PRESONUS Studio Live 16 series III Digital Mixer Console

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The StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®’ legendary ease of use while letting you customize its workflow and […]

 

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The StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®’ legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable in live and studio applications.
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PRESONUS Studio Live 16 series III Digital Mixer Console removeYAMAHA LS9-16 16 channel digital mixer removeQSC TouchMix-16 16 channel Digiatl Mixer removeMACKIE DL 806 8-Ch. Digital Live Mixer with iPad control removeYAMAHA CL1 16 channel digital mixer removeYAMAHA DM1000VCM 16 channel digital mixer remove
NamePRESONUS Studio Live 16 series III Digital Mixer Console removeYAMAHA LS9-16 16 channel digital mixer removeQSC TouchMix-16 16 channel Digiatl Mixer removeMACKIE DL 806 8-Ch. Digital Live Mixer with iPad control removeYAMAHA CL1 16 channel digital mixer removeYAMAHA DM1000VCM 16 channel digital mixer remove
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SKUH02PE00017H040.00022010312149.411CL-1DM1000VCM
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Description
ContentThe StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.  

Technical Specifications  

Internal processing 32bit (Accumulator=58bit)
Sampling frequency rate Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
Total harmonic distortion
Input Gain=Min.
CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz
Frequency response CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz
Dynamic range
(Maximum level to noise level)
110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
Hum & noise level -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
Crosstalk(@1kHz) Input Gain=Min -80dB, Adjacent input channels
-80dB, Input to output
Power requirements 110V-240V, 50/60Hz
Power consumption LS9-32: 170W, LS9-16: 95W
Dimensions LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm
Weight LS9-32: 19.4kg, LS9-16: 12.0kg

 

Analog Input Characteristics  

Input terminal

Actual load impedance

For use with nominal

Input level

Connector


GAIN

Sensitivity

Nominal

Max. before clip

INPUT 1-n

-62dB
+10dB

3kohms

50-600 ohm Mics & 600ohm Lines

-82dBu

-62dBu

-42dBu

XLR3-31 type

-10dBu

+10dBu

+30dBu

 

Analog Output Characteristics  

Output terminal

Actual source impedance

For use with nominal

GAIN SW

Output level

Connector

Nominal

Max. before clip

OMNI OUT 1-n

75ohms

600ohm Lines

+24dB
+18dB

+4dBu
-2dBu

+24dBu
+18dBu

XLR-3-32 type

PHONES OUT

15ohms

8ohm Phones

-

75mW

150mW

ST Phone jack

40ohm Phones

-

65mW

150mW

 

Digital Output Characteristics  

Terminal Format Data length Level Connector
2TR IN DIGITAL COAXIAL IEC60958 24bit 0.5Vpp/
75ohms
RCA pin jack
2TR OUT DIGITAL COAXIAL IEC60958
(Consumer Use)
24bit 0.5Vpp/
75ohms
RCA pin jack

 

Control I / O Characteristics  

Terminal

Format

Level

Connector

NETWORK (Ethernet)

100Base-T

-

RJ45

MIDI

IN

MIDI

-

DIN-5pin

OUT

MIDI

-

DIN-5pin

WORD CLOCK

IN

-

TTL/75ohms, Terminated

BNC

OUT

-

TTL/75ohms

BNC

REMOTE

-

RS422

D-sub 9pin(male)

LAMP

-

0V-12V

XLR-4-31 type

USB HOST

USB1.1

USB

A type USB Connector

20 total inputs: 16 mic, (four with XLR/TRS combo connector) and two stereo line (TRS)
Dedicated talkback mic input
Stereo Main L/R outputs (XLR)
Ample monitor outputs (eight total) with 6 mono auxiliary mixes (XLR) and 2 stereo auxiliary mixes.
The 2 stereo aux outputs can drive wired in-ear monitors (IEM) directly.
Mono auxiliaries may be linked for stereo use.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ (four-band parametric EQ on stereo auxiliaries)
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 22 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.

Proven at millions of gigs worldwide, the Mackie DL Series combines the power of a full-featured digital mixer with the unmatched ease-of-use of an iPad. Ideal for bands, rental house and production/installations, the DL Series provides the mobile freedom to wirelessly control the mix and powerful plug-in processing from anywhere in the venue.

  • Ultra-low noise design with highest possible headroom
  •  8 Onyx microphone preamps
  •  4 auxiliary sends
  •  Stereo main output
  •  24-bit Cirrus Logic converters
  •  4-band EQ, gate and compressor on channel inputs
  •  Global reverb and delay processors
  •  31-band graphic EQ with compressor limiter on main outputs
  •  Use up to 10 iPads simultaneously
  •  Ground-breaking Master Fader App
  •  Wired or wireless mixing from anywhere
  •  Full recall except mic pre gains
  •  Dedicated iPad channel
  •  PadLock feature for fixed install
  •  Διαστάσεις: 394x 292 x 99 mm
  •  Βάρος: 3.2kg
  •  iPad not included

 

Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.

  • Input channels: 48 mono, 8 stereo.
  • Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
  • Meter bridge optional.
 

General specifications

Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Crosstalk -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
Power consumption 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions W 648mm (25 5/8in)
H 299mm (11 3/4in)
D 667mm (26 1/4in)
Net weight 24kg (52.9lb)
Others Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.


When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.


Outline
Mixing capability Mixing channels 48
GROUP 8
AUX 8
MAIN Stereo
Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
Output channel functions Attenuator, 4-band PEQ, Compressor, Delay
On-board processors 4x SPX multi effectors
I/O Mic inputs 16
Phantom power +48V DC; ON/OFF per channel
Line inputs 4x Omni in
AD converter 24-bit; 128-time over sampling
Line outputs 12x Omni output
DA converter 24-bit; 128-time over sampling
Digital I/O 2x 2tr in/out
Expansion slots 2x Mini-YGDAI (16-in/16-out)
Control and others To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O
General specifications
Internal processing 32bit, Accumulator: 58bit
Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)
Signal delay Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz)
Total harmonic distortion Less than 0.05% (20Hz-40kHz)
Frequency response 0, +0.5, -1.5dB 20Hz-40kHz
Dynamic range DA: 110dB; AD+DA: 106dB
Hum & noise level Equivalent input noise -128dBu
Residual output noise -86dBu
Crosstalk -80dB
Power requirements AC100V, 120V, 220-240V 50/60 Hz
Power consumption 135W
Dimensions W 436mm; 17-3/16in
H 200mm; 7-7/8in
D 585mm; 23-1/16in
Net weight 20kg; 44.1lbs
Accessories Owner's Manual, Studio Manager Installation Guide, AC power cord
Weight0.00 kg12.00 kg3.00 kg3.00 kg24.00 kg20.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.00 kg
Weight 12.00 kg
Weight 3.00 kg
Weight 3.00 kg
Weight 24.00 kg
Weight 20.00 kg