| Content | Professional quality for small and mid-sized studios.
An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C™compatible audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A complete, all-in-one recording studio, the Studio 68c comes with PreSonus’ award-winning Studio One® Artist music production software for macOS® and Windows® and is backward compatible with USB 2.0 and 3.0 connections.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 68c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The 6-in, 6-out Studio 68c audio interface features USB-C™ compatible computer connectivity and includes 2 combo mic/instrument/line inputs and 2 combo mic/line inputs with +48V phantom power for condenser mics, plus S/PDIF digital I/O. All four ¼-inch TRS, line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 68c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.
Features
Input/Output
- Simultaneous I/O up to 6 inputs/6 outputs (4x4 at 192 kHz)
- 2 mic/instrument/line inputs with XMAX Class A mic preamps
- 2 mic/line inputs with XMAX Class A mic preamps
- 2 balanced ¼” TRS main outputs
- DC coupled for sending control voltages
- 2 balanced ¼” TRS line outputs for monitor mixing
- DC coupled for sending control voltages
- 1 stereo headphone output
- MIDI In/Out
- Stereo S/PDIF digital I/O
- 1 USB-C™ compatible 2.0 port
- USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
- Direct monitoring
- Cue mix A/B (for headphone output)
- Front-panel level controls for main outputs
- True +48V phantom power for condenser microphones (global)
- 6 ladder-style LED level meters (4 input, 2 main output)
Integrated Software
- Studio One Artist®
- Studio Magic Plug-in Suite
Digital
- USB-C™ compatible port (USB 2.0)
- 24-bit resolution
- 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
- Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB-C™ or USB-A 2.0 port compatiblity
- 32 GB hard disk space
- PreSonus Universal Control 2.0 or higher
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
- Multitouch-enabled monitor required for touch operation
Technical Specifications
| General |
|
| Sample Rates |
44.1, 48, 88.2, 96, 176.4, or 192 kHz |
| Converter Resolution |
24 bit |
| Converter Dynamic Range |
114 dB |
| Converter Dynamic Range |
114 dB |
| Microphone Inputs |
|
| Maximum Level |
+16 dBu (balanced, min gain) |
| Gain Range |
80 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.15 dB, min gain, 48 kHz) |
| Dynamic Range |
114 dB (A-wtd, min gain) |
| THD + N |
0.007% (1 kHz, -1 dBFS, min gain) |
| EIN |
-130 dBu (max gain, 150Ω, A-wtd) |
| Input Impedance |
1.6 kΩ |
| Phantom Power |
+48 VDC (10 mA per channel) |
| Line Inputs |
|
| Maximum Level |
+22 dBu (balanced, min gain) |
| Gain Range |
40 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.15 dB, min gain, 48 kHz) |
| Dynamic Range |
113.9 dB (A-wtd, min gain) |
| THD + N |
0.007% (1 kHz, -1 dBFS, min gain) |
| Input Impedance |
10 kΩ |
| Instrument Inputs |
|
| Maximum Level |
+15 dBu (unbalanced, min gain) |
| Gain Range |
80 dB |
| Frequency Response |
20 Hz - 20 kHz (±0.1 dB, 48 kHz, min gain) |
| Dynamic Range |
114.7 dB (A-wtd, min gain) |
| THD + N |
0.012% (1 kHz, -1 dBFS, min gain) |
| Input Impedance |
1 MΩ |
| Line Outputs (Mains) |
|
| Type |
¼" TRS Female, DC Coupled |
| Maximum Level |
+18 dBu (balanced) |
| Frequency Response |
20Hz - 20kHz (±0.2dB, unity gain, 48 kHz) |
| Dynamic Range |
109 dB (A-wtd) |
| THD + N |
0.001% (1 kHz, -1 dBFS) |
| Line Outputs (3/4) |
|
| Type |
¼" TRS Female, DC coupled |
| Maximum Level |
+18 dBu (balanced) |
| Frequency Response |
20 Hz - 20 kHz (+/- 0.2 dB, unity gain, 48 kHz) |
| Dynamic Range |
109 dB (A-wtd) |
| THD + N |
0.0015% (1 kHz, -1 dBFS) |
| Headphone Outputs |
|
| Maximum Power |
150 mW/channel (56Ω load) |
| Frequency Response |
20 Hz - 20 kHz (±0.2 dB, 56Ω load, 48 kHz) |
| Dynamic Range |
107 dB (A-wtd, 56Ω load) |
| THD + N |
0.002% (1 kHz, -1 dBFS, no load) |
