RODE Stereo Video Mic SVM STEREO Condenser Camera Microphone

119.00 incl. GR VAT

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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording. Now videographers may use true ʽstudioʼ stereo recording techniques in […]

 

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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews.

Rode Stereo Video Mic Features

  • Stereo X/Y condenser microphone
  • Broadcast sound quality
  • Two stp high-pass filter – flat or 80 Hz
  • Rugged cast aluminum body
  • 9V battery operation
  • Custom designed integral windshield
  • Low noise circuitry
  • Low handling noise
  • Integral camera-shoe mount
  • Includes Dead Kitten windscreen

 

 

  • Acoustic Principle: Pressure Gradient
  • Directional Pattern: Super Cardioid
  • Frequency range: 40 Hz – 20 kHz
  • Output Impedance: 200 Ohms
  • Signal/Noise Ratio: 74 dB SPL (A – weighted per IEC651)
  • Equivalent Noise: 20 dB SPL (A – weighted per IEC651)
  • Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
  • Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
  • Battery Life: 60+ hours
  • Output Connection: Stereo mini jack plug – ø3.5mm (Right Channel – Ring, Left Channel – Tip)
  • Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
  • Weight: .72 lbs (330 grams)

 

Weight 0.50 kg

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Description
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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews. Rode Stereo Video Mic Features

  • Stereo X/Y condenser microphone
  • Broadcast sound quality
  • Two stp high-pass filter - flat or 80 Hz
  • Rugged cast aluminum body
  • 9V battery operation
  • Custom designed integral windshield
  • Low noise circuitry
  • Low handling noise
  • Integral camera-shoe mount
  • Includes Dead Kitten windscreen
   
  • Acoustic Principle: Pressure Gradient
  • Directional Pattern: Super Cardioid
  • Frequency range: 40 Hz - 20 kHz
  • Output Impedance: 200 Ohms
  • Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
  • Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
  • Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
  • Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
  • Battery Life: 60+ hours
  • Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
  • Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
  • Weight: .72 lbs (330 grams)
 
OLED display (on receiver) One button pairing Three level gain control AA battery or USB powered Includes RØDE\'s broadcast Lavalier microphone RØDELink represents the next generation of digital wireless systems. Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDEʼs omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality. RØDELink Filmmaker Kit Specifications Transmission type    2.4GHz Fixed Frequency Agile System System dynamic range    112dB Range (distance)    100m Frequency range    35Hz - 22kHz Maximum output level    1v Rms (2.8v P-p) Max input signal level    1v Rms (2.8v P-p) Max latency    4ms Receiver (RX-CAM) Power source    2 X AA Battery Or MicroUSB Antenna    Internal Output connection    3.5mm TRS Locking Jack Socket - Dual Mono Output impedance    300Ω Dimensions    111mm X 65mm X 52mm Weight    190gm Transmitter (TX-BELT) Power source    2 X AA Battery Or MicroUSB Antenna    Internal Output connection    3.5mm TRS Locking Jack Socket Output impedance    10kΩ Dimensions    111mm X 65mm X 40mm Weight    190gm Lavalier Acoustic Principle    Pressure Gradient Active Electronics    JFET impedance converter Capsule    0.10“ Address Type    End Frequency Range    60Hz - 18kHz Output Impedance    3000Ω Maximum SPL    110dB SPL (@ 1kHz, 1% THD into 1KΩ load) Maximum Output Level    189.0dBu (@ 1kHz, 1% THD into 1KΩ load Sensitivity    -33.5dB re 1 Volt/Pascal (21.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted)    25dB-A Weight    1.00gm Dimensions    12.00mmH x 4.50mmW x 4.50mmD Warranty    10 year warranty

Broadcaster - ?The Master of the Airwaves?

