RODE BROADCASTER PRECISION 1

Broadcaster - ?The Master of the Airwaves?

Like its name suggests this R?DE microphone was specifically designed ?ON-AIR?
applications where wide frequency response and low distortion are demanded.
Winner of the Radio World/US National Association of Broadcasters (NAB) ?What?s
Cool? award in 1998, the Broadcaster has become an industry standard when studio
sound quality is required for on air applications.
Utilizing an Australian designed and manufactured R?DE 1? externally biased condenser
transducers, the Broadcaster features a switch-able high pass filter to remove low frequency
rumble. A unique ?ON-AIR? LED indicator can be switched ?on? or ?off? by shorting contacts
on the 5 pin audio connector. This feature allows console operators to warn the ?Talent?
that the mic is live. 

SPECIFICATIONS:
Features:
True condenser transducer On-Air indicator L.E.D. Ultra low noise
Cardioid polar pattern with high 180 rejection Voice tailored Low Cut
Filter Internal Pop Filter Rugged stainless steel body
Acoustic principle: Externally polarised 25mm (1?) condenser
Directional pattern:  Cardioid
Frequency range: 20 Hz ~ 20 kHz
Output impedance:  40Ω
Signal noise ratio din iec 651:
>80 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 114 dB (per IEC651, IEC268-15)
Power supply voltage: P48, P24 phantom
Weight without battery: 577g
Weight with battery: 1.3kg
Dimensions width: 167mm
Dimensions depth: 50mm
Dimensions height: 50mm
Maximum output voltage: +2 dBu (@ 1% THD into 1kΩ)
 

The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.

From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.

What's in the Box:

• Windscreen
• Desktop Prop
• Mic Stand Adapter
• L/R XLR Cable 6.56 feet (2m)
• Soft case
  
• 1 Year Warranty

ProMic Laser is our first ever DSLR on-camera microphone - a shotgun condenser microphone with a precision-tuned capsule for capturing professional-quality audio direct to camera.

With more and more video recording enthusiasts taking an increased interest in the quality of the audio of their videos, ProMic Laser provides the high-quality audio to match the high-definition video capabilities of todayʼs DSLR cameras.

Laser, the first release in the ProMic series, is a truly professional solution. It has a rugged aluminium design and comes with a removable wind shield and a custom shockmount for hot-shoe mounting directly onto a DSLR camera.

Laser is battery-powered using a single AAA battery (not included), which means that the microphone has an increased sensitivity level, and a lower noise floor, but the inclusion of a -10dB Pad allows you to reduce the level of the mic for recording louder sources.

The microphone also features a Bass Cut, which gives you the option of removing unwanted low frequency rumble, such as traffic or noise from the camera itself, and this can be used in tandem with the -10dB Pad.

As with all sE Electronics products, ProMic Laser comes with a three-year free replacement warranty, which means if it lets you down, weʼll simply give you a new one.

ProMic Laser comes with a protective carry bag and a 3.5mm coiled jack-to-jack cable to connect the microphone to your camera. Laser is compatible with the upcoming ProMic accessories series, which includes boom poles and fur windshields.

This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews. Rode Stereo Video Mic Features

• Stereo X/Y condenser microphone
• Broadcast sound quality
• Two stp high-pass filter - flat or 80 Hz
• Rugged cast aluminum body
• 9V battery operation
• Custom designed integral windshield
• Low noise circuitry
• Low handling noise
• Integral camera-shoe mount
• Includes Dead Kitten windscreen

• Acoustic Principle: Pressure Gradient
• Directional Pattern: Super Cardioid
• Frequency range: 40 Hz - 20 kHz
• Output Impedance: 200 Ohms
• Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
• Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
• Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
• Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
• Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
• Battery Life: 60+ hours
• Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
• Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
• Weight: .72 lbs (330 grams)

Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: -39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 195 g (6.9 oz)
Dimensions: 460.0 mm (18.11“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8135 windscreen; battery; protective carrying case