The Radial StageBug SB-4 is a compact active direct box that has been optimized for use with piezo transducers. This enables violin, dobro, mandolin, cello, upright bass and other instruments that are best amplified using a piezo to be connected without compromising the tone or frequency response. The design begins with a ¼” input for […]
The Radial StageBug SB-4 is a compact active direct box that has been optimized for use with piezo transducers. This enables violin, dobro, mandolin, cello, upright bass and other instruments that are best amplified using a piezo to be connected without compromising the tone or frequency response.
The design begins with a ¼” input for the instrument pickup. Unlike typical direct boxes that have a 1meg-ohm input impedance, the SB-4 features a very high 5meg-ohm impedance that smoothes out troublesome peaks that give piezos a bad name. The higher impedance also broadens the frequency response for a more natural and pleasing sound. The active circuit performs the high-to-low impedance conversion and balances the signal to enable long runs upwards to 100 meters without loss, delivering spectacular linearity and low distortion throughout the audio range.
To help eliminate feedback on stage, the SB-4 is equipped with a high-pass filter and 180° polarity reverse switch. The high pass filter eliminates excessive bottom end which in turn reduces resonance that can cause the top of the instrument to vibrate. The 180° polarity reverse helps reduce acoustic hot spots on stage by changing the phase relationship between the PA system and room acoustics which can combine at certain frequencies to create peaks.
Reversing the polarity eliminates the acoustic peak without resorting to severe equalization which only serves to compromise the natural tone of the instrument. Connections include an AUX out for a stage amplifier plus a standard XLR output to feed the PA. Power is derived from the console’s 48V phantom, thus eliminating the need for batteries or external supply. One simply connects, turns on the phantom power and plays.
Features:
Active DI optimized for piezo transducers
Smoothes out peaks, eliminates squawk
High pass filter eliminates resonance
Ultra compact to fit in your guitar case
Weight
0.50 kg
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The Radial StageBug SB-4 is a compact active direct box that has been optimized for use with piezo transducers. This enables violin, dobro, mandolin, cello, upright bass and other instruments that are best amplified using a piezo to be connected without compromising the tone or frequency response.
The design begins with a ¼" input for the instrument pickup. Unlike typical direct boxes that have a 1meg-ohm input impedance, the SB-4 features a very high 5meg-ohm impedance that smoothes out troublesome peaks that give piezos a bad name. The higher impedance also broadens the frequency response for a more natural and pleasing sound. The active circuit performs the high-to-low impedance conversion and balances the signal to enable long runs upwards to 100 meters without loss, delivering spectacular linearity and low distortion throughout the audio range.
To help eliminate feedback on stage, the SB-4 is equipped with a high-pass filter and 180° polarity reverse switch. The high pass filter eliminates excessive bottom end which in turn reduces resonance that can cause the top of the instrument to vibrate. The 180° polarity reverse helps reduce acoustic hot spots on stage by changing the phase relationship between the PA system and room acoustics which can combine at certain frequencies to create peaks.
Reversing the polarity eliminates the acoustic peak without resorting to severe equalization which only serves to compromise the natural tone of the instrument. Connections include an AUX out for a stage amplifier plus a standard XLR output to feed the PA. Power is derived from the console's 48V phantom, thus eliminating the need for batteries or external supply. One simply connects, turns on the phantom power and plays.
Features:
Active DI optimized for piezo transducers
Smoothes out peaks, eliminates squawk
High pass filter eliminates resonance
Ultra compact to fit in your guitar case
2-channel passive DI box for line and loudspeaker levels. PAN-04 consists of a housing containing the equivalent of two PAN-01s, making it a dual channel passive DI box. This „stereo" configuration makes it ideally suited for use with certain keyboards and devices which have several outputs.ive DI box. Jack input with paralell „THRU" output, transformer balanced XLR output. Attenuable input sensitivity, can handle both line level and speaker level signals.
