Created for demanding producers. The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing […]
The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One® Artistmusic production software and UC Surface control software.
World-class recording software included.
Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.
Take the tour.
The Studio 1824c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
Up to 18 inputs/20 outputs simultaneously (8×8 at 192 kHz)
2 mic/instrument/line inputs with XMAX Class A mic preamps
6 mic/line inputs with XMAX Class A mic preamps
8 channels of ADAT Optical I/O (4 channels at 96 kHz)
2 balanced ¼” TRS main outputs
DC coupled for sending control voltages
8 balanced ¼” TRS line outputs for monitor mixing
DC coupled for sending control voltages
2 stereo headphone outputs with individual level controls
MIDI In/Out
Stereo S/PDIF digital I/O
1 USB-C™ compatible 2.0 port
USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
BNC word clock output
Integrated Software
Studio One® Artist for Mac® and Windows®
UC Surface control software for Mac, Windows, iPad®, and Android™
Studio Magic Plug-in Suite
Meters, Controls, and Features
18×8 onboard DSP monitor mixer
Front-panel level controls for main outputs
Mono and Mute buttons for the main outputs
True +48V phantom power for condenser microphones (global)
10 ladder-style 8-LED level meters (8 input, 2 main output)
Digital
USB-C™ compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates
Physical
1U rack-mountable
Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One® Artistmusic production software and UC Surface control software.
World-class recording software included.
Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.
Take the tour.
The Studio 1824c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
Up to 18 inputs/20 outputs simultaneously (8x8 at 192 kHz)
2 mic/instrument/line inputs with XMAX Class A mic preamps
6 mic/line inputs with XMAX Class A mic preamps
8 channels of ADAT Optical I/O (4 channels at 96 kHz)
2 balanced ¼” TRS main outputs
DC coupled for sending control voltages
8 balanced ¼” TRS line outputs for monitor mixing
DC coupled for sending control voltages
2 stereo headphone outputs with individual level controls
MIDI In/Out
Stereo S/PDIF digital I/O
1 USB-C™ compatible 2.0 port
USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
BNC word clock output
Integrated Software
Studio One® Artist for Mac® and Windows®
UC Surface control software for Mac, Windows, iPad®, and Android™
Studio Magic Plug-in Suite
Meters, Controls, and Features
18x8 onboard DSP monitor mixer
Front-panel level controls for main outputs
Mono and Mute buttons for the main outputs
True +48V phantom power for condenser microphones (global)
10 ladder-style 8-LED level meters (8 input, 2 main output)
Digital
USB-C™ compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates
Physical
1U rack-mountable
Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
Monitor with 1366x768 resolution (high-dpi monitor recommended)
Multitouch-enabled monitor required for touch operation
iOS
iOS 10 or later
iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)
Android
Android™ 5.0 (Lollipop) or later
Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Technical Specifications
General
Sample Rates
44.1, 48, 88.2, 96, 176.4, 192 kHz
Converter Resolution
24-bit
Converter Dynamic Range
114 dB
Converter Dynamic Range
114 dB
Microphone Inputs
Maximum Level
+16 dBu, min gain
Gain Range
80 dB
Frequency Response
20 Hz - 20 kHz (unity gain)
Dynamic Range
110 dB (A-wtd, min gain)
THD + N
0.005% (1 kHz, 0dBu, unity gain)
EIN
-128 dBu (A-wtd, 20 kHz BW, Rs=150Ω, max gain)
Input Impedance
1400Ω
Phantom Power
48V (>10 mA per channel)
Line Inputs
Maximum Level
+21 dBu (balanced, min gain)
Gain Range
40 dB
Frequency Response
20 Hz-20 kHz (unity gain)
Dynamic Range
112 dB (A-wtd, min gain)
THD + N
0.005% (1 kHz, +18 dBu, min gain)
Input Impedance
10 kΩ
Instrument Inputs
Maximum Level
+15 dBu (unbalanced, min gain)
Gain Range
80 dB
Frequency Response
20 Hz - 20 kHz (min gain)
Dynamic Range
112 dB (A-wtd, min gain)
THD + N
0.020% (1 kHz, +10 dBu, min gain)
Input Impedance
1M Ω
Main Outputs
Type
¼" TRS female, DC Coupled
Maximum Level
+18 dBu, balanced
Frequency Response
20Hz - 20kHz (unity gain)
Dynamic Range
108 dB (A-wtd, unity gain)
THD + N
0.004% (1 kHz, -1 dBFS, unity gain)
Line Outputs
Type
¼" TRS female, DC coupled
Maximum Level
+18 dBu, balanced
Frequency Response
20 Hz - 20 kHz
Dynamic Range
108 dB (A-wtd, -60 dBFS)
THD + N
0.004% (1 kHz, -1 dBFS, unity gain)
Headphone Outputs
Maximum Power
150 mW/channel (60Ω load)
Frequency Response
20 Hz - 20 kHz (unity gain)
Dynamic Range
103 dB (A-weighted, 1 kHz, unity gain)
THD + N
0.250% (1 kHz, 150 mW, unity gain)
Impedance Working Range
32Ω to 600Ω
Physical
Height
1.75" (44 mm)
Width
19" (483 mm)
Depth
5.5" (140 mm)
Weight
4.8 lbs (2.2 kg)
Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more) * Bus-powered USB 2.0 connection for maximum mobility * Professional-grade circuitry and converters deliver exceptional audio performance * Up to 24-bit, 96 kHz sample rates * Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound * Built-in guitar tuner * Onboard DSP offers flexible cue mixing and reverb effects * Assignable Pro Tools multi-function button on interface gives you fast access to software functions * Hardware configuration: o 4 x 4 simultaneous channels of I/O o 2 XLR mic/line combo inputs with 48 V phantom power o 2 1/4” DI inputs on front panel for easy access o 2 balanced 1/4” monitor outputs o 1 1/4” stereo headphone output with volume control o Stereo S/PDIF digital I/O o 1 MIDI input, 1 MIDI output o Monitor control section with Mono and Dim controls o Dedicated monitor volume knob
Pro Tools LE Software Pro Tools 8 Software
The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing * 48 simultaneous stereo audio tracks (expandable with Toolkit options) * Includes over 70 professional effects and virtual instruments * Professional MIDI sequencing with dedicated MIDI Editor window * Integrated Score Editor based on award-winning Sibelius notation software * Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks * Unique Beat Detective LE automatic groove analysis and correction tool * ReWire support for streaming your favorite applications right into Pro Tools * Huge selection of compatible third-party plug-ins and software options * Works on Windows and Mac computers
System Requirements Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard) * 1 GB RAM (2 GB recommended) * 6 GB free disk space * Intel® processor (no PowerPC® support) * One USB port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit * 1 GB RAM (2 GB recommended) * 5 GB free disk space * One USB port
Compatibility ASIO, Core Audio, WDM, MME, and multi-client drivers
The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
2 In/2 Out USB Audio Interface
Mac or PC, no drivers required
16-bit/48kHz converters
Low latency
Headphone output
S/PDIF optical out
USB powered
Free Software
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
Works with your PC or Mac computer—no setup or drivers required
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB—no external power supply needed
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
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