RODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE

188.00 incl. GR VAT

Available on backorder

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The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones. Now available as the \’Complete Vocal Recording Solution\’ this NT1-A package now includes everything you need to get truly professional vocal recordings – the world\’s quietest […]

 

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The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.

Now available as the \’Complete Vocal Recording Solution\’ this NT1-A package now includes everything you need to get truly professional vocal recordings – the world\’s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\’ cable, dust cover, an instructional DVD with recording tips, and of course R DE\’s industry leading ten year warranty.

  • Large 1″ (25mm) capsule with gold plated diaphragm
  • Cardioid polar pattern
  • Self noise of only 5dB (A)
  • Ultra low noise, transformerless surface mount circuitry
  • Wide dynamic range
  • Gold plated output contacts
  • True condenser (externally biased)
  • Internal capsule shock mounting

Microphone Impedance: 100 Ohms Microphone Dynamic Range: > 132dB (per IEC268-15) Microphone Sensitivity: -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) Microphone Diameter: 50mm Microphone Powering: +48 Volts (Phantom Power) Physical Weight: 326.00g

Frequency Curve Image:

Weight 3.00 kg

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Quick Comparison

RODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE removeBEHRINGER B-5 Sputtered Diaphragm Studio Condenser Microphone removeAKG PERCEPTION 420 large-diaphragm condenser microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones remove
NameRODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE removeBEHRINGER B-5 Sputtered Diaphragm Studio Condenser Microphone removeAKG PERCEPTION 420 large-diaphragm condenser microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones remove
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SKUH11RD00025E005243PERCEPTION 420AV-CK6C414-XLSE005251
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Price 188.00 incl. GR VAT 80.00 incl. GR VAT 222.00 incl. GR VAT212.03 incl. GR VAT1,116.00 incl. GR VAT67.00 incl. GR VAT
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Description
ContentThe RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones. Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
  • Large 1" (25mm) capsule with gold plated diaphragm
  • Cardioid polar pattern
  • Self noise of only 5dB (A)
  • Ultra low noise, transformerless surface mount circuitry
  • Wide dynamic range
  • Gold plated output contacts
  • True condenser (externally biased)
  • Internal capsule shock mounting
Microphone Impedance: 100 Ohms Microphone Dynamic Range: > 132dB (per IEC268-15) Microphone Sensitivity: -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) Microphone Diameter: 50mm Microphone Powering: +48 Volts (Phantom Power) Physical Weight: 326.00g Frequency Curve Image:

Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone



The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.

 

Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included

 

 

 

Manual Download

A/B, X/Y, and M/S stereo recording Ambience recording Grand piano, woodwind and brass instruments Percussions Drums Classical music recording Studio applications
  • Back-to-back large-diaphragm multi-pattern transducer
  • True condenser technology
  • High sensitivity and 155 dB maximum SPL capability
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary, pristine AKG sound quality
  • Complete with spider-type shock mount and aluminium carrying case
Type Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone
Polar pattern Cardioid, omnidirectional, figure-eight
Frequency range 20 to 20,000 Hz
Sensitivity 28 mV/Pa (-31 dBV)
Max. SPL 135/155 dB SPL (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave, 300 Hz
Impedance =1000 ohms
Current consumption

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter. The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty. Features High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors Specifications Type: 1" large diaphragm pressure gradient microphone Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Frequency Range: 20 to 20,000 Hz Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB) Preattenuation Pad: -6, -12,-18 dB, switchable Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Power Requirements: 48 V phantom power to DIN/IEC Connector: 3-pin XLR Dimensions: 2" x 1.5" x 6.3“ Net Weight: 10.6 oz Shipping Weight: 5 lbs (2.27 kg)Behringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones
  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Sound That Astounds Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response. Excellent Source Isolation The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.
Weight3.00 kg0.40 kg2.00 kg0.60 kg2.27 kg0.90 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 0.40 kg
Weight 2.00 kg
Weight 0.60 kg
Weight 2.27 kg
Weight 0.90 kg