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Toggle two instruments with single foot stomp
Adjustable volume control to match levels
Separate tuner output and mute switch
Compact and rugged for pedalboards
Load compensation for long cables
| | The Radial BigShot i/o is an easy to use instrument selector switch that lets you quickly transition between any two instruments and drive the signal to your amp. Because the i/o is 100% true-bypass, it addresses the needs of the most demanding purist.
To further enhance connectivity, input-B is equipped with a level control called DIM that lets you reduce the signal from the louder of your two instruments so that both instruments are matched to the same volume level when they reach the amplifier. When passive instruments are used, a unique ʽbrightʼ switch lets you compensate for high frequency loss due to longer cables.
To enhance on-stage functionality, the BigShot i/o is equipped with a tuner output. With a simple foot stomp on the MUTE switch, the sound going to the amp is turned off and diverted to the tuner for quiet on-stage adjustments. An ʽalways onʼ switch also permits on-the-fly quiet tuning should you wish to have the tuner on at all times.
Compact, extremely rugged and completely passive, the BigShot i/o does not require any powering to make it work. This makes it ideal for pedalboards where the use of batteries or power supplies is painful! The BigShot i/o is also perfect for all you instruments and hi-Z line-level signal switching.
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VINTAGE TUBE OVERDRIVE TO800
What's bright green and goes from 1 to 11 as fast as you can step on the “On” switch? It’s the very essence of rock ‘n’ roll, our screaming-hot VINTAGE TUBE OVERDRIVE TO800 effects pedal! The classic sound of blazing, overdriven vacuum tubes never goes out of style, and they’re at your command – when you have the VINTAGE TUBE OVERDRIVE TO800 in your effects chain
Vintage Tube-Like Tone
In order to recreate the sound of real-tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock’s most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.
Ease of Use
Dedicated Drive, Tone and Level controls let you shape the exact sound you want. The status LED tells you when this pedal is activated, and the top-quality on/off switch provides the highest signal integrity in bypass mode. You can power the TO800 via a 9 V battery or our PSU-SB DC power supply (not included).
- Get vintage overdrive, smooth sustain and screaming fat tone
- Perfect for guitar; great for bass and keyboards, too
- Uses original 4558 IC plus MA150 distortion diodes for authentic vintage sound
- Captures every nuance of your playing from smooth overdrive to screaming tube sounds
- Dedicated Drive, Tone and Level controls for awesome sound shaping
- Status LED for effect on/off and battery check
- Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
- Rugged electronic On/Off switch for noise-free operation
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Bass chorus like the world has never known.
The DigiTech XBC Bass Multi Chorus Pedal is designed especially for bass. The XBC Bass Chorus Pedal lets you morph up to 16 bass chorus voices at once for an endless palette of amazingly rich effects. Built-in voice randomization increases with more voices for an even denser wash of killer chorus. DigiTech includes a 9V battery with the XBC Bass Multi Chorus Pedal.
DigiTech XBC Bass Multi Chorus Pedal Features:
- Designed especially for bass
- Morph up to 16 bass chorus voices at once
- Voice randomization increases with more voices
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Produces everything from mild, natural chorusing to the penetrating stereo chorus popular in contemporary music. Covers a wide frequency range and includes both high- and low-cut filters.
Input Impedance | 1 M ohms |
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Output Impedance | 1 k ohms |
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Recommended Load Impedance | 10 k ohms or greater |
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Residual Noise Level | -93 dBu (IHF-A, Typ.) |
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Connectors | INPUT Jack, OUTPUT Jack A (mono)/ B, AC Adaptor Jack (DC 9 V) |
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Power Supply | DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor |
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Current Draw | 22 mA (DC 9 V) |
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Accessories | Dry Battery 9 V type (6F22/9 V) |
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| Features twin modes for an expanded range of distortion—taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
- Compact overdrive pedal with warm, smooth overdriven sounds
- Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
- Tone control provides precise adjustment of drive sound
- BOSS 5-year warranty
Input Impedance |
1 M ohms |
Output Impedance |
10 k ohms or greater |
Equivalent Input Noise Level |
–120 dBu or less (IHF-A, Typ.) |
Connectors |
INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack |
Power Supply |
DC 9 V: Dry Battery 9 V type, AC Adaptor |
Current Draw |
12 mA (DC 9 V) |
Accessories |
Dry Battery 9 V type (6F22/9 V) |
Option |
AC Adaptor (PSA-Series) |
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| Wah-Wah Pedal HB-01 hell-babe
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
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