PRESONUS Studio 68c Audio interface

249.00 incl. GR VAT

Available on backorder

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Professional quality for small and mid-sized studios. An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C™compatible audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A […]

 

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Professional quality for small and mid-sized studios.

An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C™compatible audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A complete, all-in-one recording studio, the Studio 68c comes with PreSonus’ award-winning Studio One® Artist music production software for macOS® and Windows® and is backward compatible with USB 2.0 and 3.0 connections.

World-class recording software included.

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 68c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour.

The 6-in, 6-out Studio 68c audio interface features USB-C™ compatible computer connectivity and includes 2 combo mic/instrument/line inputs and 2 combo mic/line inputs with +48V phantom power for condenser mics, plus S/PDIF digital I/O. All four ¼-inch TRS, line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 68c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Features

Input/Output

  • Simultaneous I/O up to 6 inputs/6 outputs (4×4 at 192 kHz)
  • 2 mic/instrument/line inputs with XMAX Class A mic preamps
  • 2 mic/line inputs with XMAX Class A mic preamps
  • 2 balanced ¼” TRS main outputs
    • DC coupled for sending control voltages
  • 2 balanced ¼” TRS line outputs for monitor mixing
    • DC coupled for sending control voltages
  • 1 stereo headphone output
  • MIDI In/Out
  • Stereo S/PDIF digital I/O
  • 1 USB-C™ compatible 2.0 port
    • USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers

Meters, Controls, and Features

  • Direct monitoring
  • Cue mix A/B (for headphone output)
  • Front-panel level controls for main outputs
  • True +48V phantom power for condenser microphones (global)
  • 6 ladder-style LED level meters (4 input, 2 main output)

Integrated Software

  • Studio One Artist®
  • Studio Magic Plug-in Suite

Digital

  • USB-C™ compatible port (USB 2.0)
  • 24-bit resolution
  • 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates

Physical

  • Road-rugged construction with all-metal chassis and metal knobs

Computer system requirements:

Below are the minimum computer-system requirements.

Mac

  • macOS® 10.11 or higher (64-bit only)
  • Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
  • Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • USB-C™ or USB-A 2.0 port compatiblity
  • 32 GB hard disk space
  • PreSonus Universal Control 2.0 or higher
  • Monitor with 1366×768 resolution (high-dpi monitor recommended)
  • Multitouch-enabled monitor required for touch operation

Technical Specifications

General
Sample Rates 44.1, 48, 88.2, 96, 176.4, or 192 kHz
Converter Resolution 24 bit
Converter Dynamic Range 114 dB
Converter Dynamic Range 114 dB
Microphone Inputs
Maximum Level +16 dBu (balanced, min gain)
Gain Range 80 dB
Frequency Response 20 Hz – 20 kHz (±0.15 dB, min gain, 48 kHz)
Dynamic Range 114 dB (A-wtd, min gain)
THD + N 0.007% (1 kHz, -1 dBFS, min gain)
EIN -130 dBu (max gain, 150Ω, A-wtd)
Input Impedance 1.6 kΩ
Phantom Power +48 VDC (10 mA per channel)
Line Inputs
Maximum Level +22 dBu (balanced, min gain)
Gain Range 40 dB
Frequency Response 20 Hz – 20 kHz (±0.15 dB, min gain, 48 kHz)
Dynamic Range 113.9 dB (A-wtd, min gain)
THD + N 0.007% (1 kHz, -1 dBFS, min gain)
Input Impedance 10 kΩ
Instrument Inputs
Maximum Level +15 dBu (unbalanced, min gain)
Gain Range 80 dB
Frequency Response 20 Hz – 20 kHz (±0.1 dB, 48 kHz, min gain)
Dynamic Range 114.7 dB (A-wtd, min gain)
THD + N 0.012% (1 kHz, -1 dBFS, min gain)
Input Impedance 1 MΩ
Line Outputs (Mains)
Type ¼” TRS Female, DC Coupled
Maximum Level +18 dBu (balanced)
Frequency Response 20Hz – 20kHz (±0.2dB, unity gain, 48 kHz)
Dynamic Range 109 dB (A-wtd)
THD + N 0.001% (1 kHz, -1 dBFS)
Line Outputs (3/4)
Type ¼” TRS Female, DC coupled
Maximum Level +18 dBu (balanced)
Frequency Response 20 Hz – 20 kHz (+/- 0.2 dB, unity gain, 48 kHz)
Dynamic Range 109 dB (A-wtd)
THD + N 0.0015% (1 kHz, -1 dBFS)
Headphone Outputs
Maximum Power 150 mW/channel (56Ω load)
Frequency Response 20 Hz – 20 kHz (±0.2 dB, 56Ω load, 48 kHz)
Dynamic Range 107 dB (A-wtd, 56Ω load)
THD + N 0.002% (1 kHz, -1 dBFS, no load)
Impedance Working Range 32Ω to 300Ω
Physical
Height 1.75″ (44 mm)
Width 9″ (229 mm)
Depth 5.5″ (140 mm)
Weight 2.4 lbs (1 kg)
Weight 1.00 kg

