The PreSonus® Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create. […]
The PreSonus® Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.
The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.
Connect a Studio 192 Mobile and you’ll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.
At PreSonus, we know that the microphone preamplifier is a key component in the sonic quality of a recording. The Studio 192 Mobile includes two custom-design, high-voltage, Class A XMAX preamps with discrete components for accuracy and transparency.
XMAX preamplifiers are built with three key elements:
Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.
High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency.
The Studio 192 Mobile’s XMAX preamps offer another advantage: They are recallable. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity. The preamps can be controlled from the unit’s front panel, from UC Surface control software, from Studio One’s mixer, from Studio One Remote, and via MIDI in Pro Tools, Logic, or Live so you can save the settings with your recordings.
With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One® 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.
The Studio 192 Mobile’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.
Managing both a monitor-mixing application and your DAW can be challenging if you don’t have multiple screens. Because UC Surface can be run wirelessly on a Windows touchscreen computer or iPad, you don’t have to share screen real estate with your DAW. This also allows your musicians to dial in their monitor mixes remotely without adding an expensive personal monitor system.
In addition to creating high-quality monitor mixes, UC Surface can also be used to turn your Studio 192 Mobile into a speaker-management system by providing speaker switching plus main-mix mono and dim functions. Listening to your mix on multiple pairs of reference monitors can reveal new insights. Enabling speaker-switching mode in UC Surface allows you to listen to your main mix through three different output pairs on your Studio 192 Mobile and switch between them.
Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.
The Fat Channel suite of studio-grade signal processors evolved from our classic ACP88 compressor/gate and was first incorporated into our StudioLive mixers. The musical, natural sound of the combined signal path quickly made StudioLive mixers famous for their ability to help create great-sounding mixes.
The Fat Channel includes a highpass filter, noise gate with key listen, compressor, 4-band parametric equalizer, and limiter. Fifty factory presets, created by professionals, are included to help you quickly create the sound you want. Fat Channel presets can be created in UC Surface or in Studio One and can be shared between the two. You can also share settings with other Studio One, StudioLive, and Studio 192 users.
The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.
The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other.
Χαρακτηριστικά:
Compatible with most recording software for Mac and Windows
Simultaneous I/O up to 22 inputs/26 outputs (8×14 at 192 kHz)
Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
2 front-panel combo microphone/instrument inputs
2 XMAX remote-controllable mic preamps with individually switched 48V phantom power
2 balanced, line level, direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks
4 balanced ¼” TRS outputs for monitor mixing and speaker switching
ADAT Optical/Dual SMUX inputs/outputs: 16×16 channels at 44.1 or 48 kHz; 8×8 channels at 88.2 or 96 kHz
Stereo S/PDIF coaxial input and output
1 high-volume headphone output with dedicated DAC
BNC word clock input and output with low-jitter clocking
USB 3.0 audio interface
USB 2.0 compatible
24-bit resolution and up to 192 kHz sampling rate
Top-quality 118 dB A/D/A converters
Road-rugged construction with all-metal chassis and metal knobs
1U rack-mountable
18 VDC external power supply (included)
Weight
2.00 kg
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The PreSonus® Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.
The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.
Connect a Studio 192 Mobile and you’ll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.
At PreSonus, we know that the microphone preamplifier is a key component in the sonic quality of a recording. The Studio 192 Mobile includes two custom-design, high-voltage, Class A XMAX preamps with discrete components for accuracy and transparency.
XMAX preamplifiers are built with three key elements:
Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.
High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency.
The Studio 192 Mobile’s XMAX preamps offer another advantage: They are recallable. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity. The preamps can be controlled from the unit’s front panel, from UC Surface control software, from Studio One’s mixer, from Studio One Remote, and via MIDI in Pro Tools, Logic, or Live so you can save the settings with your recordings.
With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One® 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.
The Studio 192 Mobile’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.
Managing both a monitor-mixing application and your DAW can be challenging if you don’t have multiple screens. Because UC Surface can be run wirelessly on a Windows touchscreen computer or iPad, you don’t have to share screen real estate with your DAW. This also allows your musicians to dial in their monitor mixes remotely without adding an expensive personal monitor system.
In addition to creating high-quality monitor mixes, UC Surface can also be used to turn your Studio 192 Mobile into a speaker-management system by providing speaker switching plus main-mix mono and dim functions. Listening to your mix on multiple pairs of reference monitors can reveal new insights. Enabling speaker-switching mode in UC Surface allows you to listen to your main mix through three different output pairs on your Studio 192 Mobile and switch between them.
Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.
The Fat Channel suite of studio-grade signal processors evolved from our classic ACP88 compressor/gate and was first incorporated into our StudioLive mixers. The musical, natural sound of the combined signal path quickly made StudioLive mixers famous for their ability to help create great-sounding mixes.
The Fat Channel includes a highpass filter, noise gate with key listen, compressor, 4-band parametric equalizer, and limiter. Fifty factory presets, created by professionals, are included to help you quickly create the sound you want. Fat Channel presets can be created in UC Surface or in Studio One and can be shared between the two. You can also share settings with other Studio One, StudioLive, and Studio 192 users.
The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.
The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other.
Χαρακτηριστικά:
Compatible with most recording software for Mac and Windows
Simultaneous I/O up to 22 inputs/26 outputs (8x14 at 192 kHz)
Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
2 front-panel combo microphone/instrument inputs
2 XMAX remote-controllable mic preamps with individually switched 48V phantom power
2 balanced, line level, direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks
4 balanced ¼” TRS outputs for monitor mixing and speaker switching
ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
Stereo S/PDIF coaxial input and output
1 high-volume headphone output with dedicated DAC
BNC word clock input and output with low-jitter clocking
USB 3.0 audio interface
USB 2.0 compatible
24-bit resolution and up to 192 kHz sampling rate
Top-quality 118 dB A/D/A converters
Road-rugged construction with all-metal chassis and metal knobs
1U rack-mountable
18 VDC external power supply (included)
Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
Input Connector: RCA, Unbalanced
Input Impedance: Approx. 27kΩ
Maximum Input Level: 2dBV
Output Connector: RCA, Unbalanced
Output Impedance: Approx. 400Ω
Maximum Output Level: 2dBV
Digital Output: Toslink, Optical
Digital Output Format: S/PDIF
USB: Type A
Converter: 16-Bit
Sample Rate: 32kHz, 44.1kHz, 48kHz
Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
10Hz - 22kHz ±1dB @ 48kHz Sample Rate
Crosstalk: -77dB @ 0dBV, 1kHz
Power Supply: USB, 5V 100mA Maximum
Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
Weight: 0.10kg
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
2 In/2 Out USB Audio Interface
Mac or PC, no drivers required
16-bit/48kHz converters
Low latency
Headphone output
S/PDIF optical out
USB powered
Free Software
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
Works with your PC or Mac computer—no setup or drivers required
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB—no external power supply needed
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.
MINIMUM SYSTEM REQUIREMENTS - Mac
* OS X Leopard 10.5.8 or Snow Leopard 10.6.3
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One native USB port
MINIMUM SYSTEM REQUIREMENTS - PC
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit Native, or Windows 7 64-bit Native
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One native USB port
What's in the Box?
* Mbox Mini interface
* Pro Tools LE 8 software DVD-ROM installer (includes electronic versions of user guides, plus software plug-in bundle)
* Mbox user guide
* Registration information card
* USB cable
The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
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