Professional quality in your home recording studio and on the go. Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a […]
Professional quality in your home recording studio and on the go.
Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus’ award-winning Studio One® Artistmusic production software for macOS® and Windows® and includes USB-C™ compatible to USB-C™ compatible and USB-C™ compatible to USB-A cables for compatibility with most computers.
World-class recording software included.
Seamlessly integrated with the included PreSonus® Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The 2-in, 4-out Studio 26c audio interface features USB-C™ compatible computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, ¼-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 26c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
Simultaneous I/O up to 2 inputs/4 outputs
2 mic/instrument/line inputs with XMAX-L mic preamps
2 balanced ¼” TRS main outputs
DC coupled for sending control voltages*
2 balanced ¼” TRS line outputs for monitor mixing
DC coupled for sending control voltages*
1 stereo headphone output
MIDI In/Out
1 USB-C™ compatible 2.0 port
USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Direct monitoring
Cue mix A/B (for headphone output)
Front-panel level controls for main outputs
True +48V phantom power for condenser microphones (global)
4 ladder-style LED level meters (2 input, 2 main output)
Integrated Software
Studio One Artist®
Studio Magic Plug-in Suite
Digital
USB-C™ compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
USB bus-powered
* Since it is a bus-powered device, the Studio 26c has lower voltage rails than other Studio-series interfaces, resulting in reduced control-voltage range (positive to negative voltage).
Computer system requirements:
Below are the minimum computer-system requirements.
Professional quality in your home recording studio and on the go.
Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus’ award-winning Studio One® Artistmusic production software for macOS® and Windows® and includes USB-C™ compatible to USB-C™ compatible and USB-C™ compatible to USB-A cables for compatibility with most computers.
World-class recording software included.
Seamlessly integrated with the included PreSonus® Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The 2-in, 4-out Studio 26c audio interface features USB-C™ compatible computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, ¼-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 26c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
Simultaneous I/O up to 2 inputs/4 outputs
2 mic/instrument/line inputs with XMAX-L mic preamps
2 balanced ¼” TRS main outputs
DC coupled for sending control voltages*
2 balanced ¼” TRS line outputs for monitor mixing
DC coupled for sending control voltages*
1 stereo headphone output
MIDI In/Out
1 USB-C™ compatible 2.0 port
USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Direct monitoring
Cue mix A/B (for headphone output)
Front-panel level controls for main outputs
True +48V phantom power for condenser microphones (global)
4 ladder-style LED level meters (2 input, 2 main output)
Integrated Software
Studio One Artist®
Studio Magic Plug-in Suite
Digital
USB-C™ compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
USB bus-powered
* Since it is a bus-powered device, the Studio 26c has lower voltage rails than other Studio-series interfaces, resulting in reduced control-voltage range (positive to negative voltage).
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
Monitor with 1366x768 resolution (high-dpi monitor recommended)
Multitouch-enabled monitor required for touch operation
Technical Specifications
General
Sample Rates
44.1, 48, 88.2, 96, 176.4, or 192 kHz
Converter Resolution
24 bit
Converter Dynamic Range
114 dB
Converter Dynamic Range
114 dB
Microphone Inputs
Maximum Level
+4.5 dBu (balanced, min gain)
Gain Range
70 dB
Frequency Response
20 Hz - 20 kHz (±0.1 dB, min gain, 48 kHz)
Dynamic Range
110 dB (A-wtd, min gain)
THD + N
0.004% (1 kHz, -1 dBFS, unity gain)
EIN
-125 dBu (max gain, 150Ω, A-wtd)
Input Impedance
1.6 kΩ
Phantom Power
+48 VDC (10 mA total)
Line Inputs
Maximum Level
+19.5 dBu (balanced, min gain)
Gain Range
70 dB
Frequency Response
20 Hz - 20 kHz (±0.1 dB, min gain, 48 kHz)
Dynamic Range
110 dB (A-wtd, min gain)
THD + N
0.007% (1 kHz, -1 dBFS, min gain)
Input Impedance
10 kΩ
Instrument Inputs
Maximum Level
+14 dBu (unbalanced, min gain)
Gain Range
70 dB
Frequency Response
20 Hz - 20 kHz (±0.15 dB, 48 kHz, min gain)
Dynamic Range
110 dB (A-wtd, min gain)
THD + N
0.008% (1 kHz, -1 dBFS, min gain)
Input Impedance
1 MΩ
Line Outputs (Mains)
Type
¼" TRS Female, DC Coupled*
Maximum Level
+10 dBu (balanced)
Frequency Response
20 Hz - 20 kHz (±0.1 dB, unity gain, 48 kHz)
Dynamic Range
108 dB (A-wtd)
THD + N
0.0015% (1 kHz, -1 dBFS)
Line Outputs (3/4)
Type
¼" TRS Female, DC Coupled*
Maximum Level
+10 dBu (balanced)
Frequency Response
20 Hz - 20 kHz (±0.1dB, unity gain, 48 kHz)
Dynamic Range
113 dB (A-wtd)
THD + N
0.008% (1 kHz, -1 dBFS)
Headphone Outputs
Maximum Power
30 mW/channel (56Ω load)
Frequency Response
20 Hz - 20 kHz (±0.2 dB, 56Ω load, 48 kHz)
Dynamic Range
104 dB (A-wtd, 56Ω load)
THD + N
0.009% (1 kHz, -1 dBFS, no load)
Impedance Working Range
32Ω to 300Ω
Physical
Height
1.75" (44 mm)
Width
7" (180 mm)
Depth
5.5" (144 mm)
Weight
1.6 lbs. (0.7 kg)
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
Stereo input and output at 24-bit/96kHz audio quality
High-end A/D and D/A converters for accurate recording and playback
Large Input Level knob for easy control while recording
1/4" jack with Hi-Z option for recording electric guitar or bass
Electret condenser mic input
RCA phono type and optical-digital audio I/O
Headphone output
USB powered – no AC adapter required
SONAR LE for music recording, editing, and publishing on PC
Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels
Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only
Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
Nominal Input Level
Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
Nominal Output Level
Line output jacks: -10 dBu
Interface
USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format.
USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: （1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
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