Content | • 18 Input channels, 6 buses • 8 Mic inputs - 2 of which are combo jacks • 10 Line inputs, 2 of them with Hi-Z • 6 Balanced 6.3 mm jack outputs • Stereo main out XLR • 19 Simultaneously usable effects • 3 Different EQ types on the input channels • 11 Integrated realistic amp simulations for guitar and bass (Overloud and Markbass) • Internal audio player/recorder • Headphone jack can be used for personal monitoring • MIDI in/out • Dual footswitch input • Integrated Wi-Fi dual-band router (2.4 and 5 GHz) with 2 integrated antennas and an additionally supplied external antenna with WPA2 encryption • Ethernet port • USB 2.0 port for recording and playback (WAV, MP3, AIFF) • MixRemote app available free of charge for iOS and Android • WLAN remote operation via iPad (not included) • System requirements: iPad from version 2, iOS version from 8.1, app "MixRemote" (available free of charge from the App Store) • Corresponding rack mount kit: Article Nr 393409; matching protectors: Article Nr 393435; corresponding bag: Article Nr 393372 (none are not included) |
12 total inputs: 8 mic, (four with XLR/TRS combo connector) and two stereo line
Stereo Main L/R outputs (XLR)
Four mono auxiliary mixes (XLR).
Mono auxiliaries may be linked for stereo use.
Auxes 3/4 can also drive wired in-ear monitors (IEM) directly.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 14 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included. |
Ψηφιακή κονσόλα για Live ( FOH και Stage) και Post Production, 16 mono είσοδοι, 8 omni έξοδοι. Εύκολος χειρισμός και βάρος μόλις 12 κιλά.17 faders motorised 100mm, παραμετρικό EQ 4 περιοχών full range, HPF, 2 δυναμικούς επεξεργαστές ανά κανάλι με Compressor, Gate κ.α., 8 επεξεργαστές DSP με 8 γραφικά EQ 31 περιοχών ή 4 γραφικά EQ και 4 μονάδες εφφέ.
Μίξη 32 + 4 stereo κανάλια, 16 Mix Busses, 8 Matrix, Stereo Out, Mono Out. Έλεγχος από Η/Υ μέσω Ethernet και υποδοχή USB για Flash USB Sticks με αποθήκευση ρυθμίσεων, ηχογράφηση αναπαραγωγή stereo αρχεία MP3, WMA και MPEG-4 AAC.Εσωτερικό τροφοδοτικό, μια κάρτα επέκτασης εισόδων / εξόδων, έξοδο ακουστικών
Τεχνικά Χαρακτηριστικά
Internal processing | 32bit (Accumulator=58bit) | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | Power requirements | 110V-240V, 50/60Hz | Power consumption | LS9-32: 170W, LS9-16: 95W | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Χαρακτηριστικά Αναλογικής Εισόδου
Θύρες Εισόδου
|
Αντίσταση Πηγής
|
Για χρήση με nominal
|
Στάθμη Εισόδου
|
Βύσμα
|
|
GAIN
|
Ευαισθησία
|
Nominal
|
Max. before clip
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INPUT 1-n
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-62dB
+10dB
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3kohms
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50-600 ohm Mics & 600ohm Lines
|
-82dBu
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-62dBu
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-42dBu
|
XLR3-31 type
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-10dBu
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+10dBu
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+30dBu
|
Χαρακτηριστικά Αναλογικής Εξόδου
Θύρες Εξόδου
|
Αντίσταση Πηγής
|
Για χρήση με nominal
|
GAIN SW
|
Στάθμη Εξόδου
|
Βύσμα
|
Nominal
|
Max. before clip
|
OMNI OUT 1-n
|
75ohms
|
600ohm Lines
|
+24dB
+18dB
|
+4dBu
-2dBu
|
+24dBu
+18dBu
|
XLR-3-32 type
|
PHONES OUT
|
15ohms
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8ohm Phones
|
-
|
75mW
|
150mW
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ST Phone jack
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40ohm Phones
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-
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65mW
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150mW
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Χαρακτηριστικά Ψηφιακής Εξόδου
Θύρες
|
Format
|
Data length
|
Στάθμη
|
Βύσμα
|
2TR IN DIGITAL
|
COAXIAL
|
IEC60958
|
24bit
|
0.5Vpp/
75ohms
|
RCA pin jack
|
2TR OUT DIGITAL
|
COAXIAL
|
IEC60958
(Consumer Use)
|
24bit
|
0.5Vpp/
75ohms
|
RCA pin jack
|
Χαρακτηριστικά Control I / O
Θύρες
|
Format
|
Στάθμη
|
Βύσμα
|
NETWORK (Ethernet)
|
100Base-T
|
-
|
RJ45
|
MIDI
|
IN
|
MIDI
|
-
|
DIN-5pin
|
OUT
|
MIDI
|
-
|
DIN-5pin
|
WORD CLOCK
|
IN
|
-
|
TTL/75ohms, Terminated
|
BNC
|
OUT
|
-
|
TTL/75ohms
|
BNC
|
REMOTE
|
-
|
RS422
|
D-sub 9pin(male)
|
LAMP
|
-
|
0V-12V
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XLR-4-31 type
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USB HOST
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USB1.1
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USB
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A type USB Connector
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19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline Mixing capability | Mixing channels | 48 | GROUP | 8 | AUX | 8 | MAIN | Stereo | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | On-board processors | 4x SPX multi effectors | I/O | Mic inputs | 16 | Phantom power | +48V DC; ON/OFF per channel | Line inputs | 4x Omni in | AD converter | 24-bit; 128-time over sampling | Line outputs | 12x Omni output | DA converter | 24-bit; 128-time over sampling | Digital I/O | 2x 2tr in/out | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications Internal processing | 32bit, Accumulator: 58bit | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | Dynamic range | DA: 110dB; AD+DA: 106dB | Hum & noise level | Equivalent input noise | -128dBu | Residual output noise | -86dBu | Crosstalk | -80dB | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | Power consumption | 135W | Dimensions | W | 436mm; 17-3/16in | H | 200mm; 7-7/8in | D | 585mm; 23-1/16in | Net weight | 20kg; 44.1lbs | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.
- Input channels: 72 mono, 8 stereo.
- Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
- Stainless steel stay for iPad support.
- Built-in meter bridge.
General specifications Sampling frequency rate | Internal | 44.1kHz / 48kHz | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | Dimensions | W | 1053mm (41 1/2in) | H | 299mm (11 3/4in) | D | 667mm (26 1/4in) | Net weight | 36kg (79.4lb) | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
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16 + 2 fader configuration in a compact, rack mountable unit.
- Mix channels: 32 mono, 8 stereo.
- Busses: 16 mix, 8 matrix (Input to Matrix supported).
- Local I/O: 16 in, 8 out.
- Fader configuration: 16 + 2 (Master).
- Rack mountable with optional RK1 Rack Mount Kit.
General specifications | QL1 | Sampling frequency rate | Internal | 44.1kHz / 48kHz | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | Signal delay | Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz | Fader | 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min. | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min. | Hum & noise level | Equivalent input noise | -128dBu typ., Equivalent Input Noise, Input Gain=Max | Residual output noise | -88dBu, Residual output noise, ST master off | Crosstalk | -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min. | Power requirements | 100-240V 50/60Hz | Power consumption | 135W | Dimensions | W | 468mm(18.4in ) | H | 272mm(10.7in) | D | 562mm(22.1in) | Net weight | 14.7kg(32.4lb) | Accessories | Owner's Manual, power cord, DVS license sheet | Options | Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live | Others | Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C |
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