Content | 24-Channel digital rack mixer with integrated audio interface
- AVB Stagebox Mode for StudioLive Series III Mixers
- 24 Microphone / line inputs XLR / jack 6.3 mm combo sockets with 48V phantom power
- Stereo Aux input RCA (L / R)
- 16 AUX sends
- 12 mix outputs 6.3 mm jack balanced
- 2 main outputs XLR (L / R)
- Stereo headphone output 6.3 mm jack
- “Mute All" button to mute all inputs and outputs
- Integrated SD card recorder (stereo) for recording the main signal and as a player
- 40x40 USB recording interface
- 55x55 AVB recording interface
- Converter: 24-bit / 48 kHz with 115 dB dynamics
- Fat Channel Signal Processing: Polarity, High Pass Filter, Gate / Expander with Sidechain, Fully Parametric 4-Band EQ, Compressor with Sidechain, Limiter, Includes Vintage Plug-ins for EQ and Compressor
- 2 master effect processors including vintage reverb plugins
- Line delay in all inputs and outputs
- Fully parametric 6-band EQ in all outputs, 8 graphic EQs (31-band)
- Presets plus user memory for Fat Channel, effects and graphic EQ
- USB port, Ethernet Control port, Ethercon AVB audio network port
- Control software "UC Surface" for OS X, Windows, iPad and Android tablet
- Free monitor app "QMix-UC" for iPhone, iPod Touch and Android smartphones
- Type: 19 "2U
- Dimensions: 483 x 305 x 90 mm
- Weight: 4.9 kg
- Including recording software "Capture“, DAW software "Studio One 3 Artist" and "Studio Magic" plugin suite (for download)
System requirements:
- Mac OS X 10.8.5 64-bit or newer
- Windows 7x64 / x86 SP1
- Windows 8 x64 / x86
- Windows x64 / x86
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GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.
GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.
GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.
The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 28 faders, 4 layers, 112 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compatible Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- 14 assignable SoftKeys for scene recall, DCA mutes and more
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19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline Mixing capability | Mixing channels | 48 | GROUP | 8 | AUX | 8 | MAIN | Stereo | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | On-board processors | 4x SPX multi effectors | I/O | Mic inputs | 16 | Phantom power | +48V DC; ON/OFF per channel | Line inputs | 4x Omni in | AD converter | 24-bit; 128-time over sampling | Line outputs | 12x Omni output | DA converter | 24-bit; 128-time over sampling | Digital I/O | 2x 2tr in/out | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications Internal processing | 32bit, Accumulator: 58bit | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | Dynamic range | DA: 110dB; AD+DA: 106dB | Hum & noise level | Equivalent input noise | -128dBu | Residual output noise | -86dBu | Crosstalk | -80dB | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | Power consumption | 135W | Dimensions | W | 436mm; 17-3/16in | H | 200mm; 7-7/8in | D | 585mm; 23-1/16in | Net weight | 20kg; 44.1lbs | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
Proven at millions of gigs worldwide, the Mackie DL Series combines the power of a full-featured digital mixer with the unmatched ease-of-use of an iPad. Ideal for bands, rental house and production/installations, the DL Series provides the mobile freedom to wirelessly control the mix and powerful plug-in processing from anywhere in the venue.
- Ultra-low noise design with highest possible headroom
- 8 Onyx microphone preamps
- 4 auxiliary sends
- Stereo main output
- 24-bit Cirrus Logic converters
- 4-band EQ, gate and compressor on channel inputs
- Global reverb and delay processors
- 31-band graphic EQ with compressor limiter on main outputs
- Use up to 10 iPads simultaneously
- Ground-breaking Master Fader App
- Wired or wireless mixing from anywhere
- Full recall except mic pre gains
- Dedicated iPad channel
- PadLock feature for fixed install
- Διαστάσεις: 394x 292 x 99 mm
- Βάρος: 3.2kg
- iPad not included
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Features
- 16 acclaimed AnaLOGIQTM recallable preamps
- 16 on-board Mic / Line Inputs (XLR / TRS)
- Expandable up to 38 inputs via dSNAKETM
- 3 Stereo Inputs (TRS)
- 32 Mono + 3 Stereo Input Channels
- 12 on-board Mix Outputs (XLR)
- 4 Stereo Groups
- 2 Stereo Matrix Outs
- AES Digital Out
- 4 DCA Groups
- 4 Mute Groups
- Qu-Pad iPad App for all live mixing controls
- Qu-You iPhone App for personal monitoring
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 15 Soft Keys
- 16 Custom Select keys
- Qu-Control custom screen to suit application
- 4 FX Engines
- 4 FX Sends / Returns
- 32×32 USB Audio Interface
- 5” Touchscreen
- iLive FX Library
- Compatible with ME Personal Mixing System
- Trim, polarity, HPF, gate, insert / ducker, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
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16 + 2 fader configuration in a compact, rack mountable unit.
- Mix channels: 32 mono, 8 stereo.
- Busses: 16 mix, 8 matrix (Input to Matrix supported).
- Local I/O: 16 in, 8 out.
- Fader configuration: 16 + 2 (Master).
- Rack mountable with optional RK1 Rack Mount Kit.
General specifications | QL1 | Sampling frequency rate | Internal | 44.1kHz / 48kHz | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | Signal delay | Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz | Fader | 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min. | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min. | Hum & noise level | Equivalent input noise | -128dBu typ., Equivalent Input Noise, Input Gain=Max | Residual output noise | -88dBu, Residual output noise, ST master off | Crosstalk | -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min. | Power requirements | 100-240V 50/60Hz | Power consumption | 135W | Dimensions | W | 468mm(18.4in ) | H | 272mm(10.7in) | D | 562mm(22.1in) | Net weight | 14.7kg(32.4lb) | Accessories | Owner's Manual, power cord, DVS license sheet | Options | Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live | Others | Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C |
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