Professional quality for small and mid-sized studios. An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C™compatible audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A […]
Professional quality for small and mid-sized studios.
An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C™compatible audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A complete, all-in-one recording studio, the Studio 68c comes with PreSonus’ award-winning Studio One® Artist music production software for macOS® and Windows® and is backward compatible with USB 2.0 and 3.0 connections.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 68c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The 6-in, 6-out Studio 68c audio interface features USB-C™ compatible computer connectivity and includes 2 combo mic/instrument/line inputs and 2 combo mic/line inputs with +48V phantom power for condenser mics, plus S/PDIF digital I/O. All four ¼-inch TRS, line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 68c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
Simultaneous I/O up to 6 inputs/6 outputs (4×4 at 192 kHz)
2 mic/instrument/line inputs with XMAX Class A mic preamps
2 mic/line inputs with XMAX Class A mic preamps
2 balanced ¼” TRS main outputs
DC coupled for sending control voltages
2 balanced ¼” TRS line outputs for monitor mixing
DC coupled for sending control voltages
1 stereo headphone output
MIDI In/Out
Stereo S/PDIF digital I/O
1 USB-C™ compatible 2.0 port
USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Direct monitoring
Cue mix A/B (for headphone output)
Front-panel level controls for main outputs
True +48V phantom power for condenser microphones (global)
6 ladder-style LED level meters (4 input, 2 main output)
Integrated Software
Studio One Artist®
Studio Magic Plug-in Suite
Digital
USB-C™ compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
Professional quality for small and mid-sized studios.
An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C™compatible audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A complete, all-in-one recording studio, the Studio 68c comes with PreSonus’ award-winning Studio One® Artist music production software for macOS® and Windows® and is backward compatible with USB 2.0 and 3.0 connections.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 68c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The 6-in, 6-out Studio 68c audio interface features USB-C™ compatible computer connectivity and includes 2 combo mic/instrument/line inputs and 2 combo mic/line inputs with +48V phantom power for condenser mics, plus S/PDIF digital I/O. All four ¼-inch TRS, line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 68c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
Simultaneous I/O up to 6 inputs/6 outputs (4x4 at 192 kHz)
2 mic/instrument/line inputs with XMAX Class A mic preamps
2 mic/line inputs with XMAX Class A mic preamps
2 balanced ¼” TRS main outputs
DC coupled for sending control voltages
2 balanced ¼” TRS line outputs for monitor mixing
DC coupled for sending control voltages
1 stereo headphone output
MIDI In/Out
Stereo S/PDIF digital I/O
1 USB-C™ compatible 2.0 port
USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Direct monitoring
Cue mix A/B (for headphone output)
Front-panel level controls for main outputs
True +48V phantom power for condenser microphones (global)
6 ladder-style LED level meters (4 input, 2 main output)
Integrated Software
Studio One Artist®
Studio Magic Plug-in Suite
Digital
USB-C™ compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
Monitor with 1366x768 resolution (high-dpi monitor recommended)
Multitouch-enabled monitor required for touch operation
Technical Specifications
General
Sample Rates
44.1, 48, 88.2, 96, 176.4, or 192 kHz
Converter Resolution
24 bit
Converter Dynamic Range
114 dB
Converter Dynamic Range
114 dB
Microphone Inputs
Maximum Level
+16 dBu (balanced, min gain)
Gain Range
80 dB
Frequency Response
20 Hz - 20 kHz (±0.15 dB, min gain, 48 kHz)
Dynamic Range
114 dB (A-wtd, min gain)
THD + N
0.007% (1 kHz, -1 dBFS, min gain)
EIN
-130 dBu (max gain, 150Ω, A-wtd)
Input Impedance
1.6 kΩ
Phantom Power
+48 VDC (10 mA per channel)
Line Inputs
Maximum Level
+22 dBu (balanced, min gain)
Gain Range
40 dB
Frequency Response
20 Hz - 20 kHz (±0.15 dB, min gain, 48 kHz)
Dynamic Range
113.9 dB (A-wtd, min gain)
THD + N
0.007% (1 kHz, -1 dBFS, min gain)
Input Impedance
10 kΩ
Instrument Inputs
Maximum Level
+15 dBu (unbalanced, min gain)
Gain Range
80 dB
Frequency Response
20 Hz - 20 kHz (±0.1 dB, 48 kHz, min gain)
Dynamic Range
114.7 dB (A-wtd, min gain)
THD + N
0.012% (1 kHz, -1 dBFS, min gain)
Input Impedance
1 MΩ
Line Outputs (Mains)
Type
¼" TRS Female, DC Coupled
Maximum Level
+18 dBu (balanced)
Frequency Response
20Hz - 20kHz (±0.2dB, unity gain, 48 kHz)
Dynamic Range
109 dB (A-wtd)
THD + N
0.001% (1 kHz, -1 dBFS)
Line Outputs (3/4)
Type
¼" TRS Female, DC coupled
Maximum Level
+18 dBu (balanced)
Frequency Response
20 Hz - 20 kHz (+/- 0.2 dB, unity gain, 48 kHz)
Dynamic Range
109 dB (A-wtd)
THD + N
0.0015% (1 kHz, -1 dBFS)
Headphone Outputs
Maximum Power
150 mW/channel (56Ω load)
Frequency Response
20 Hz - 20 kHz (±0.2 dB, 56Ω load, 48 kHz)
Dynamic Range
107 dB (A-wtd, 56Ω load)
THD + N
0.002% (1 kHz, -1 dBFS, no load)
Impedance Working Range
32Ω to 300Ω
Physical
Height
1.75" (44 mm)
Width
9" (229 mm)
Depth
5.5" (140 mm)
Weight
2.4 lbs (1 kg)
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One FireWire port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One FireWire port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers
Mbox Pro Hardware
Pro Tools Mbox Pro
Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* FireWire connection
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 192 kHz sample rates*
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Connect up to three pairs of monitors or do 5.1 surround mixing**
* Hardware configuration:
o 8 x 8 simultaneous channels of I/O
o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
o 4 1/4" TRS line inputs
o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
o 6 1/4" TRS balanced line outputs
o 2 discrete 1/4” stereo headphone outputs with separate volume controls
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Word clock I/O
o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
o Dedicated monitor volume knob
* Up to 96 kHz sample rates supported with Pro Tools LE software.
** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
Input Connector: RCA, Unbalanced
Input Impedance: Approx. 27kΩ
Maximum Input Level: 2dBV
Output Connector: RCA, Unbalanced
Output Impedance: Approx. 400Ω
Maximum Output Level: 2dBV
Digital Output: Toslink, Optical
Digital Output Format: S/PDIF
USB: Type A
Converter: 16-Bit
Sample Rate: 32kHz, 44.1kHz, 48kHz
Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
10Hz - 22kHz ±1dB @ 48kHz Sample Rate
Crosstalk: -77dB @ 0dBV, 1kHz
Power Supply: USB, 5V 100mA Maximum
Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
Weight: 0.10kg
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
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