| Content | Professional quality in your home recording studio and on the go.
Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus’ award-winning Studio One® Artistmusic production software for macOS® and Windows® and includes USB-C™ compatible to USB-C™ compatible and USB-C™ compatible to USB-A cables for compatibility with most computers.
World-class recording software included.
Seamlessly integrated with the included PreSonus® Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
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The 2-in, 4-out Studio 26c audio interface features USB-C™ compatible computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, ¼-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 26c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
- Simultaneous I/O up to 2 inputs/4 outputs
- 2 mic/instrument/line inputs with XMAX-L mic preamps
- 2 balanced ¼” TRS main outputs
- DC coupled for sending control voltages*
- 2 balanced ¼” TRS line outputs for monitor mixing
- DC coupled for sending control voltages*
- 1 stereo headphone output
- MIDI In/Out
- 1 USB-C™ compatible 2.0 port
- USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
- Direct monitoring
- Cue mix A/B (for headphone output)
- Front-panel level controls for main outputs
- True +48V phantom power for condenser microphones (global)
- 4 ladder-style LED level meters (2 input, 2 main output)
Integrated Software
- Studio One Artist®
- Studio Magic Plug-in Suite
Digital
- USB-C™ compatible port (USB 2.0)
- 24-bit resolution
- 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
- Road-rugged construction with all-metal chassis and metal knobs
- USB bus-powered
* Since it is a bus-powered device, the Studio 26c has lower voltage rails than other Studio-series interfaces, resulting in reduced control-voltage range (positive to negative voltage).
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB-C™ or USB-A 2.0 port compatiblity
- 32 GB hard disk space
- PreSonus Universal Control 2.0 or higher
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
- Multitouch-enabled monitor required for touch operation
Technical Specifications
| General |
|
| Sample Rates |
44.1, 48, 88.2, 96, 176.4, or 192 kHz |
| Converter Resolution |
24 bit |
| Converter Dynamic Range |
114 dB |
| Converter Dynamic Range |
114 dB |
| Microphone Inputs |
|
| Maximum Level |
+4.5 dBu (balanced, min gain) |
| Gain Range |
70 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.1 dB, min gain, 48 kHz) |
| Dynamic Range |
110 dB (A-wtd, min gain) |
| THD + N |
0.004% (1 kHz, -1 dBFS, unity gain) |
| EIN |
-125 dBu (max gain, 150Ω, A-wtd) |
| Input Impedance |
1.6 kΩ |
| Phantom Power |
+48 VDC (10 mA total) |
| Line Inputs |
|
| Maximum Level |
+19.5 dBu (balanced, min gain) |
| Gain Range |
70 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.1 dB, min gain, 48 kHz) |
| Dynamic Range |
110 dB (A-wtd, min gain) |
| THD + N |
0.007% (1 kHz, -1 dBFS, min gain) |
| Input Impedance |
10 kΩ |
| Instrument Inputs |
|
| Maximum Level |
+14 dBu (unbalanced, min gain) |
| Gain Range |
70 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.15 dB, 48 kHz, min gain) |
| Dynamic Range |
110 dB (A-wtd, min gain) |
| THD + N |
0.008% (1 kHz, -1 dBFS, min gain) |
| Input Impedance |
1 MΩ |
| Line Outputs (Mains) |
|
| Type |
¼" TRS Female, DC Coupled* |
| Maximum Level |
+10 dBu (balanced) |
| Frequency Response |
20 Hz - 20 kHz (±0.1 dB, unity gain, 48 kHz) |
| Dynamic Range |
108 dB (A-wtd) |
| THD + N |
0.0015% (1 kHz, -1 dBFS) |
| Line Outputs (3/4) |
|
| Type |
¼" TRS Female, DC Coupled* |
| Maximum Level |
+10 dBu (balanced) |
| Frequency Response |
20 Hz - 20 kHz (±0.1dB, unity gain, 48 kHz) |
| Dynamic Range |
113 dB (A-wtd) |
| THD + N |
0.008% (1 kHz, -1 dBFS) |
| Headphone Outputs |
|
| Maximum Power |
30 mW/channel (56Ω load) |
| Frequency Response |
20 Hz - 20 kHz (±0.2 dB, 56Ω load, 48 kHz) |
| Dynamic Range |
104 dB (A-wtd, 56Ω load) |
| THD + N |
0.009% (1 kHz, -1 dBFS, no load) |
| Impedance Working Range |
32Ω to 300Ω |
| Physical |
|
| Height |
1.75" (44 mm) |
| Width |
7" (180 mm) |
| Depth |
5.5" (144 mm) |
| Weight |
1.6 lbs. (0.7 kg) |
|
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
|
Computer Based Recording Packages
Computer-Based Recording Packages For All Players Of Musical Instruments
The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.
Size/Weight
| Dimensions | Width | 170mm (6-3/4“) | | Height | 59mm (2-3/8“) | | Depth | 192mm (7-5/8“) | | Weight | Weight | 770g (1.7 lbs.) |
General Specifications
| Sampling Frequency Rate | USB AUDIO 1.1, 16bit/44.1kHz |
Effects
| Types | Dynamic | 1-knob Compressor (COMP) x 2 |
Storage and Connectivity
| Connectivity | Headphones | Stereo Phone connector x 1 | | Microphone | Mic/Hi-Z input x 2 | | LINE IN | Phone connector x 4 (L/MONO x 2, R x 2) | | LINE OUT | Phone connector x 2 (L, R) | | USB TO HOST | USB (TO HOST) |
Power Supply
System Requirements
| Windows | PC | Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface | | CPU | 1 GHz or better Intel Core / Pentium / Celeron processor 750 MHz or better Intel Core / Pentium / Celeron processor | | Support OS | Windows Vista / Windows XP Professional / XP Home Edition | | Memory | More than 1 GB More than 128 MB | | Macintosh | PC | Macintosh computer with built-in USB interface | | CPU | Intel CPU / Macintosh G3 processor 300 MHz or better | | Support OS | Mac OS X 10.3.3 or higher | | Memory | More than 128 MB |
Accessories | Included Accessories | Cable | USB Cable | | Others | CUBASE AI DVD, Owners Manual |
|
The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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UA-20: Audio Capture USB Audio/MIDI Interface
Features
The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.
- Audio and MIDI in a compact unit.
- Fully equipped with I/O jacks.
- Great tool for creating music.
- Edirol's FPT Technology.
Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
(input terminated with 1 k ohm, Master Volume = max.,
Input Monitor = off, IHF-A, typ.)InterfaceUSB
Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
Digital Out Connector (Optical type)
Headphones Jack (Stereo miniature phone type)
Master Out Jack (RCA phono type)
MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
USB cable
CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.
| Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O |
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