PRESONUS Studio 1824C Audio interface

443.00 incl. GR VAT

Only 1 left in stock (can be backordered)

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Created for demanding producers. The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing […]

 

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Created for demanding producers.

The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One® Artistmusic production software and UC Surface control software.

World-class recording software included.

Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour.

The Studio 1824c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Features

Input/Output

  • Up to 18 inputs/20 outputs simultaneously (8×8 at 192 kHz)
  • 2 mic/instrument/line inputs with XMAX Class A mic preamps
  • 6 mic/line inputs with XMAX Class A mic preamps
  • 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
  • 2 balanced ¼” TRS main outputs
    • DC coupled for sending control voltages
  • 8 balanced ¼” TRS line outputs for monitor mixing
    • DC coupled for sending control voltages
  • 2 stereo headphone outputs with individual level controls
  • MIDI In/Out
  • Stereo S/PDIF digital I/O
  • 1 USB-C™ compatible 2.0 port
    • USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
  • BNC word clock output

Integrated Software

  • Studio One® Artist for Mac® and Windows®
  • UC Surface control software for Mac, Windows, iPad®, and Android™
  • Studio Magic Plug-in Suite

Meters, Controls, and Features

  • 18×8 onboard DSP monitor mixer
  • Front-panel level controls for main outputs
  • Mono and Mute buttons for the main outputs
  • True +48V phantom power for condenser microphones (global)
  • 10 ladder-style 8-LED level meters (8 input, 2 main output)

Digital

  • USB-C™ compatible port (USB 2.0)
  • 24-bit resolution
  • 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates

Physical

  • 1U rack-mountable
  • Road-rugged construction with all-metal chassis and metal knobs

Computer system requirements:

Below are the minimum computer-system requirements.

Mac

  • macOS® 10.11 or higher (64-bit only)
  • Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
  • Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • USB-C™ or USB-A 2.0 port compatiblity
  • 32 GB hard disk space
  • PreSonus Universal Control 2.0 or higher
  • Monitor with 1366×768 resolution (high-dpi monitor recommended)
  • Multitouch-enabled monitor required for touch operation

iOS

  • iOS 10 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)


Android

  • Android™ 5.0 (Lollipop) or later
  • Android tablet (8-inch) with 1024×768 resolution (UC Surface)

Technical Specifications

General
Sample Rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
Converter Resolution 24-bit
Converter Dynamic Range 114 dB
Converter Dynamic Range 114 dB
Microphone Inputs
Maximum Level +16 dBu, min gain
Gain Range 80 dB
Frequency Response 20 Hz – 20 kHz (unity gain)
Dynamic Range 110 dB (A-wtd, min gain)
THD + N 0.005% (1 kHz, 0dBu, unity gain)
EIN -128 dBu (A-wtd, 20 kHz BW, Rs=150Ω, max gain)
Input Impedance 1400Ω
Phantom Power 48V (>10 mA per channel)
Line Inputs
Maximum Level +21 dBu (balanced, min gain)
Gain Range 40 dB
Frequency Response 20 Hz-20 kHz (unity gain)
Dynamic Range 112 dB (A-wtd, min gain)
THD + N 0.005% (1 kHz, +18 dBu, min gain)
Input Impedance 10 kΩ
Instrument Inputs
Maximum Level +15 dBu (unbalanced, min gain)
Gain Range 80 dB
Frequency Response 20 Hz – 20 kHz (min gain)
Dynamic Range 112 dB (A-wtd, min gain)
THD + N 0.020% (1 kHz, +10 dBu, min gain)
Input Impedance 1M Ω
Main Outputs
Type ¼” TRS female, DC Coupled
Maximum Level +18 dBu, balanced
Frequency Response 20Hz – 20kHz (unity gain)
Dynamic Range 108 dB (A-wtd, unity gain)
THD + N 0.004% (1 kHz, -1 dBFS, unity gain)
Line Outputs
Type ¼” TRS female, DC coupled
Maximum Level +18 dBu, balanced
Frequency Response 20 Hz – 20 kHz
Dynamic Range 108 dB (A-wtd, -60 dBFS)
THD + N 0.004% (1 kHz, -1 dBFS, unity gain)
Headphone Outputs
Maximum Power 150 mW/channel (60Ω load)
Frequency Response 20 Hz – 20 kHz (unity gain)
Dynamic Range 103 dB (A-weighted, 1 kHz, unity gain)
THD + N 0.250% (1 kHz, 150 mW, unity gain)
Impedance Working Range 32Ω to 600Ω
Physical
Height 1.75″ (44 mm)
Width 19″ (483 mm)
Depth 5.5″ (140 mm)
Weight 4.8 lbs (2.2 kg)
Weight 2.50 kg