Like its name suggests this R?DE microphone was specifically designed ?ON-AIR?
applications where wide frequency response and low distortion are demanded.
Winner of the Radio World/US National Association of Broadcasters (NAB) ?What?s
Cool? award in 1998, the Broadcaster has become an industry standard when studio
sound quality is required for on air applications.
Utilizing an Australian designed and manufactured R?DE 1? externally biased condenser
transducers, the Broadcaster features a switch-able high pass filter to remove low frequency
rumble. A unique ?ON-AIR? LED indicator can be switched ?on? or ?off? by shorting contacts
on the 5 pin audio connector. This feature allows console operators to warn the ?Talent?
that the mic is live. 

SPECIFICATIONS:
Features:
True condenser transducer On-Air indicator L.E.D. Ultra low noise
Cardioid polar pattern with high 180 rejection Voice tailored Low Cut
Filter Internal Pop Filter Rugged stainless steel body
Acoustic principle: Externally polarised 25mm (1?) condenser
Directional pattern:  Cardioid
Frequency range: 20 Hz ~ 20 kHz
Output impedance:  40Ω
Signal noise ratio din iec 651:
>80 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 114 dB (per IEC651, IEC268-15)
Power supply voltage: P48, P24 phantom
Weight without battery: 577g
Weight with battery: 1.3kg
Dimensions width: 167mm
Dimensions depth: 50mm
Dimensions height: 50mm
Maximum output voltage: +2 dBu (@ 1% THD into 1kΩ)
 

Element: Externally polarized (DC bias) capacitor
Polar Pattern: Line + gradient
Frequency Response: 20-18,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: -29 dB (35.5 mV) re 1V at 1 Pa
Impedance: 50 ohms
Maximum Input Sound Level: 141 dB SPL, 1 kHz at 1% T.H.D.; 151 dB SPL, with 10 dB pad (nominal)
Dynamic Range: 128 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 81 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 48V DC, 4.8 mA typical
Weight: 175 g (6.2 oz)
Dimensions: 539.0 mm (21.22“) long, 21.0 mm (0.83“) maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8147 windscreen; two O-Rings; protective carrying case

Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

he PRO24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with a windjammer, accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO24-CM is rugged; it's built to endure the rigors of field production.

  • Stereo microphone designed to attach to a camcorder
  • For camcorders with an accessory shoe and stereo microphone input
  • Lightweight, portable design with rugged all-metal construction
  • Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image
  • Battery-free operation when used with recording devices that provide plug-in power at the mic input
  • On/off switch for convenient operation
  • Includes camera-mount, windscreen, windjammer, battery and protective pouch
  • Permanently attached 6""-12“" coiled cable with right-angle molded 3.5 mm stereo mini plug at output end
Polar Pattern: X/Y Stereo
    Frequency Response: 100-17,000 Hz
    Open Circuit Sensitivity: -50 dB (3.1 mV) re 1V at 1 Pa
    Impedance: 600 ohms
    Maximum Input Sound Level: 119 dB SPL, 1 kHz at 1% T.H.D.
    Dynamic Range: 82 dB, 1 kHz at Max SPL
    Signal to Noise Ratio: 57 dB, 1 kHz at 1 Pa
    Battery Type: 1.5V LR44
    Battery Current Life: 0.6 mA / 200 hours typical
    Switch: On/off
    Weight: 3.9 oz (111 g)
    Dimensions: 4.59“" (116.5 mm) long, 0.83" (21.0 mm) maximum body diameter
    Output Connector: 3.5 mm stereo mini plug on cable
    Cable: Permanently attached 152.4 mm - 304.8 mm (6""-12"") coiled cable with right-angle molded 3.5 mm stereo mini-plug at output end
    Accessories: Video-camera shoe mount; LR44 battery; windscreen; Fur windjammer AT8123 and soft protective pouch


Weight0.50 kg0.42 kg2.50 kg0.30 kg0.30 kg0.11 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.42 kg
Weight 2.50 kg
Weight 0.30 kg
Weight 0.30 kg
Weight 0.11 kg