The RPM 26z is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane’s Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows. Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system […]
The RPM 26z is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane’s Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.
Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system you need without signal flow restrictions. Familiar Windows file management tools and Shortcuts are incorporated into Drag Net, allowing complete project management within a single Interface.
The RPM 26z provides two Balanced, Line-Level analog inputs and six Balanced analog outputs. A two channel AES3 Digital input is also provided making the RPM 26z a true 4-input, 6-output device. All I/O, including the AES3 input, has its own 100% user-defined signal processing path.
Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure Preset recall or remote level control using a potentiometer on a wall, the RPM 26z keeps the user Interface easy and inexpensive.
Euroblock connectors are provided for Audio and logic I/O. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is a standard XLR-type connector for the AES3 input, an RJ-45 Ethernet connector for computer control, and an IEC AC power input.
All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane’s team of audio-savvy DSP mathematicians — a rare breed itself — in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative Digital and analog Audio performance. With 24-bit converters, greater than 104 dB throughput Dynamic Range and double-precision 48-bit internal DSP ‘math,’ the RPM 26z offers the best DSP algorithms and Audio performance available.
This ain’t no Internet appliance! For example, the RPM 26z’s 215 MIPs translate into 150 fully Parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.
Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Current Preset, Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE complient, the RPM 26z is compatible with any installation mandating agency compliance.
Weight
3.60 kg
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The RPM 26z is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.
Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system you need without signal flow restrictions. Familiar Windows file management tools and Shortcuts are incorporated into Drag Net, allowing complete project management within a single Interface.
The RPM 26z provides two Balanced, Line-Level analog inputs and six Balanced analog outputs. A two channel AES3 Digital input is also provided making the RPM 26z a true 4-input, 6-output device. All I/O, including the AES3 input, has its own 100% user-defined signal processing path.
Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure Preset recall or remote level control using a potentiometer on a wall, the RPM 26z keeps the user Interface easy and inexpensive.
Euroblock connectors are provided for Audio and logic I/O. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is a standard XLR-type connector for the AES3 input, an RJ-45 Ethernet connector for computer control, and an IEC AC power input.
All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative Digital and analog Audio performance. With 24-bit converters, greater than 104 dB throughput Dynamic Range and double-precision 48-bit internal DSP 'math,' the RPM 26z offers the best DSP algorithms and Audio performance available.
This ain't no Internet appliance! For example, the RPM 26z's 215 MIPs translate into 150 fully Parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.
Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Current Preset, Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE complient, the RPM 26z is compatible with any installation mandating agency compliance.
The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520!
Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
User's Manual
Wireless 5.8 GHz Stereo Transmitter
For wireless transmission of a stereo audio signal
Maximum range: 30 m
One transmitter can be paired with up to 8 receivers
Inputs: 2x XLR female or 2x 6.3 mm jack (unbalanced)
Switch for mono/stereo operation
Volume control
Dimensions without antenna (L x W x H): 115 x 105 x 45 mm
Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket
Product Features:
16-channel digital stereo mixer to create your personal monitor mix Ultra-intuitive \"analog\" operation with total recall and 16 presets for custom mixes State-of-the-art 24-bit D/A converters for premium audio quality 16 Channel Select buttons with dual LEDs for perfect overview Level and Pan/Spread control per channel with LED meter 3-band EQ per channel with mid-band frequency control Solo and Mute functions per channel Global Level and EQ controls plus Panic Mute function High power and \"drummer proof\" headphones output Fully adjustable limiter protects your ears and headphones Additional mono/stereo line output to connect your powered monitor MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc. Standard CAT5e connection delivers power and 16 signals to each Personal Mixers ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D) Ultra-low system latency of less than 1 millisecond Powered via external power supply (included) or P16-I / P16-D Mounts easily on a mic stand with the P16-MB mic stand mount (not included) Extremely rugged construction ensures long life even under the most demanding conditions Conceived and designed by BEHRINGER Germany
User\'s Manual
WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Transmitter System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
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