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Quick Comparison

PRESONUS Studio 1824C Audio interface removeMOTU 8 Pre USB - 16 x 12 FireWire audio interface removeEDIROL FA-66 24Bit/192kHz FireWire Audio Capture removeDIGIDESIGN Pro Tools Mbox USB AUDIO INTERFACE 4X4 removeBEHRINGER UCA222 Ultra-low latency 2-In/2-Out USB audio interface with digital output removeMOTU HD192 remove
NamePRESONUS Studio 1824C Audio interface removeMOTU 8 Pre USB - 16 x 12 FireWire audio interface removeEDIROL FA-66 24Bit/192kHz FireWire Audio Capture removeDIGIDESIGN Pro Tools Mbox USB AUDIO INTERFACE 4X4 removeBEHRINGER UCA222 Ultra-low latency 2-In/2-Out USB audio interface with digital output removeMOTU HD192 remove
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Description
Content

Created for demanding producers.

The Studio 1824c 192 kHz USB-C™ compatible audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One® Artistmusic production software and UC Surface control software.

World-class recording software included.

Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour.

The Studio 1824c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Features Input/Output
  • Up to 18 inputs/20 outputs simultaneously (8x8 at 192 kHz)
  • 2 mic/instrument/line inputs with XMAX Class A mic preamps
  • 6 mic/line inputs with XMAX Class A mic preamps
  • 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
  • 2 balanced ¼” TRS main outputs
    • DC coupled for sending control voltages
  • 8 balanced ¼” TRS line outputs for monitor mixing
    • DC coupled for sending control voltages
  • 2 stereo headphone outputs with individual level controls
  • MIDI In/Out
  • Stereo S/PDIF digital I/O
  • 1 USB-C™ compatible 2.0 port
    • USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
  • BNC word clock output
Integrated Software
  • Studio One® Artist for Mac® and Windows®
  • UC Surface control software for Mac, Windows, iPad®, and Android™
  • Studio Magic Plug-in Suite
Meters, Controls, and Features
  • 18x8 onboard DSP monitor mixer
  • Front-panel level controls for main outputs
  • Mono and Mute buttons for the main outputs
  • True +48V phantom power for condenser microphones (global)
  • 10 ladder-style 8-LED level meters (8 input, 2 main output)
Digital
  • USB-C™ compatible port (USB 2.0)
  • 24-bit resolution
  • 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates
Physical
  • 1U rack-mountable
  • Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:

Below are the minimum computer-system requirements.

Mac
  • macOS® 10.11 or higher (64-bit only)
  • Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)
Windows
  • Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
  • Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
  • USB-C™ or USB-A 2.0 port compatiblity
  • 32 GB hard disk space
  • PreSonus Universal Control 2.0 or higher
  • Monitor with 1366x768 resolution (high-dpi monitor recommended)
  • Multitouch-enabled monitor required for touch operation
iOS
  • iOS 10 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)

