| Content |
- Stereo D/A Converter
- Supports up to 24-Bit/96 kHz Resolution
- Dante-Enabled Ethernet Input
- Balanced Analog XLR Outputs
- Adjustable Output Level
- 3.5mm Stereo Headphone Output
- 14-Gauge Steel Enclosure
- Sync and Power Indicators
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The new Fostex HP-A3 is the perfect DAC for Computer Audio. This high quality unit features 32bit D/A Conversion with an integrated headphone amplifier exclusively designed to get the most from and PC audio set-up.
Why settle for 'built-in' D/A conversion when you can drastically improve the quality of your audio with a Fostex HP-A3?
32bit D/A Converter USB Bus power without using unwanted AC adapterWorks with up to 24bit/96kHz audio sourceHigh quality analog headphone amp to drive any type of headphonesEquipped with high-grade AKM 32bit DAC AK4390 - USB Bus power without using unwanted AC adapter
- Works with up to 24bit/96kHz audio source
- Exclusive PLL power supply is built in to reproduce the stable electrical supply
- High quality analog headphone amp to drive any type of headphones
- Equipped with hgih-grade AKM 32bit(*) DAC AK4390
- Condensers and OP amp designed exclusively for audio products
- USB / Digital (Optical) input selector
- Headphones / RCA (Analog) output selector
- Doubles as D/D converter from USB digital audio to Optical
- An USB/AC adapter from the shelf can be used for use as an Optical / Analog converter
Note: When using the USB input, the sampling frequency is fixed at 96kHz. Audio file with Fs 32k/44.1k/48kHz will be reproduced by upsampling to 96kHz and the S/PDIF Out is also fixed at 96kHz.
Input
USB port sampling frequency 16bit-24bit/96kHz
Interface: USB full speed
Digital Connector: optical, square
Format: S/PDIF (32kHz - 96kHz)
Output
Phones Connector: Stereo phone
Max Output: 100mW (32-ohm loaded)
THD: less than 0.01% at 1kHz, 32-ohm loaded, 100mW
Frequency response: 20Hz / 20kHz +-0.3dB (32ohm loaded, 100mW)
Analog Connector: RCA Pin
Reference output level -10dBV
THD: less than 0.01% at 1kHz
Frequency response: 20Hz / 20kHz +-0.3dB
Digital Connector: Optical, square
Format S/PDIF (32kHz - 96kHz)
General
Power: DC5V (via USB port)
Power Consumption: 2.5W
Accessories: 1 x USB cable (1.0m), 4 x rubber foot, manual
Dimensions: 108mm(W) x 36mm(H) x 140mm(D)
Weight: approx. 450g
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The Rosetta 200, Apogees successor to the PSX-100 and Rosetta AD namesake,
delivers the quality of the popular Rosetta 800, in a 2-channel AD/DA solution. Like
the Rosetta 800, the 200 features premium Apogee A/D and D/A conversion, 192k
sampling rates (standard), optional Pro Tools HD, Mix and FireWire expansion cards
and core Apogee technologies such as UV22HR, and SoftLimit. And while the
Rosetta 200 shares much of its feature set with its cousin, it throws in some irresistible
extras such as the new, CODA, Audio Finishing Module, full channel metering, and
MIDI and S/PDIF input and output. Flexibility and features galore make the Rosetta 200
an outstanding option for professional and project studios, mastering engineers, and
audio archivists.
Features:
Channels of premium 24-bit AD/DA conversion
Sample rates up to 192kHz with Apogee's "Intelliclock"
2 channels of AES, S/PDIF (coax & optical), and ADAT/SMUX I/O MIDI I/O
Optional FireWire expansion card for compatibility with OS X, and
Windows XP (X-FireWire card)
Optional expansion card for direct connection to Pro Tools HD & Mix systems
(X-HD card, X-Digi-Mix card)
“Soft Limit" for maximum digital level without overs
CODA: The Aptomizer Level Normalizer, Sample Rate Conversion (SRC), and
Apogees UV22HR for superior dither to 16-bit
Full channel metering
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Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware. Features: - Primary HD port for connecting directly to HD Core or Accel cards.
- Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
- Compatible with the latest versions of ProTools
- May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
- Please note: Not compatible with Pro Tools|HD Native
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The Apogee X-Digi-Mix expansion card allows for direct connectivity between
Pro Tools Mix systems and the Rosetta 200 or Rosetta 800. The X-Digi-Mix
card provides superior quality conversion to Pro-Tools Mix users without the
need for an additional interface, and effectively extending the life of their Mix
systems for years to come.
Features:
* Standard Digidesign peripheral connector for interfacing directly to Mix Core
or Farm cards.
* Superclock (FSx256) output for convenient integration into existing Pro Tools
configurations.
* With necessary Pro Tools hardware expansion, multiple Rosetta-800s may be
connected into a system.
* Rosetta 800 may be used alongside an Apogee AD-8000 or Trak 2 outfitted with
an AMBUS-Digi8+ card as well as any other Pro Tools Mix-compatible hardware.
* Multiple slaved Rosetta 800s may lock to Word Clock or directly to the Digi-mix
card for low jitter synchronization of the Pro-Tools system.
| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
| Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
| Recording format |
|
| WAV |
44.1/48/96kHz, 16/24bit |
| BWF |
44.1/48/96kHz, 16/24bit |
| Number of channels |
4channel (stereo x2) |
| Analog audio input |
|
| 1/L, 2/R connectors |
|
| Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
| Set to "MIC / MIC+PHANTOM“ |
|
| Input impedance |
2k ohms |
| Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
| Maximum input level |
0dBu |
| Minimum input level |
-72dBu |
| MIC input gain |
TRIM MAX |
| LOW |
+11dB |
| MID |
+36dB |
| HIGH |
+52dB |
| Set to "LINE“ |
|
| Input impedance |
10k ohms or more |
| Standard input level |
+4dBu |
| Maximum input level |
+24dBu |
| 3-4 connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance |
10k ohms |
| Maximum input level |
+10dBV |
| Minimum input level |
-50dBV |
| MIC input gain |
TRIM MAX |
| LOW |
+3dB |
| HIGH |
+26dB |
| CAMERA IN connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Input impedance |
10k ohms |
| Standard input level |
-10dBV |
| Maximum input level |
+6dBV |
| Analog audio output |
|
| CAMERA OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-50dBV |
| Maximum output level |
-30dBV |
| LINE OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-10dBV |
| Maximum output level |
+10dBV |
| PHONES connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Maximum output level |
50mW + 50mW |
| USB |
|
| Connector |
Mini-B type |
| Format |
USB2.0 HIGH SPEED mass storage class |
| REMOTE |
|
| Connector |
2.5mm TRS jack |
| Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption |
5.4W |
| Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
| DR-60D |
|
| Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
| DR-60D+BP-6AA |
|
| Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
| Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
| Weight |
510g (not including batteries) |
| Operating temperature |
0˚C to 40˚C |
| Standard accessories |
USB cable, warranty card, Owner's manual |
| Computer compatibility |
| Windows |
| OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU |
Pentium 300MHz or more |
| RAM |
128MB or more |
| USB |
recommended: USB2.0 |
| Macintosh |
| OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
| CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
| USB |
recommended: USB2.0 |
| Audio performance |
| Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
| 1GB |
2GB |
4GB |
8GB |
| WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
| 48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
| 96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
| WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
| 48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
| 96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
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