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Quick Comparison

PRESONUS Studio 68c Audio interface removeMOTU HD192 removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeMOTU 828mk3 - FireWire audio interface with on-board effects and mixing removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeYAMAHA GO 44 MOBILE FIREWIRE AUDIO INTERFACE remove
NamePRESONUS Studio 68c Audio interface removeMOTU HD192 removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeMOTU 828mk3 - FireWire audio interface with on-board effects and mixing removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeYAMAHA GO 44 MOBILE FIREWIRE AUDIO INTERFACE remove
ImagePresonus studio 68c audio interface
SKUSTUDIO 68CHD192Ultralite-mk3828mk3896mk3GO44
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Description
ContentProfessional quality for small and mid-sized studios. An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C™compatible audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A complete, all-in-one recording studio, the Studio 68c comes with PreSonus’ award-winning Studio One® Artist music production software for macOS® and Windows® and is backward compatible with USB 2.0 and 3.0 connections. World-class recording software included. Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 68c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment. Take the tour. The 6-in, 6-out Studio 68c audio interface features USB-C™ compatible computer connectivity and includes 2 combo mic/instrument/line inputs and 2 combo mic/line inputs with +48V phantom power for condenser mics, plus S/PDIF digital I/O. All four ¼-inch TRS, line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 68c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface. Features Input/Output
  • Simultaneous I/O up to 6 inputs/6 outputs (4x4 at 192 kHz)
  • 2 mic/instrument/line inputs with XMAX Class A mic preamps
  • 2 mic/line inputs with XMAX Class A mic preamps
  • 2 balanced ¼” TRS main outputs
    • DC coupled for sending control voltages
  • 2 balanced ¼” TRS line outputs for monitor mixing
    • DC coupled for sending control voltages
  • 1 stereo headphone output
  • MIDI In/Out
  • Stereo S/PDIF digital I/O
  • 1 USB-C™ compatible 2.0 port
    • USB-C™ to USB-C™ and USB-C™ to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
  • Direct monitoring
  • Cue mix A/B (for headphone output)
  • Front-panel level controls for main outputs
  • True +48V phantom power for condenser microphones (global)
  • 6 ladder-style LED level meters (4 input, 2 main output)
Integrated Software
  • Studio One Artist®
  • Studio Magic Plug-in Suite
Digital
  • USB-C™ compatible port (USB 2.0)
  • 24-bit resolution
  • 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
  • Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements: Below are the minimum computer-system requirements. Mac
  • macOS® 10.11 or higher (64-bit only)
  • Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)
Windows
  • Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
  • Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
  • 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
  • USB-C™ or USB-A 2.0 port compatiblity
  • 32 GB hard disk space
  • PreSonus Universal Control 2.0 or higher
  • Monitor with 1366x768 resolution (high-dpi monitor recommended)
  • Multitouch-enabled monitor required for touch operation