Android
  • Android™ 5.0 (Lollipop) or later
  • Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Technical Specifications
General
Sample Rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
Converter Resolution 24-bit
Converter Dynamic Range 114 dB
Converter Dynamic Range 114 dB
Microphone Inputs
Maximum Level +16 dBu, min gain
Gain Range 80 dB
Frequency Response 20 Hz - 20 kHz (unity gain)
Dynamic Range 110 dB (A-wtd, min gain)
THD + N 0.005% (1 kHz, 0dBu, unity gain)
EIN -128 dBu (A-wtd, 20 kHz BW, Rs=150Ω, max gain)
Input Impedance 1400Ω
Phantom Power 48V (>10 mA per channel)
Line Inputs
Maximum Level +21 dBu (balanced, min gain)
Gain Range 40 dB
Frequency Response 20 Hz-20 kHz (unity gain)
Dynamic Range 112 dB (A-wtd, min gain)
THD + N 0.005% (1 kHz, +18 dBu, min gain)
Input Impedance 10 kΩ
Instrument Inputs
Maximum Level +15 dBu (unbalanced, min gain)
Gain Range 80 dB
Frequency Response 20 Hz - 20 kHz (min gain)
Dynamic Range 112 dB (A-wtd, min gain)
THD + N 0.020% (1 kHz, +10 dBu, min gain)
Input Impedance 1M Ω
Main Outputs
Type ¼" TRS female, DC Coupled
Maximum Level +18 dBu, balanced
Frequency Response 20Hz - 20kHz (unity gain)
Dynamic Range 108 dB (A-wtd, unity gain)
THD + N 0.004% (1 kHz, -1 dBFS, unity gain)
Line Outputs
Type ¼" TRS female, DC coupled
Maximum Level +18 dBu, balanced
Frequency Response 20 Hz - 20 kHz
Dynamic Range 108 dB (A-wtd, -60 dBFS)
THD + N 0.004% (1 kHz, -1 dBFS, unity gain)
Headphone Outputs
Maximum Power 150 mW/channel (60Ω load)
Frequency Response 20 Hz - 20 kHz (unity gain)
Dynamic Range 103 dB (A-weighted, 1 kHz, unity gain)
THD + N 0.250% (1 kHz, 150 mW, unity gain)
Impedance Working Range 32Ω to 600Ω
Physical
Height 1.75" (44 mm)
Width 19" (483 mm)
Depth 5.5" (140 mm)
Weight 4.8 lbs (2.2 kg)

Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.

The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.

The 8pre as your primary audio interface

Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.

The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.

The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

The 8pre as a microphone preamp expansion interface

The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.

If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.

The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.

    * 6-in/6-out 24-bit/96kHz simultaneous performance
    * 4-in/4-out 24-bit/192kHz simultaneous performance
    * 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
    * +4 dB balanced input and output
    * S/PDIF optical input & output ports with Sync LED indicator
    * MIDI in/out ports
    * Built-in analog limiter and indicator
    * FireWire bus powered
    * AC adaptor included
    * Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
    * Zero-latency Direct Monitoring
    * 6-pin and 4-pin IEEE1394 ports
    * Compact, solid-metal construction

Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.

* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob

Pro Tools LE Software
Pro Tools 8 Software

The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.

Key Features

* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers

System Requirements
Mac PC

* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port



* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port

Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers


U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle Behringer U-Control UCA202
  • 2 In/2 Out USB Audio Interface
  • Mac or PC, no drivers required
  • 16-bit/48kHz converters
  • Low latency
  • Headphone output
  • S/PDIF optical out
  • USB powered
  • Free Software
  • Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
  • Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
  • Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
  • Works with your PC or Mac computer—no setup or drivers required
  • High-resolution 48 kHz converters for high-end audio quality
  • Stereo Headphone output with dedicated Level control lets you monitor both input and output
  • Additional S/PDIF optical output for direct digital conversion
  • Powered via USB—no external power supply needed
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications. High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222. Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution. Super Simple Setup As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware. The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.

 

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

Weight2.50 kg4.00 kg0.70 kg2.00 kg0.20 kg5.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 4.00 kg
Weight 0.70 kg
Weight 2.00 kg
Weight 0.20 kg
Weight 5.50 kg