PRESONUS Studio Live 16 series III Digital Mixer Console

GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.

The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.

• Compact digital mixer with scalable, remote I/O
• Systems from 4 to 44 mics
• Easy to use, quick to access, analogue style interface
• dSNAKE Cat5 digital snake—up to 120m cable length
• 8.4 inch colour touchscreen for graphical view and setup
• 28 faders, 4 layers, 112 channel strips in a freely customizable layout
• 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
• 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
• Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
• Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
• LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
• 16 DCAs / mute groups
• Built-in Talkback, RTA and Signal Generator
• I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
• MIDI In/Out and Ethernet Network port
• AviomTM Pro16 compatible Monitor port on main AudioRack
• High end 1dB step recallable mic/line preamps
• User definable channel names and colours
• Engineerʼs mono Wedge and stereo IEM strips
• Input, output and insert soft patchbays
• Quick copy, paste and reset of mixes and parameters
• Libraries, Scenes and Show memories with USB transfer
• Get started quickly with Template Shows
• 14 assignable SoftKeys for scene recall, DCA mutes and more

Ultimate sonic performance

Enhanced workflow

Unlimited expandability

The ideal experience

Features

• Compact 40-input channel, 25-bus digital mixing console for Studio and Live application
• 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
• 17 fully automated motorised 100mm faders allow for instant overview, powerful scene management and DAW control
• 8 XLR outputs plus 6 additional line in/outputs, phones connector and a talkback section with integrated or external mic
• 32 x 32 channel audio interface over USB 2.0, with DAW remote control emulating HUI and Mackie Control
• iPad and iPhone apps for professional remote operation available free of charge - no host PC required
• High-resolution 5" day-viewable Colour TFT for easy viewing of workflow components and parameters
• Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
• Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250, Quantec QRS and more
• 40-bit floating-point DSP features 'unlimited' dynamic range with no internal overload and near-zero overall latency for mixing a total of 48 signals on 25 buses
• Powerful scene management for convenient handling of complex productions
• 48-channel Digital Snake ready via dual AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
• USB type - A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
• Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
• Additional user-definable control section allows to set up short-cuts to your favourite views or parameters
• ULTRANET connectivity for Behringer's P-16 Personal Monitoring System
• Networked remote control for show setups with on-screen software editor via Ethernet
• Built-in expansion port for audio interface cards or digital networking bridges
• MIDI In/Out for remote scene recall or controlling other MIDI equipment
• Free future firmware updates downloadable from Behringer

Specifications

• Frequency Range: 10Hz - 22kHz
• Dynamic Range: 106dB
• Output Level: +4dBu / +21dBu (XLR)
• Main Screen: 5'', 800 x 480, 262k Colour TFT
• Main Meter: 18-Segment (-45dB to Clip)
• Power Supply: Switchmode 100V - 240V, 50Hz/60Hz
• Power Consumption: 70W
• Dimensions: 490mm x 506mm x 163mm
• Weight: 11.4kg / 25.1lbs

Processing Channels

• Input Channels: 32
• Aux Channels: 8
• FX Return Channels: 8
• Aux Buses: 16
• Matrices: 6
• Internal Effects Engines: 8 True Stereo / 16 Mono
• Internal Recall Scenes: 100
• Signal Processing: 40-Bit Floating Point
• AD/DA Conversion: 24-Bit @ 44.1kHz/48kHz, 114dB Dynamic Range (Cirrus Logic A/D CS5368, D/A CS4385)
• Local I/O Latency: 0.8ms
• Network I/O Latency: 1.1ms

Connectors

• XLR Inputs: 16 Inputs with Programmable Mic Preamps (Designed by MIDAS)
• Talkback Mic Input: XLR
• XLR Outputs: 8
• RCA Inputs/Outputs: 2/2
• Monitoring Outputs: 2 x 1/4'' Balanced
• Aux Inputs/Outputs: 6/6 x 1/4'' TRS Balanced
• Headphone Outputs: 1 x 1/4'' TRS
• AES50 Ports: 2/2
• Expansion Card Slot: 32 Channel Audio Input/Output
• P-16 Connector: 1
• MIDI Inputs/Outputs: 1/1
• RJ45 Ethernet: 1
• USB Type A: 1

Proven at millions of gigs worldwide, the Mackie DL Series combines the power of a full-featured digital mixer with the unmatched ease-of-use of an iPad. Ideal for bands, rental house and production/installations, the DL Series provides the mobile freedom to wirelessly control the mix and powerful plug-in processing from anywhere in the venue.

• Ultra-low noise design with highest possible headroom
•  8 Onyx microphone preamps
•  4 auxiliary sends
•  Stereo main output
•  24-bit Cirrus Logic converters
•  4-band EQ, gate and compressor on channel inputs
•  Global reverb and delay processors
•  31-band graphic EQ with compressor limiter on main outputs
•  Use up to 10 iPads simultaneously
•  Ground-breaking Master Fader App
•  Wired or wireless mixing from anywhere
•  Full recall except mic pre gains
•  Dedicated iPad channel
•  PadLock feature for fixed install
•  Διαστάσεις: 394x 292 x 99 mm
•  Βάρος: 3.2kg
•  iPad not included

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.  

Technical Specifications  

Analog Input Characteristics  

Analog Output Characteristics  

Digital Output Characteristics  

Control I / O Characteristics  

Si Performer 1 Highlights
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Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
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2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
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Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
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1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
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TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
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Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
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DMX interface - control sound and light from the same device.

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BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
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Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
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Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
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D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
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Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
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Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
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Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
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Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
    
    

Key Features

  •  16 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control -control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface
  •  Comes with removable side cheeks