Technical Specifications
General
Sample Rates 44.1, 48, 88.2, 96, 176.4, or 192 kHz
Converter Resolution 24 bit
Converter Dynamic Range 114 dB
Converter Dynamic Range 114 dB
Microphone Inputs
Maximum Level +16 dBu (balanced, min gain)
Gain Range 80 dB
Frequency Response 20 Hz - 20 kHz (±0.15 dB, min gain, 48 kHz)
Dynamic Range 114 dB (A-wtd, min gain)
THD + N 0.007% (1 kHz, -1 dBFS, min gain)
EIN -130 dBu (max gain, 150Ω, A-wtd)
Input Impedance 1.6 kΩ
Phantom Power +48 VDC (10 mA per channel)
Line Inputs
Maximum Level +22 dBu (balanced, min gain)
Gain Range 40 dB
Frequency Response 20 Hz - 20 kHz (±0.15 dB, min gain, 48 kHz)
Dynamic Range 113.9 dB (A-wtd, min gain)
THD + N 0.007% (1 kHz, -1 dBFS, min gain)
Input Impedance 10 kΩ
Instrument Inputs
Maximum Level +15 dBu (unbalanced, min gain)
Gain Range 80 dB
Frequency Response 20 Hz - 20 kHz (±0.1 dB, 48 kHz, min gain)
Dynamic Range 114.7 dB (A-wtd, min gain)
THD + N 0.012% (1 kHz, -1 dBFS, min gain)
Input Impedance 1 MΩ
Line Outputs (Mains)
Type ¼" TRS Female, DC Coupled
Maximum Level +18 dBu (balanced)
Frequency Response 20Hz - 20kHz (±0.2dB, unity gain, 48 kHz)
Dynamic Range 109 dB (A-wtd)
THD + N 0.001% (1 kHz, -1 dBFS)
Line Outputs (3/4)
Type ¼" TRS Female, DC coupled
Maximum Level +18 dBu (balanced)
Frequency Response 20 Hz - 20 kHz (+/- 0.2 dB, unity gain, 48 kHz)
Dynamic Range 109 dB (A-wtd)
THD + N 0.0015% (1 kHz, -1 dBFS)
Headphone Outputs
Maximum Power 150 mW/channel (56Ω load)
Frequency Response 20 Hz - 20 kHz (±0.2 dB, 56Ω load, 48 kHz)
Dynamic Range 107 dB (A-wtd, 56Ω load)
THD + N 0.002% (1 kHz, -1 dBFS, no load)
Impedance Working Range 32Ω to 300Ω
Physical
Height 1.75" (44 mm)
Width 9" (229 mm)
Depth 5.5" (140 mm)
Weight 2.4 lbs (1 kg)

 

Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.

The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.

The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

The Yamaha GO44 is a mobile audio solution that features high quality line
inputs/outputs and worldclass MIDI and audio recording software enabling
professional quality recording to a computer in a very compact package that
can be carried and used virtually anyway.
The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
quality makes the Yamaha GO44 perfect for any type of recording, and allows
you to capture the full details and nuances of the original source - from the
breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.

The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
jack terminals for both input and output, and special S/P DIF coaxial terminals for
two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
recording capability - perfect not only for those who want to create music, but also
for those who want an audio playback system for their computer that delivers
outstanding sound quality.

The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
surround sound formats. Simply connect a surround compatible amplifier/speaker
setup, and enjoy the powerful sonic experience of surround sound.

Yamaha GO44 Features:
FireWire audio interface
Durable aluminum die cast body
Simple, small and light weight
2 x Balanced Line inputs / outputs
Headphones output on Front Panel
1 MIDI In /1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible

Weight1.00 kg5.50 kg2.00 kg4.00 kg4.00 kg1.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 5.50 kg
Weight 2.00 kg
Weight 4.00 kg
Weight 4.00 kg
Weight 1.50 kg