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With a powerful user interface, unrivaled sound quality, amazing DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, onboard FireWire s800 interface, and tightly integrated software suite for Mac®, Windows®, and iOS®, StudioLive™ AI-series digital mixers create a streamlined working environment for both live and studio use. Redesigned from the ground up, these state-of-the-art mixers provide analog workflow with extensive dual signal processing on every channel and bus and actively integrated software that solves real-world problems and lets you record and distribute what you mix. Configurable networking and communications option cards ensure your investment wonʼt be outdated as new technologies emerge.
In short, StudioLive AI-series mixers deliver the very best in digital mixing and recording technology and make it all incredibly intuitive and easy to learn and use.
Specifications
24 input channels, each with:
XLR mic and ¼” line inputs
High-headroom Class A XMAX™ mic preamplifiers
Analog ¼' inserts (rear panel)
Trim control with –20 to +20 dBV line / -15 to +65 dBu mic gain range (80 dB!)
+48V phantom power switch for condenser microphones
Digital Audio Input Select
100 mm precision faders
Phase reverse, highpass filter, noise gate/expander, compressor, 4-band EQ, limiter—all with A/B and Quick Null
40 in x 26 outFireWire s800 direct digital recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and more
20 dedicated mix buses for easy configuration
14/10/6 aux buses with analog outputs
4 internal FX buses
4 subgroups with analog outputs
4 subgroup buses, each with
14 aux buses, each withStereo main bus with analog outputs
Balanced TRS output
Solo
Mute
Pre1/Pre2/post-fader send
Output-level control
Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
31-band graphic EQ with A/B and Quick Null
Available sources: 32/24/16 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC,
Access to Fat Channel functions
Input/Output
32/24/16 main inputs, each with XLR mic, ¼' line, and ¼' inserts
2 ¼' balanced stereo (L/R) aux inputs
1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control
Unbalanced RCA stereo (L/R) tape inputs and outputs
XLR stereo (L/R) main outputs with level control
¼' balanced stereo (L/R) main outputs
XLR mono output with level control
¼' balanced stereo (L/R) control-room outputs
¼' headphone output
4 ¼' balanced subgroup outputs
14/10/6 ¼' balanced aux outputs
32/24/16 pre-insert, balanced direct outputs, Ch. 1-8, 9-16 (17-24, 25-32) on DB25 sockets
Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications
Installed Option Card with:
S/PDIF digital out
2 FireWire S800 ports
Optional I/O cards
Thunderbolt
Dante
AVB
Integrated software
Virtual StudioLive-AI bidirectional control/editor/librarian with Smaart Measurement Technology™
Studio One®Artist Digital Audio Workstation software for Mac®and Windows®
Capture™ multitrack recording software for Mac and Windows
StudioLive Remote-AI mixer-control software for iPad®available free from Apple App Store
QMix™-AI aux-control software for iPhone®and iPod touch®available free from Apple App Store
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GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 20 faders, 4 layers, 80 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compliant Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- Dimensions: (W x D x H) 730 x 577 x 159mm
- Weight: 16kg
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The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Technical Specifications
Internal processing | 32bit (Accumulator=58bit) | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | Power requirements | 110V-240V, 50/60Hz | Power consumption | LS9-32: 170W, LS9-16: 95W | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Analog Input Characteristics
Input terminal
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Actual load impedance
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For use with nominal
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Input level
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Connector
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GAIN
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Sensitivity
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Nominal
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Max. before clip
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INPUT 1-n
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-62dB
+10dB
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3kohms
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50-600 ohm Mics & 600ohm Lines
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-82dBu
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-62dBu
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-42dBu
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XLR3-31 type
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-10dBu
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+10dBu
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+30dBu
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Analog Output Characteristics
Output terminal
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Actual source impedance
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For use with nominal
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GAIN SW
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Output level
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Connector
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Nominal
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Max. before clip
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OMNI OUT 1-n
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75ohms
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600ohm Lines
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+24dB
+18dB
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+4dBu
-2dBu
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+24dBu
+18dBu
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XLR-3-32 type
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PHONES OUT
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15ohms
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8ohm Phones
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-
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75mW
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150mW
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ST Phone jack
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40ohm Phones
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-
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65mW
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150mW
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Digital Output Characteristics
Terminal | Format | Data length | Level | Connector | 2TR IN DIGITAL | COAXIAL | IEC60958 | 24bit | 0.5Vpp/
75ohms | RCA pin jack | 2TR OUT DIGITAL | COAXIAL | IEC60958
(Consumer Use) | 24bit | 0.5Vpp/
75ohms | RCA pin jack |
Control I / O Characteristics
Terminal
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Format
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Level
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Connector
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NETWORK (Ethernet)
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100Base-T
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-
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RJ45
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MIDI
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IN
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MIDI
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-
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DIN-5pin
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OUT
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MIDI
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-
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DIN-5pin
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WORD CLOCK
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IN
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-
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TTL/75ohms, Terminated
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BNC
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OUT
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-
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TTL/75ohms
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BNC
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REMOTE
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-
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RS422
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D-sub 9pin(male)
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LAMP
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-
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0V-12V
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XLR-4-31 type
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USB HOST
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USB1.1
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USB
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A type USB Connector
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19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline Mixing capability | Mixing channels | 48 | GROUP | 8 | AUX | 8 | MAIN | Stereo | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | On-board processors | 4x SPX multi effectors | I/O | Mic inputs | 16 | Phantom power | +48V DC; ON/OFF per channel | Line inputs | 4x Omni in | AD converter | 24-bit; 128-time over sampling | Line outputs | 12x Omni output | DA converter | 24-bit; 128-time over sampling | Digital I/O | 2x 2tr in/out | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications Internal processing | 32bit, Accumulator: 58bit | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | Dynamic range | DA: 110dB; AD+DA: 106dB | Hum & noise level | Equivalent input noise | -128dBu | Residual output noise | -86dBu | Crosstalk | -80dB | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | Power consumption | 135W | Dimensions | W | 436mm; 17-3/16in | H | 200mm; 7-7/8in | D | 585mm; 23-1/16in | Net weight | 20kg; 44.1lbs | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.
Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.
Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.
- 16 Mono Inputs (TRS + XLR)
- 3 Stereo Inputs (TRS)
- 4 Stereo FX Returns
- 16 Busses
- 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
- 4 FX Engines
- AES Digital Out
- 19" Rack Mountable
- Moving Faders
- Recallable AnaLOGIQ Preamps
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 800×480 Touchscreen
- iLive FX Library
- dSNAKE Remote Audio Port
- Compatible with ME Personal Mixing System
- Qu-Pad iPad App
- USB Audio Streaming
- DAW MIDI Control
- 4 Mute Groups
- Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
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Si Performer 2 Highlights
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Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
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2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
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Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
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1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
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TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
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Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
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DMX interface - control sound and light from the same device.
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BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
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Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
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Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
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D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
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Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
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Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
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Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
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Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
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Key Features
• 24 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
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