Professional quality in your home recording studio and on the go. Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a […]
Professional quality in your home recording studio and on the go.
Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus’ award-winning Studio One® Artistmusic production software for macOS® and Windows® and includes USB-C™ compatible to USB-C™ compatible and USB-C™ compatible to USB-A cables for compatibility with most computers.
World-class recording software included.
Seamlessly integrated with the included PreSonus® Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The 2-in, 4-out Studio 26c audio interface features USB-C™ compatible computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, ¼-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 26c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
Simultaneous I/O up to 2 inputs/4 outputs
2 mic/instrument/line inputs with XMAX-L mic preamps
2 balanced ¼” TRS main outputs
DC coupled for sending control voltages*
2 balanced ¼” TRS line outputs for monitor mixing
DC coupled for sending control voltages*
1 stereo headphone output
MIDI In/Out
1 USB-C™ compatible 2.0 port
USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Direct monitoring
Cue mix A/B (for headphone output)
Front-panel level controls for main outputs
True +48V phantom power for condenser microphones (global)
4 ladder-style LED level meters (2 input, 2 main output)
Integrated Software
Studio One Artist®
Studio Magic Plug-in Suite
Digital
USB-C™ compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
USB bus-powered
* Since it is a bus-powered device, the Studio 26c has lower voltage rails than other Studio-series interfaces, resulting in reduced control-voltage range (positive to negative voltage).
Computer system requirements:
Below are the minimum computer-system requirements.
Professional quality in your home recording studio and on the go.
Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus’ award-winning Studio One® Artistmusic production software for macOS® and Windows® and includes USB-C™ compatible to USB-C™ compatible and USB-C™ compatible to USB-A cables for compatibility with most computers.
World-class recording software included.
Seamlessly integrated with the included PreSonus® Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The 2-in, 4-out Studio 26c audio interface features USB-C™ compatible computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, ¼-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 26c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
Simultaneous I/O up to 2 inputs/4 outputs
2 mic/instrument/line inputs with XMAX-L mic preamps
2 balanced ¼” TRS main outputs
DC coupled for sending control voltages*
2 balanced ¼” TRS line outputs for monitor mixing
DC coupled for sending control voltages*
1 stereo headphone output
MIDI In/Out
1 USB-C™ compatible 2.0 port
USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Direct monitoring
Cue mix A/B (for headphone output)
Front-panel level controls for main outputs
True +48V phantom power for condenser microphones (global)
4 ladder-style LED level meters (2 input, 2 main output)
Integrated Software
Studio One Artist®
Studio Magic Plug-in Suite
Digital
USB-C™ compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
USB bus-powered
* Since it is a bus-powered device, the Studio 26c has lower voltage rails than other Studio-series interfaces, resulting in reduced control-voltage range (positive to negative voltage).
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
Monitor with 1366x768 resolution (high-dpi monitor recommended)
Multitouch-enabled monitor required for touch operation
Technical Specifications
General
Sample Rates
44.1, 48, 88.2, 96, 176.4, or 192 kHz
Converter Resolution
24 bit
Converter Dynamic Range
114 dB
Converter Dynamic Range
114 dB
Microphone Inputs
Maximum Level
+4.5 dBu (balanced, min gain)
Gain Range
70 dB
Frequency Response
20 Hz - 20 kHz (±0.1 dB, min gain, 48 kHz)
Dynamic Range
110 dB (A-wtd, min gain)
THD + N
0.004% (1 kHz, -1 dBFS, unity gain)
EIN
-125 dBu (max gain, 150Ω, A-wtd)
Input Impedance
1.6 kΩ
Phantom Power
+48 VDC (10 mA total)
Line Inputs
Maximum Level
+19.5 dBu (balanced, min gain)
Gain Range
70 dB
Frequency Response
20 Hz - 20 kHz (±0.1 dB, min gain, 48 kHz)
Dynamic Range
110 dB (A-wtd, min gain)
THD + N
0.007% (1 kHz, -1 dBFS, min gain)
Input Impedance
10 kΩ
Instrument Inputs
Maximum Level
+14 dBu (unbalanced, min gain)
Gain Range
70 dB
Frequency Response
20 Hz - 20 kHz (±0.15 dB, 48 kHz, min gain)
Dynamic Range
110 dB (A-wtd, min gain)
THD + N
0.008% (1 kHz, -1 dBFS, min gain)
Input Impedance
1 MΩ
Line Outputs (Mains)
Type
¼" TRS Female, DC Coupled*
Maximum Level
+10 dBu (balanced)
Frequency Response
20 Hz - 20 kHz (±0.1 dB, unity gain, 48 kHz)
Dynamic Range
108 dB (A-wtd)
THD + N
0.0015% (1 kHz, -1 dBFS)
Line Outputs (3/4)
Type
¼" TRS Female, DC Coupled*
Maximum Level
+10 dBu (balanced)
Frequency Response
20 Hz - 20 kHz (±0.1dB, unity gain, 48 kHz)
Dynamic Range
113 dB (A-wtd)
THD + N
0.008% (1 kHz, -1 dBFS)
Headphone Outputs
Maximum Power
30 mW/channel (56Ω load)
Frequency Response
20 Hz - 20 kHz (±0.2 dB, 56Ω load, 48 kHz)
Dynamic Range
104 dB (A-wtd, 56Ω load)
THD + N
0.009% (1 kHz, -1 dBFS, no load)
Impedance Working Range
32Ω to 300Ω
Physical
Height
1.75" (44 mm)
Width
7" (180 mm)
Depth
5.5" (144 mm)
Weight
1.6 lbs. (0.7 kg)
Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
MINIMUM SYSTEM REQUIREMENTS - Mac
* OS X Leopard 10.5.8 or Snow Leopard 10.6.3
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One native USB port
MINIMUM SYSTEM REQUIREMENTS - PC
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit Native, or Windows 7 64-bit Native
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One native USB port
What's in the Box?
* Mbox Mini interface
* Pro Tools LE 8 software DVD-ROM installer (includes electronic versions of user guides, plus software plug-in bundle)
* Mbox user guide
* Registration information card
* USB cable
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
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