Content | The StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications. |
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Technical Specifications
Internal processing | 32bit (Accumulator=58bit) | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | Power requirements | 110V-240V, 50/60Hz | Power consumption | LS9-32: 170W, LS9-16: 95W | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Analog Input Characteristics
Input terminal
|
Actual load impedance
|
For use with nominal
|
Input level
|
Connector
|
|
GAIN
|
Sensitivity
|
Nominal
|
Max. before clip
|
INPUT 1-n
|
-62dB
+10dB
|
3kohms
|
50-600 ohm Mics & 600ohm Lines
|
-82dBu
|
-62dBu
|
-42dBu
|
XLR3-31 type
|
-10dBu
|
+10dBu
|
+30dBu
|
Analog Output Characteristics
Output terminal
|
Actual source impedance
|
For use with nominal
|
GAIN SW
|
Output level
|
Connector
|
Nominal
|
Max. before clip
|
OMNI OUT 1-n
|
75ohms
|
600ohm Lines
|
+24dB
+18dB
|
+4dBu
-2dBu
|
+24dBu
+18dBu
|
XLR-3-32 type
|
PHONES OUT
|
15ohms
|
8ohm Phones
|
-
|
75mW
|
150mW
|
ST Phone jack
|
40ohm Phones
|
-
|
65mW
|
150mW
|
Digital Output Characteristics
Terminal | Format | Data length | Level | Connector | 2TR IN DIGITAL | COAXIAL | IEC60958 | 24bit | 0.5Vpp/
75ohms | RCA pin jack | 2TR OUT DIGITAL | COAXIAL | IEC60958
(Consumer Use) | 24bit | 0.5Vpp/
75ohms | RCA pin jack |
Control I / O Characteristics
Terminal
|
Format
|
Level
|
Connector
|
NETWORK (Ethernet)
|
100Base-T
|
-
|
RJ45
|
MIDI
|
IN
|
MIDI
|
-
|
DIN-5pin
|
OUT
|
MIDI
|
-
|
DIN-5pin
|
WORD CLOCK
|
IN
|
-
|
TTL/75ohms, Terminated
|
BNC
|
OUT
|
-
|
TTL/75ohms
|
BNC
|
REMOTE
|
-
|
RS422
|
D-sub 9pin(male)
|
LAMP
|
-
|
0V-12V
|
XLR-4-31 type
|
USB HOST
|
USB1.1
|
USB
|
A type USB Connector
| |
20 total inputs: 16 mic, (four with XLR/TRS combo connector) and two stereo line (TRS)
Dedicated talkback mic input
Stereo Main L/R outputs (XLR)
Ample monitor outputs (eight total) with 6 mono auxiliary mixes (XLR) and 2 stereo auxiliary mixes.
The 2 stereo aux outputs can drive wired in-ear monitors (IEM) directly.
Mono auxiliaries may be linked for stereo use.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ (four-band parametric EQ on stereo auxiliaries)
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 22 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.
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Proven at millions of gigs worldwide, the Mackie DL Series combines the power of a full-featured digital mixer with the unmatched ease-of-use of an iPad. Ideal for bands, rental house and production/installations, the DL Series provides the mobile freedom to wirelessly control the mix and powerful plug-in processing from anywhere in the venue.
- Ultra-low noise design with highest possible headroom
- 8 Onyx microphone preamps
- 4 auxiliary sends
- Stereo main output
- 24-bit Cirrus Logic converters
- 4-band EQ, gate and compressor on channel inputs
- Global reverb and delay processors
- 31-band graphic EQ with compressor limiter on main outputs
- Use up to 10 iPads simultaneously
- Ground-breaking Master Fader App
- Wired or wireless mixing from anywhere
- Full recall except mic pre gains
- Dedicated iPad channel
- PadLock feature for fixed install
- Διαστάσεις: 394x 292 x 99 mm
- Βάρος: 3.2kg
- iPad not included
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Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.
- Input channels: 48 mono, 8 stereo.
- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
- Meter bridge optional.
General specifications
Sampling frequency rate | Internal | 44.1kHz / 48kHz | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | Dimensions | W | 648mm (25 5/8in) | H | 299mm (11 3/4in) | D | 667mm (26 1/4in) | Net weight | 24kg (52.9lb) | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
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19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline Mixing capability | Mixing channels | 48 | GROUP | 8 | AUX | 8 | MAIN | Stereo | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | On-board processors | 4x SPX multi effectors | I/O | Mic inputs | 16 | Phantom power | +48V DC; ON/OFF per channel | Line inputs | 4x Omni in | AD converter | 24-bit; 128-time over sampling | Line outputs | 12x Omni output | DA converter | 24-bit; 128-time over sampling | Digital I/O | 2x 2tr in/out | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications Internal processing | 32bit, Accumulator: 58bit | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | Dynamic range | DA: 110dB; AD+DA: 106dB | Hum & noise level | Equivalent input noise | -128dBu | Residual output noise | -86dBu | Crosstalk | -80dB | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | Power consumption | 135W | Dimensions | W | 436mm; 17-3/16in | H | 200mm; 7-7/8in | D | 585mm; 23-1/16in | Net weight | 20kg; 44.1lbs | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
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