| Content | Professional quality for small and mid-sized studios.
An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C™compatible audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A complete, all-in-one recording studio, the Studio 68c comes with PreSonus’ award-winning Studio One® Artist music production software for macOS® and Windows® and is backward compatible with USB 2.0 and 3.0 connections.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 68c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The 6-in, 6-out Studio 68c audio interface features USB-C™ compatible computer connectivity and includes 2 combo mic/instrument/line inputs and 2 combo mic/line inputs with +48V phantom power for condenser mics, plus S/PDIF digital I/O. All four ¼-inch TRS, line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 68c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
- Simultaneous I/O up to 6 inputs/6 outputs (4x4 at 192 kHz)
- 2 mic/instrument/line inputs with XMAX Class A mic preamps
- 2 mic/line inputs with XMAX Class A mic preamps
- 2 balanced ¼” TRS main outputs
- DC coupled for sending control voltages
- 2 balanced ¼” TRS line outputs for monitor mixing
- DC coupled for sending control voltages
- 1 stereo headphone output
- MIDI In/Out
- Stereo S/PDIF digital I/O
- 1 USB-C™ compatible 2.0 port
- USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
- Direct monitoring
- Cue mix A/B (for headphone output)
- Front-panel level controls for main outputs
- True +48V phantom power for condenser microphones (global)
- 6 ladder-style LED level meters (4 input, 2 main output)
Integrated Software
- Studio One Artist®
- Studio Magic Plug-in Suite
Digital
- USB-C™ compatible port (USB 2.0)
- 24-bit resolution
- 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
- Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB-C™ or USB-A 2.0 port compatiblity
- 32 GB hard disk space
- PreSonus Universal Control 2.0 or higher
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
- Multitouch-enabled monitor required for touch operation
Technical Specifications
| General |
|
| Sample Rates |
44.1, 48, 88.2, 96, 176.4, or 192 kHz |
| Converter Resolution |
24 bit |
| Converter Dynamic Range |
114 dB |
| Converter Dynamic Range |
114 dB |
| Microphone Inputs |
|
| Maximum Level |
+16 dBu (balanced, min gain) |
| Gain Range |
80 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.15 dB, min gain, 48 kHz) |
| Dynamic Range |
114 dB (A-wtd, min gain) |
| THD + N |
0.007% (1 kHz, -1 dBFS, min gain) |
| EIN |
-130 dBu (max gain, 150Ω, A-wtd) |
| Input Impedance |
1.6 kΩ |
| Phantom Power |
+48 VDC (10 mA per channel) |
| Line Inputs |
|
| Maximum Level |
+22 dBu (balanced, min gain) |
| Gain Range |
40 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.15 dB, min gain, 48 kHz) |
| Dynamic Range |
113.9 dB (A-wtd, min gain) |
| THD + N |
0.007% (1 kHz, -1 dBFS, min gain) |
| Input Impedance |
10 kΩ |
| Instrument Inputs |
|
| Maximum Level |
+15 dBu (unbalanced, min gain) |
| Gain Range |
80 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.1 dB, 48 kHz, min gain) |
| Dynamic Range |
114.7 dB (A-wtd, min gain) |
| THD + N |
0.012% (1 kHz, -1 dBFS, min gain) |
| Input Impedance |
1 MΩ |
| Line Outputs (Mains) |
|
| Type |
¼" TRS Female, DC Coupled |
| Maximum Level |
+18 dBu (balanced) |
| Frequency Response |
20Hz - 20kHz (±0.2dB, unity gain, 48 kHz) |
| Dynamic Range |
109 dB (A-wtd) |
| THD + N |
0.001% (1 kHz, -1 dBFS) |
| Line Outputs (3/4) |
|
| Type |
¼" TRS Female, DC coupled |
| Maximum Level |
+18 dBu (balanced) |
| Frequency Response |
20 Hz - 20 kHz (+/- 0.2 dB, unity gain, 48 kHz) |
| Dynamic Range |
109 dB (A-wtd) |
| THD + N |
0.0015% (1 kHz, -1 dBFS) |
| Headphone Outputs |
|
| Maximum Power |
150 mW/channel (56Ω load) |
| Frequency Response |
20 Hz - 20 kHz (±0.2 dB, 56Ω load, 48 kHz) |
| Dynamic Range |
107 dB (A-wtd, 56Ω load) |
| THD + N |
0.002% (1 kHz, -1 dBFS, no load) |
| Impedance Working Range |
32Ω to 300Ω |
| Physical |
|
| Height |
1.75" (44 mm) |
| Width |
9" (229 mm) |
| Depth |
5.5" (140 mm) |
| Weight |
2.4 lbs (1 kg) |
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Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.
The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.
The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.
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Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
- Input Connector: RCA, Unbalanced
- Input Impedance: Approx. 27kΩ
- Maximum Input Level: 2dBV
- Output Connector: RCA, Unbalanced
- Output Impedance: Approx. 400Ω
- Maximum Output Level: 2dBV
- Digital Output: Toslink, Optical
- Digital Output Format: S/PDIF
- USB: Type A
- Converter: 16-Bit
- Sample Rate: 32kHz, 44.1kHz, 48kHz
- Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
- 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
- Crosstalk: -77dB @ 0dBV, 1kHz
- Power Supply: USB, 5V 100mA Maximum
- Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
- Weight: 0.10kg
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The Yamaha GO44 is a mobile audio solution that features high quality line
inputs/outputs and worldclass MIDI and audio recording software enabling
professional quality recording to a computer in a very compact package that
can be carried and used virtually anyway.
The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
quality makes the Yamaha GO44 perfect for any type of recording, and allows
you to capture the full details and nuances of the original source - from the
breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.
The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
jack terminals for both input and output, and special S/P DIF coaxial terminals for
two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
recording capability - perfect not only for those who want to create music, but also
for those who want an audio playback system for their computer that delivers
outstanding sound quality.
The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
surround sound formats. Simply connect a surround compatible amplifier/speaker
setup, and enjoy the powerful sonic experience of surround sound.
Yamaha GO44 Features:
FireWire audio interface
Durable aluminum die cast body
Simple, small and light weight
2 x Balanced Line inputs / outputs
Headphones output on Front Panel
1 MIDI In /1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
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- Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
- CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
- 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
- Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
- Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
- Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
- CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
- Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
- “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
- Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
- Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
- Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
- Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
- Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
- Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
- Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
- Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
- Expandable — add additional interfaces for more I/O as your needs grow.
- Separate TRS main outs with front panel volume control.
- Stereo 24-bit 96kHz S/PDIF in/out.
- Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
- 100% compatible with all host-based effects processing in today's popular audio programs.
- Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
- Plug-and-play operation with your Mac or PC via FireWire or USB2.
- Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
- Front panel headphone jack with volume control.
- Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
- Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
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MINIMUM SYSTEM REQUIREMENTS - Mac
* OS X Leopard 10.5.8 or Snow Leopard 10.6.3
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One native USB port
MINIMUM SYSTEM REQUIREMENTS - PC
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit Native, or Windows 7 64-bit Native
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One native USB port
What's in the Box?
* Mbox Mini interface
* Pro Tools LE 8 software DVD-ROM installer (includes electronic versions of user guides, plus software plug-in bundle)
* Mbox user guide
* Registration information card
* USB cable
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