RANE RPM-88 Programmable Multiprocessor

The RPM 88, RPM 44, RPM 22, RPM 26z, RPM 2m and RPM 2 are 100% drag and drop configurable DSP-based devices, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows. Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system you need without signal flow restrictions. Familiar Windows file management tools and Shortcuts are incorporated into Drag Net, allowing complete project management within a single interface.

The RPM 88 provides eight balanced, studio-grade analog inputs (selectable mic or line level), and eight balanced analog outputs. The RPM 44 and RPM 22 offer the same high-quality analog I/O, in 4 and 2 channel configurations respectively. A two-channel AES3 digital input and two-channel AES3 digital output are also provided on each, making the RPM 88 a true 10-input, 10-output device. All I/O, including the AES3 I/O, has its own, 100% user-defined signal processing path. The RPM's analog inputs feature software-controllable mic preamps with an equivalent input noise (EIN) of -128 dBu, satisfying even the most demanding audio applications.

Cost-effective end user control is possible using optional Rane accessories in conjunction with the RW 485 Remote Interface Port and Versatile Input and Output logic Ports. Whether your application requires contact closure Preset recall, remote level control using a potentiometer on a wall, or multi-zone source selection and smart, reconfigurable volume controls, Drag Net and the RPM 88 keep the user interface easy and inexpensive.

Euroblock connectors are provided for audio I/O, logic I/O and the RW 485 port. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel are standard XLR-type connectors for the AES3 I/O, an RJ-45 Ethernet connector for computer control and an IEC AC power input.

All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 106 dB throughput dynamic range and double-precision 48-bit internal DSP 'math,' the RPM 88 offers the best DSP algorithms and audio performance available. These ain't no Internet appliances! For example, the RPM 88's 400 MIPs translate into 225 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.

Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-segment LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal UL recognized, CSA and CE certified power supply, the RPM 88 is compatible with any installation mandating agency compliance.

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.

The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!

Put some boom in your room with the dbx 510!

The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.

Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting.

Κάρτα τεσσάρων εξόδων line για τα BLU-80, BLU-32, BLU-16.