The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over. It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RØDE Rec, GarageBand, or […]
The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over.
It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RØDE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit.
The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input.
A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard ʽBʼ, ʽTʼ or ʽPʼ sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8” thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use.
Type Condenser Pick Up Pattern Cardioid Frequency response 20Hz – 20 kHz Sensitivity – Ιmpedance – Τotal harmonic distortion 110dB SPL (@ 1kHz, 1% THD into 1KΩ load) Dimensions 18.4 x 6.2 x 5 cm ( H x W x D ) Weight 520 gr Accessories USB cable, Zip Case, Pop Filter, Tripod Stand, Ring mount
Weight
0.50 kg
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The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over.
It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RØDE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit.
The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input.
A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard ʽBʼ, ʽTʼ or ʽPʼ sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8” thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use.
Type Condenser Pick Up Pattern Cardioid Frequency response 20Hz - 20 kHz Sensitivity - Ιmpedance - Τotal harmonic distortion 110dB SPL (@ 1kHz, 1% THD into 1KΩ load) Dimensions 18.4 x 6.2 x 5 cm ( H x W x D ) Weight 520 gr Accessories USB cable, Zip Case, Pop Filter, Tripod Stand, Ring mount
The TM-250U is the USB condenser microphone for personal broadcasting and online communication. Because it captures crisp, accurate sound at an ultra-affordable price, and also includes a headphones output for monitoring, it is the ideal solution for podcasting, conferencing, computer recording and internet broadcasting.
Lightweight and Small – for Perfect Audio Quality With Direct-to-Computer Connectivity
The TM-250U was designed to deliver flawless, detailed audio straight to your computer via USB. Simply select it for audio input and output in your operating system, connect your headphones, and off you go. Record voice-over or music directly to your audio software, use it for online conferences and meetings, create podcasts, stream live with pristine vocal quality, or any other situation where crisp clear audio is needed.
Adaptability To All Common Operating Systems
The TASCAM TM-250U works via industry-standard USB-C connectors on Windows, Mac, iOS, Android* and Chrome OS* platforms, with driverless functionality returning stream-optimized audio at 16-bit/48kHz.
* Operation of this unit was confirmed using standard devices, however this does not guarantee operation with all devices with Android and Chrome OS.
Built-in Controls For Gain, Mute and Headphones Volume
The TM-250U computer broadcast microphone provides all the control for the microphone and monitoring on the unit itself. Microphone gain control and headphones output with volume control are easily accessible. A Mic-Mute button gives additional flexibility for in-the-moment control of audio.
Everything Included to Broadcast or Record Right Away
Included are essential microphone accessories: a mic holder, USB C-A cable (2 m), and desktop tripod – allowing you to set up on your desktop immediately.
Tascam TM-250U: Frequency response and polar diagram (at 1 kHz)
Features at a glance
USB condenser microphone with headphones output for direct monitoring
Ideal for video conferencing, podcasting or recording of acoustic instruments, vocals or speech with a computer
Simple connection with a Windows, macOS, iOS, Android* or Chrome OS* device using the included USB cable
* Dependent on hardware/processor. Operation with all devices is not guaranteed.
No driver is necessary (USB Audio Class 1.0)
Audio processing at 16 bit and up to 48 kHz sampling rate
High SPL (sound pressure level) capability and smooth frequency curve
Supercardioid directional pattern is ideal to capture single sound sources and is less sensitive to ambient noise
Headphones output (3-contact mini stereo jack) enables direct monitoring of the audio returned from the computer
Headphones volume control
Microphone volume (gain) control
Mute button
Sturdy metal body
Included accessories: USB cable (Type C – Type A, 2 m), mic holder (screw diameter 5/8 inch), tabletop mic stand
Windows
Windows 10 (October 2020, Version 20H2)
Windows 10 (May 2020 Update 2004)
Windows 10 (November 2019 Update 1909)
Windows 8.1
Windows 7
Mac
macOS Big Sur (11.0)
macOS Catalina (10.15)
macOS Mojave (10.14)
macOS High Sierra (10.13)
Transducer
High-quality condenser capsule
Directional pattern
Supercardioid
USB connector
USB Type C receptacle
Frequency response
20 Hz – 20 kHz
Sensitivity
−32 dB (0 dB ＝ 1 V/Pa at 1 kHz)
Maximum permissible SPL
130 dB (at 1 kHz = 1% THD)
Quantization bit depth
16-bit
Sampling frequencies
44.1 kHz, 48 kHz
ADC performance
Distortion (THD+N)
0.01%
S/N ratio
89 dB
Dynamic range
89 dB
DAC performance
Distortion (THD+N)
0.005%
S/N ratio
96 dB
Dynamic range
93 dB
Power supply and other specifications
Power supply
DC 5 V via USB connection
External dimensions (Ø × L)
65 mm × 204 mm
Weight
439 g (microphone only)
Permissible operating temperature range
5–35 °C
In the tradition of the SM58?, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.
The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.
Smooth, extended frequency response for outstanding sound for professional live vocal use
Consistent supercardioid pattern provides the best gain-before-feedback among dynamic microphones
Pneumatic shock mount reduces handling noise
Frequency response: 50 to 16,000 Hz
Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
Neodymium magnet for high signal–to–noise output
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Minimally effected by varying load impedance
Legendary Shure quality and reliability
Transducer
(Moving Coil, with Neodymium Magnet) Dynamic
Polar Pattern
Supercardioid
Frequency Response
50 Hz - 16 kHz
Maximum Input Sound Level
not specified by manufacturer
Power Requirements
None Dynamic, Requires No Phantom or Battery Power
Output Impedance
150 Ohms (290 Ohms Actual)
Output Connectors
XLR-3 Type
Dimensions
6.375 x 2" (162 x 51mm) LxDiameter
Weight
9.92 oz. (278 g)
High-Performance 2.4 GHz Digital Wireless System with 2 Handheld Microphones and Dual-Mode USB Receiver
Package of 2 ULM200M handheld microphones and ULM200D dual-mode USB receiver
High-quality microphone capsule for dedicated vocal applications
Ultra-compact USB receiver with dual mode analog/digital audio interface
Digital 2.4 GHz wireless connectivity offers superior sound quality
Maximum range 120 m
Automatic pairing for easy and intuitive setup
Integrated volume up and down buttons on handheld microphone
Panic mute feature on microphone
Receiver powered via USB interface
Auto-sensing of analog or USB digital audio connection
2.4 GHz ISM band operation allows license-free use on a worldwide basis
3-Year Warranty Program*
Conceived and designed by BEHRINGER Germany
Miniaturized USB condenser microphone for recording directly into a computer.
The USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer via the USB port. This mic is designed to naturally capture and reproduce vocals and instruments with stunning detail. The USB12 is clear, flexible, easy to use and has excellent sound response.
With a uniformly controlled cardioid polar pattern, the USB12 provides isolation and control at the sound source with a smooth, accurate response over a frequency range of 50 Hz - 16 kHz.
The USB12 supports both 44.1k and 48k sample rates for playback and recording. This high definition condenser microphone features a push-to-talk button, "steady on” or "momentary on” as well as a headphone jack for real time monitoring. The USB12 is also equipped with a bass roll-off filter to control unwanted low frequency signals.
The USB is also available in white, model USB12W. Supplied accessories include a 6' USB cable and external foam windscreen.
Type
Pre-polarized Condenser
Polar Pattern
Cardioid
Frequency Response
50Hz - 16kHz
Impedance
1000 Ohms
Sensitivity
@1k 1.3 mV/Pa
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg)
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