| Impedance Working Range |
32Ω to 300Ω |
| Physical |
|
| Height |
1.75" (44 mm) |
| Width |
9" (229 mm) |
| Depth |
5.5" (140 mm) |
| Weight |
2.4 lbs (1 kg) |
|
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
- Stereo input and output at 24-bit/96kHz audio quality
- High-end A/D and D/A converters for accurate recording and playback
- Large Input Level knob for easy control while recording
- 1/4" jack with Hi-Z option for recording electric guitar or bass
- Electret condenser mic input
- RCA phono type and optical-digital audio I/O
- Headphone output
- USB powered – no AC adapter required
- SONAR LE for music recording, editing, and publishing on PC
- Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
| Number of Audio Record/Playback Channels | Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only |
|---|
| Signal Processing | PC interface: 24 bits
AD/DA Conversion: 24 bits (linear)
* ADVANCE DRIVER switch = OFF: 16 bits |
|---|
| Sampling Frequency | Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
|
|---|
| Nominal Input Level | Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
|
|---|
| Nominal Output Level | Line output jacks: -10 dBu |
|---|
| Interface | USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format. |
|---|
| Controllers | ADVANCED DRIVER Switch
Guiter/Mic Switch
INPUT VOLUME knob
PHONES VOLUME Dial
SAMPLE RATE Switch
96kHz MODE Switch
INPUT MONITOR Switch
REC SOURCE Switch |
|---|
| Connectors | USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: （1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector. |
|---|
| Power Supply | Supplied from the computer |
|---|
| Current Draw | 200 mA |
|---|
| Accessories | Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM |
|---|
| Size and Weight |
|---|
| Width | |
|---|
| Depth | |
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|
Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers ![]( "MBOX")
| U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
- 2 In/2 Out USB Audio Interface
- Mac or PC, no drivers required
- 16-bit/48kHz converters
- Low latency
- Headphone output
- S/PDIF optical out
- USB powered
- Free Software
- Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Works with your PC or Mac computer—no setup or drivers required
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor both input and output
- Additional S/PDIF optical output for direct digital conversion
- Powered via USB—no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer. |
Computer Based Recording Packages
Computer-Based Recording Packages For All Players Of Musical Instruments
The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.
Size/Weight
| Dimensions | Width | 170mm (6-3/4“) | | Height | 59mm (2-3/8“) | | Depth | 192mm (7-5/8“) | | Weight | Weight | 770g (1.7 lbs.) |
General Specifications
| Sampling Frequency Rate | USB AUDIO 1.1, 16bit/44.1kHz |
Effects
| Types | Dynamic | 1-knob Compressor (COMP) x 2 |
Storage and Connectivity
| Connectivity | Headphones | Stereo Phone connector x 1 | | Microphone | Mic/Hi-Z input x 2 | | LINE IN | Phone connector x 4 (L/MONO x 2, R x 2) | | LINE OUT | Phone connector x 2 (L, R) | | USB TO HOST | USB (TO HOST) |
Power Supply
System Requirements
| Windows | PC | Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface | | CPU | 1 GHz or better Intel Core / Pentium / Celeron processor 750 MHz or better Intel Core / Pentium / Celeron processor | | Support OS | Windows Vista / Windows XP Professional / XP Home Edition | | Memory | More than 1 GB More than 128 MB | | Macintosh | PC | Macintosh computer with built-in USB interface | | CPU | Intel CPU / Macintosh G3 processor 300 MHz or better | | Support OS | Mac OS X 10.3.3 or higher | | Memory | More than 128 MB |
Accessories | Included Accessories | Cable | USB Cable | | Others | CUBASE AI DVD, Owners Manual |
| Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O |
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