC coupled |
Maximum Level |
+18 dBu, balanced |
Frequency Response |
20 Hz - 20 kHz |
Dynamic Range |
108 dB (A-wtd, -60 dBFS) |
THD + N |
0.004% (1 kHz, -1 dBFS, unity gain) |
Headphone Outputs
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Maximum Power |
150 mW/channel (60Ω load) |
Frequency Response |
20 Hz - 20 kHz (unity gain) |
Dynamic Range |
103 dB (A-weighted, 1 kHz, unity gain) |
THD + N |
0.250% (1 kHz, 150 mW, unity gain) |
Impedance Working Range |
32Ω to 600Ω |
Physical
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Height |
1.75" (44 mm) |
Width |
19" (483 mm) |
Depth |
5.5" (140 mm) |
Weight |
4.8 lbs (2.2 kg) |
| Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O | U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
- 2 In/2 Out USB Audio Interface
- Mac or PC, no drivers required
- 16-bit/48kHz converters
- Low latency
- Headphone output
- S/PDIF optical out
- USB powered
- Free Software
- Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Works with your PC or Mac computer—no setup or drivers required
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor both input and output
- Additional S/PDIF optical output for direct digital conversion
- Powered via USB—no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer. |
Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor. * Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more) * Bus-powered USB 2.0 connection for maximum mobility * Professional-grade circuitry and converters deliver exceptional audio performance * Up to 24-bit, 96 kHz sample rates * Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound * Built-in guitar tuner * Onboard DSP offers flexible cue mixing and reverb effects * Assignable Pro Tools multi-function button on interface gives you fast access to software functions * Hardware configuration: o 4 x 4 simultaneous channels of I/O o 2 XLR mic/line combo inputs with 48 V phantom power o 2 1/4” DI inputs on front panel for easy access o 2 balanced 1/4” monitor outputs o 1 1/4” stereo headphone output with volume control o Stereo S/PDIF digital I/O o 1 MIDI input, 1 MIDI output o Monitor control section with Mono and Dim controls o Dedicated monitor volume knob Pro Tools LE Software Pro Tools 8 Software The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time. Key Features * Award-winning Pro Tools recording, editing, and mixing * 48 simultaneous stereo audio tracks (expandable with Toolkit options) * Includes over 70 professional effects and virtual instruments * Professional MIDI sequencing with dedicated MIDI Editor window * Integrated Score Editor based on award-winning Sibelius notation software * Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks * Unique Beat Detective LE automatic groove analysis and correction tool * ReWire support for streaming your favorite applications right into Pro Tools * Huge selection of compatible third-party plug-ins and software options * Works on Windows and Mac computers System Requirements Mac PC * Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard) * 1 GB RAM (2 GB recommended) * 6 GB free disk space * Intel® processor (no PowerPC® support) * One USB port * Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit * 1 GB RAM (2 GB recommended) * 5 GB free disk space * One USB port Compatibility ASIO, Core Audio, WDM, MME, and multi-client drivers
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Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.
The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.
The 8pre as your primary audio interface
Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.
The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.
The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The 8pre as a microphone preamp expansion interface
The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.
If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.
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The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
- Stereo input and output at 24-bit/96kHz audio quality
- High-end A/D and D/A converters for accurate recording and playback
- Large Input Level knob for easy control while recording
- 1/4" jack with Hi-Z option for recording electric guitar or bass
- Electret condenser mic input
- RCA phono type and optical-digital audio I/O
- Headphone output
- USB powered – no AC adapter required
- SONAR LE for music recording, editing, and publishing on PC
- Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels | Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only |
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Signal Processing | PC interface: 24 bits
AD/DA Conversion: 24 bits (linear)
* ADVANCE DRIVER switch = OFF: 16 bits |
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Sampling Frequency | Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
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Nominal Input Level | Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
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Nominal Output Level | Line output jacks: -10 dBu |
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Interface | USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format. |
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Controllers | ADVANCED DRIVER Switch
Guiter/Mic Switch
INPUT VOLUME knob
PHONES VOLUME Dial
SAMPLE RATE Switch
96kHz MODE Switch
INPUT MONITOR Switch
REC SOURCE Switch |
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Connectors | USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: (1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector. |
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Power Supply | Supplied from the computer |
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Current Draw | 200 mA |
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Accessories | Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM | Size and Weight |
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