Specifications
No. of channels: 2
Passive/Actibe: Passive
Transformer balanced: Yes
Attenuator: -30 dB
Input/Output Gain: -20 dB
Ground lift switch: Yes
Max Input Level: +54 dBu
Max Output Level: +4 dBu
Frequency Range 2K Source Imp. -1dB: 10 Hz - 40 kHz
Input Impedance 60Hz: 60 kΩ
Nom. Output Impedance: 600 Ω
Housing: Steel
Dimension: 110 x 110 x 45 mm
Tube-buffered DI-Box DI-1000
The Tube-Buffered DI-Box DI-1000 allows the extraction of all the musical details of musical interfaces without degrading the sound. This can only be achieved by providing a very high input impedance to avoid any loading of instrument pickups.This design approach allows seemingly infinite headroom to preserve the real dynamic range of the interfaced instruments.A vacuum tube enables all these goals to be achieved without any compromises in sound quality.The sonic difference between a standard DI-Box and the Tube-Buffered DI-Box is comparable to the musical resolution difference between a standard microphone and a studio microphone.One of the best transformers, the very transparent sounding JENSEN JT-DB-E, was chosen providing complete ground isolation. The parameters of this transformer, like frequency response, phase response, group delay and geadroom capabilities, play a vital part in the performance of this DI-Box.
Technical Specifications Input The signal of the instrument is directly fed to the tube circuit with > 20 MOhms input impedance to prevent any signal degradation, inevitable in traditional designs. Buffered Output“ The second stage of the vacuum tube is used to buffer the signal and lower the output impedance to < 8 kOhms. This unity gain output allows for cable runs of 10 meters without loosing high frequency information. Boost circuit The boost circuit increases the signal send to the output transformer by 15 dB. This may be useful for instruments with extremely low output, but decreases headroom capability to 6 Volt rms. Under these circumstances the signal may be clipped, concerning the output transformer?s signal, which gives you 2nd harmonic tube-like distortion. This distortion normally does not occur - but is sometimes desirable, being the reason for this special feature. Unity circuit The unity circuit feeds a low distortion unity gain signal to the JENSEN output transformer. This gives the best possible sound quality. Ground-lift“-Switch This front panel mounted switch allows complete ground and electrical isolation between the direct injection box and the console or recording device.
Mechanical Specifications Cabinet 2 mm stainless steel Front- and rear-panel 1,5 mm stainless steel lasercut and photo-chemically etched Dimensions 185 x 100 x 40 mm Vibration insulation 4 high-compliance rubber-elements Operating Voltage 220/110 V AC, selectable via rear panel mounted switch. The fuse is easily accessible from the rear panel. IEC mains connector with optional fixture. Construction details Double sided glass fibre contacted PCB with 70 mm copper plating. 1% metal film resistors and the finest polypropylene capacitors are used in the signal path. MIL type Switchcraft jacks and high performance switches ensure flawless operation. The power supply is optimised via measurement quality toroid transformer and a low impedance design to ensure the lowest possible noise. Through a double sided PCB all parts are roadworthy secured. A waterclear blue LED perfects the aesthetics of the DI box.
Technical Data Input impedance > 20 MOhm Output impedance180 Ohm at 1 kHz Frequncy response 20 Hz - 20 kHz (-0,1 dB) 5 Hz - 120 kHz (-3 dB) THD at 0 dBv 0,06% at 20 Hz 0,04% at 1 kHz 0,035% at 20 kHz Signal to Noise Ratio 86 dB Tube ECC 83/7025 A - military E 83 CC optional Output transformer JENSEN JT-DB-E Polarity Pin 2 Hot , AES/IEC -Standard Max. Input voltage > 30 V peak
At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didnʼt settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally thereʼs a direct box worthy of the dbx name.
Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.
As a professional, you donʼt have time for interference, so weʼve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx dB10 dB12 is for you.
