RODE Stereo Video Mic SVM STEREO Condenser Camera Microphone

119.00 incl. GR VAT

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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording. Now videographers may use true ʽstudioʼ stereo recording techniques in […]

 

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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews.

Rode Stereo Video Mic Features

  • Stereo X/Y condenser microphone
  • Broadcast sound quality
  • Two stp high-pass filter – flat or 80 Hz
  • Rugged cast aluminum body
  • 9V battery operation
  • Custom designed integral windshield
  • Low noise circuitry
  • Low handling noise
  • Integral camera-shoe mount
  • Includes Dead Kitten windscreen

 

 

  • Acoustic Principle: Pressure Gradient
  • Directional Pattern: Super Cardioid
  • Frequency range: 40 Hz – 20 kHz
  • Output Impedance: 200 Ohms
  • Signal/Noise Ratio: 74 dB SPL (A – weighted per IEC651)
  • Equivalent Noise: 20 dB SPL (A – weighted per IEC651)
  • Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
  • Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
  • Battery Life: 60+ hours
  • Output Connection: Stereo mini jack plug – ø3.5mm (Right Channel – Ring, Left Channel – Tip)
  • Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
  • Weight: .72 lbs (330 grams)

 

Weight 0.50 kg

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RODE Stereo Video Mic SVM STEREO Condenser Camera Microphone removeEDIROL CS-15 Condenser Stereo Microphone removeNEUMANN BCM-104 BROADCAST CARDIOID CONDENSER MICROPHONE removeAUDIO TECHNICA AT8015 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY removeAUDIO TECHNICA PRO24-CMF STEREO CONDENSER CAMCORDER MICROPHONE removeRODE VIDEOMIC RYCOTE DIRECTIONAL CONDESER MICROPHONE remove
NameRODE Stereo Video Mic SVM STEREO Condenser Camera Microphone removeEDIROL CS-15 Condenser Stereo Microphone removeNEUMANN BCM-104 BROADCAST CARDIOID CONDENSER MICROPHONE removeAUDIO TECHNICA AT8015 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY removeAUDIO TECHNICA PRO24-CMF STEREO CONDENSER CAMCORDER MICROPHONE removeRODE VIDEOMIC RYCOTE DIRECTIONAL CONDESER MICROPHONE remove
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Description
Content

This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews. Rode Stereo Video Mic Features

  • Stereo X/Y condenser microphone
  • Broadcast sound quality
  • Two stp high-pass filter - flat or 80 Hz
  • Rugged cast aluminum body
  • 9V battery operation
  • Custom designed integral windshield
  • Low noise circuitry
  • Low handling noise
  • Integral camera-shoe mount
  • Includes Dead Kitten windscreen
   
  • Acoustic Principle: Pressure Gradient
  • Directional Pattern: Super Cardioid
  • Frequency range: 40 Hz - 20 kHz
  • Output Impedance: 200 Ohms
  • Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
  • Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
  • Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
  • Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
  • Battery Life: 60+ hours
  • Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
  • Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
  • Weight: .72 lbs (330 grams)
 

For when you need even more advanced recording than R-09's built-in mic
CS-15CS-15 For serious field recording, the optional CS-15 cardioid-type stereo microphone is a great match for the R-09. For portability and convenience, the R-09 supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.
    
Cardioid-type stereo microphone
    
Battery operation is also possible when using with a recorder that doesn't supply the power
    
Ideal combination with the R-09 --- also the UA-4FX and the UA-1EX
    
Comes with a desktop stand, a hand-held mount (can be attached to the microphone stand) and a windscreen

Internally switchable proximity effect compensation and sensitivity reduction.

The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.

Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user

Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.

Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.

Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.

Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm

Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: -39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 195 g (6.9 oz)
Dimensions: 460.0 mm (18.11“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8135 windscreen; battery; protective carrying case

he PRO24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with a windjammer, accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO24-CM is rugged; it's built to endure the rigors of field production.

  • Stereo microphone designed to attach to a camcorder
  • For camcorders with an accessory shoe and stereo microphone input
  • Lightweight, portable design with rugged all-metal construction
  • Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image
  • Battery-free operation when used with recording devices that provide plug-in power at the mic input
  • On/off switch for convenient operation
  • Includes camera-mount, windscreen, windjammer, battery and protective pouch
  • Permanently attached 6""-12“" coiled cable with right-angle molded 3.5 mm stereo mini plug at output end
Polar Pattern: X/Y Stereo
    Frequency Response: 100-17,000 Hz
    Open Circuit Sensitivity: -50 dB (3.1 mV) re 1V at 1 Pa
    Impedance: 600 ohms
    Maximum Input Sound Level: 119 dB SPL, 1 kHz at 1% T.H.D.
    Dynamic Range: 82 dB, 1 kHz at Max SPL
    Signal to Noise Ratio: 57 dB, 1 kHz at 1 Pa
    Battery Type: 1.5V LR44
    Battery Current Life: 0.6 mA / 200 hours typical
    Switch: On/off
    Weight: 3.9 oz (111 g)
    Dimensions: 4.59“" (116.5 mm) long, 0.83" (21.0 mm) maximum body diameter
    Output Connector: 3.5 mm stereo mini plug on cable
    Cable: Permanently attached 152.4 mm - 304.8 mm (6""-12"") coiled cable with right-angle molded 3.5 mm stereo mini-plug at output end
    Accessories: Video-camera shoe mount; LR44 battery; windscreen; Fur windjammer AT8123 and soft protective pouch


The RØDE VideoMic is a professional grade 1/2" condenser shotgun microphone designed for use with consumer video cameras and personal audio recorders. The integrated shock mounting system isolates the VideoMic capsule and electronics from its all-metal shoe mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Its standard sized shoe mount also includes a 3/8" thread in the base for easy mounting on a boom pole or stand. (note that cameras with proprietary sized mounts require an additional adaptor.) Its super cardioid polar pattern is highly directional, focusing on the subject in front of the camera, and minimising any surrounding sounds. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport. The RØDE VideoMic directional on-camera microphone is covered by RØDE Microphones' industry leading 10 year warranty.
Frequency response 40Hz-20kHz, selectable HPF @ 80Hz/12dB/octave
Sensitivity -38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Ιmpedance 200Ω
Τotal harmonic distortion 134dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Dimensions 250mm x 65mmx 102mm
Weight 176gm
Weight0.50 kg0.10 kg1.00 kg0.30 kg0.11 kg1 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.10 kg
Weight 1.00 kg
Weight 0.30 kg
Weight 0.11 kg
Weight 1 kg