| Content | Broadcast sound quality
Low noise circuitry
Internal rechargeable lithium battery, supplying over 150 hours operation
Fully charged in under two hours via MicroUSB
Rugged metal construction
Convenient digital switching
High Frequency Boost
High Pass Filter (Flat/75Hz)
PAD (-10db)
MicroUSB cable included
Ten year extended warranty with online registration
Building on the popularity and acceptance of the RØDE NTG2, the NTG4+ features an all-new condenser capsule with low noise, high sensitivity and the convenience of on-board equalisation/level control via digital switching.
The NTG4+ is the very first microphone to feature an in-built battery that provides 150+ hours of operation with the convenience of USB charging.
Visit the NTG4+ feature page
NTG4+ Specifications
Acoustic Principle Line Gradient
Capsule 0.50“
Polar Pattern Supercardioid
Address Type End
Frequency Range 20Hz - 20kHz(selected HPF @75Hz)
Output Impedance 200Ω
Maximum SPL 135dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 16dB-A
Power Options +12V phantom power+24V phantom power+48V phantom powerInternal battery
Weight 176gm
Dimensions 278mmH x 22mmW x 22mmD
Output XLR Output
Warranty 1 year with free extension to 10 years following registration | The RØDE VideoMic is a professional grade 1/2" condenser shotgun microphone designed for use with consumer video cameras and personal audio recorders.
The integrated shock mounting system isolates the VideoMic capsule and electronics from its all-metal shoe mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone.
Its standard sized shoe mount also includes a 3/8" thread in the base for easy mounting on a boom pole or stand. (note that cameras with proprietary sized mounts require an additional adaptor.)
Its super cardioid polar pattern is highly directional, focusing on the subject in front of the camera, and minimising any surrounding sounds.
In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport.
The RØDE VideoMic directional on-camera microphone is covered by RØDE Microphones' industry leading 10 year warranty.
| Frequency response |
40Hz-20kHz, selectable HPF @ 80Hz/12dB/octave |
| Sensitivity |
-38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
| Ιmpedance |
200Ω |
| Τotal harmonic distortion |
134dB SPL (@ 1kHz, 1% THD into 1KΩ load) |
| Dimensions |
250mm x 65mmx 102mm |
| Weight |
176gm |
| RODE NT G8 Broadcast Quality RF-bias Shotgun Microphone
Based on RØDE's award winning NTG3, the NTG8 is a broadcast quality RF-bias shotgun microphone that exhibits increased directionality across a wide frequency response range. This makes the NTG8 the perfect microphone for film, television, sports and outdoor broadcasting, live performance, and any professional distance miking application.
Like the NTG3, the NTG8 features low self-noise, natural sound without colouration both on and off-axis, and RF bias technology to ensure that it is almost completely resistant to high humidity environments which could cause other condenser microphones to fail.
The NTG8 is finished in matte black and supplied with a specially designed shock mount (SM8) that is engineered to provide excellent handling noise isolation, cable management and versatile mounting options for the microphone. A rugged weatherproof aluminium cylinder is also included, providing ultimate protection for the microphone when in transport or storage. The WSNTG8 windshield completes the package, providing light environmental protection.
Acoustic Principle Line Gradient
Active Electronics RF Bias
Capsule 0.50“
Polar Pattern Hyper Cardioid
Address Type End
Frequency Range 40Hz - 20kHz
Output Impedance 2Ω
Maximum SPL 124dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Maximum Output Level 8.2dBu (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -20.0dB re 1 Volt/Pascal (97.50mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Power Options
(44-52V min 2.5mA)
Weight 345.00gm
Dimensions 559.00mmH x 19.00mmW x 19.00mmD
Output XLR |
The MD 46 is a high-quality reporter's microphone with cardioid pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 46 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features - Two-ply sound inlet basket provides increased protection from wind and pop noise
- Rugged metal housing
- Rubber mounted capsule ensures low sensitivity to handling noise
- Cardioid pick up pattern ensures excellent speech intelligibility even with high ambient noise levels
| Type: | Dynamic, Reporting | | Pick Up Pattern: | omni-directional | | Frequency response: | 40 - 18 000 Hz | | Sensitivity: | 2,0 mV/Pa | | Ιmpedance: | 350 Ohm | | Dimensions: | Ø 49 x 250 mm | | Weight: | 360 gr | | Use: | Video/Broadcast |
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Internally switchable proximity effect compensation and sensitivity reduction.
The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.
Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user
Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.
Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.
Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.
Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm
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With an overall length of just 9.17" and weight of just 3.5 oz, this microphone adds virtually no heft to the end of a fish pole or the top of a minicam. Through the use of an innovative Audio-Technica design, the interference tube of the BP4073 provides a narrow acceptance angle, effective for long-distance pickup. The highly directional mics offer low self-noise and are fully RoHS-compliant - free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).
Designed for use in broadcasting, film/TV production and theater sound reinforcement applications
Direct-coupled, balanced output ensures a clean signal even in high-output conditions
Innovative acoustic design provides same directivity as mics up to 50% longer
Switchable 80 Hz hi-pass filter & 10 dB pad
Rugged housing made of lightweight structural-grade aluminum alloy
RoHS-compliant - free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)
Element: Externally polarized (DC bias) capacitor
Polar Pattern: Line + gradient
Frequency Response: 20-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: -29 dB (35.5 mV) re 1V at 1 Pa
Impedance: 50 ohms
Maximum Input Sound Level: 141 dB SPL, 1 kHz at 1% T.H.D.; 151 dB SPL, with 10 dB pad (nominal)
Dynamic Range: 128 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 81 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 48V DC, 4.8 mA typical
Weight: 99 g (3.5 oz)
Dimensions: 233.0 mm (9.17“) long, 21.0 mm (0.83“) maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8144 windscreen; two O-Rings; protective carrying case
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