Thru Output: 1 parallel connection from input jack
Connector: 1/4" jack
Type: Unbalanced, RF filtered
Main Output: 1 line level
Connector: XLR male jack
Type: Balanced
Impedance: 150 Ohm typical
Max Output Level: 0dBu
PERFORMANCE
Transformer: Custom dbx mu-metal-shielded
Frequency Response: 20Hz to 20kHz, +/-2.5dB
Noise:
THD:
GENERAL
Dimensions: 5.82" L X 5.44" W X 2.20" H (148 x 138 x 56mm)
Weight: 1.4 lbs / 0.65 kg
Note: Specifications subject to change without notice.
Phantom or battery powered in a rugged steel chassis, with separate Speaker Level input connector
The ARX DI-PLUS represents another major step forward in active direct boxes. Packaged in a single channel stand-alone format, the DI-PLUS represents a fresh look at active D.I. concepts. Precision engineered Ultra quiet, ultra clean circuitry delivers maximum headroom whatever the signal. Premium grade components, plus an all-steel chassis gives excellent hum and noise specifications and superb audio quality in a tough, roadworthy package. Level control The DI-PLUS features a Normal gain high impedance unbalanced input on the front panel, running to a balanced XLR output on the rear. There is also a separate -40dB Speaker Level input for signal coming from the External (auxiliary) speaker output of an amplifier. A a global Pad switch drops both the normal input and the speaker input by a further 20dB, making it suitable for all applications, from the softest keyboard to the hottest broadcast levels.
Battery compartment The revolutionary simple 'clamshell' action of the DI-PLUS battery compartment makes battery changing extremely easy, even on the darkest stages. A 9v alkaline battery snaps into a PCB mounted battery holder for fast, secure location. No fragile battery clip leads to break, no tools required, no screws to lose. Production crew heaven!
Automatic Phantom switching The DI-PLUS will automatically switch itself to the console's own Phantom Power, if available, and an LED will indicate this mode. Turn the Phantom Power off and it will instantly revert back to battery mode. Rugged all-steel case A lot of direct boxes are fitted into brittle cast alloy cases. Not this one! The tough all-steel inner and outer chassis of the DI-PLUS provide excellent RF/EMF shielding while making it a sturdy, heavy duty unit that is hard to dislodge, and hard to leave behind.
Rear panel showing XLR connector, ground lift switch, and captive screw for opening up the unit for battery changing
Whether you're a Studio or Live Sound engineer, installation contractor, or broadcast engineer, you want all the dynamics and clarity of the original sound source transferred to the mixing console. The ARX DI-PLUS provides a rugged, no-compromise solution to all direct injection and signal balancing requirements.
T E C H N I C A L S P E C I F I C A T I O N S: Max Input Level +13 dB Phantom powered +6 dB Battery powered Input Impedance 1 Meg Ohm Max Output Level +17 dB 10K Ohm load Phantom powered +12 dB 10K Ohm load Battery powered +11 dB 600 Ohm load Phantom powered +12 dB 600 Ohm load Battery powered Output Impedance 680 Ohms Balanced Output Signal to Noise -100 dB unweighted -104 dB A weighted Dynamic Range 117 dB 10K Ohm load Phantom powered 112 dB 10K Ohm load Battery powered 111 dB 600 Ohm load Phantom powered 107.5 dB 600 Ohm load Battery powered Distortion 100 Hz .0027%, 1KHz .0028%, 10KHz .0037% Frequency Response 20Hz to 20KHz, ± 0.2 dB Gain through Unit: 6dB (Normal input, Pad switch out) Pad Switch: -20 dB attenuation Speaker Input -40 dB attenuation, equivalent to 100:1 decrease in input level -60 dB attenuation available with Pad switch Input Connectors Insulated jacks (!!!Note that the Input connector switches the unit on when a plug is inserted. Remove plug when storing to avoid battery drain!!!) Output Connector 3 pin XLR. Wired Pin 1 Ground, Pin 2 + Hot, Pin 3 - Cold. With Audio Ground (Pin 1) lift switch Construction All-steel chassis, fibreglass PCB Battery Access Twist connector opens chassis, snap-in battery holder inside. No tools required
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