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The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.
The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene. Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.
Another new addition is the integrated Rycote® Lyre® based shock mounting system, which separates the Stereo VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
The Stereo VideoMic Pro, with its ergonomic form factor, make it perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The newly designed Kevlar reinforced braided cable, as well as the improved foam windscreen, provides excellent acoustic decoupling from the camera and offers significantly lower noise transference and higher sensitivity.The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.
A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events. Like the VideoMic Pro, the Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording. The RØDE Stereo VideoMic Pro is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
| Type: | Condenser Microphone | | Pick Up Pattern: | Cardioid | | Frequency response: | 40Hz - 20kHz | | Sensitivity: | -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz | | Ιmpedance: | 200Ω | | Τotal harmonic distortion: | - | | Dimensions: | 134mmH x 80mmW x 115mmD | | Weight: | 116 gr |
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ProMic Laser is our first ever DSLR on-camera microphone - a shotgun condenser microphone with a precision-tuned capsule for capturing professional-quality audio direct to camera.
With more and more video recording enthusiasts taking an increased interest in the quality of the audio of their videos, ProMic Laser provides the high-quality audio to match the high-definition video capabilities of todayʼs DSLR cameras.
Laser, the first release in the ProMic series, is a truly professional solution. It has a rugged aluminium design and comes with a removable wind shield and a custom shockmount for hot-shoe mounting directly onto a DSLR camera.
Laser is battery-powered using a single AAA battery (not included), which means that the microphone has an increased sensitivity level, and a lower noise floor, but the inclusion of a -10dB Pad allows you to reduce the level of the mic for recording louder sources.
The microphone also features a Bass Cut, which gives you the option of removing unwanted low frequency rumble, such as traffic or noise from the camera itself, and this can be used in tandem with the -10dB Pad.
As with all sE Electronics products, ProMic Laser comes with a three-year free replacement warranty, which means if it lets you down, weʼll simply give you a new one.
ProMic Laser comes with a protective carry bag and a 3.5mm coiled jack-to-jack cable to connect the microphone to your camera. Laser is compatible with the upcoming ProMic accessories series, which includes boom poles and fur windshields. |
The length (14.53“) of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.
Designed for video production and broadcast (ENG/EFP) audio acquisition
Length is well-suited for ENG, outdoor recording and other specialized uses
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: 39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 170 g (6.0 oz)
Dimensions: 369.0 mm (14.53“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8132 windscreen; battery; protective carrying case
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Audio-Technica's AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.
Designed for video production and broadcast (ENG/EFP) audio acquisition
Short length (11“) ensures mic stays out of the shot -- even when used with compact digital cameras
Smooth, natural-sounding on-axis audio quality
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 20-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -40 dB (10.0 mV) re 1V at 1 Pa Battery: -41 dB (8.9 mV) re 1V at 1 Pa
Impedance: Phantom: 200 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 129 dB SPL, 1 kHz at 1% T.H.D. Battery: 115 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 112 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 77 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off (recessed)
Weight: 5.1 oz (145 g)
Dimensions: 10.98" (279.0 mm) long, 0.83" (21.0 mm) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8134 windscreen; battery; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case
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Broadcaster - ?The Master of the Airwaves?
Like its name suggests this R?DE microphone was specifically designed ?ON-AIR?
applications where wide frequency response and low distortion are demanded.
Winner of the Radio World/US National Association of Broadcasters (NAB) ?What?s
Cool? award in 1998, the Broadcaster has become an industry standard when studio
sound quality is required for on air applications.
Utilizing an Australian designed and manufactured R?DE 1? externally biased condenser
transducers, the Broadcaster features a switch-able high pass filter to remove low frequency
rumble. A unique ?ON-AIR? LED indicator can be switched ?on? or ?off? by shorting contacts
on the 5 pin audio connector. This feature allows console operators to warn the ?Talent?
that the mic is live.
SPECIFICATIONS:
Features:
True condenser transducer On-Air indicator L.E.D. Ultra low noise
Cardioid polar pattern with high 180 rejection Voice tailored Low Cut
Filter Internal Pop Filter Rugged stainless steel body
Acoustic principle: Externally polarised 25mm (1?) condenser
Directional pattern: Cardioid
Frequency range: 20 Hz ~ 20 kHz
Output impedance: 40Ω
Signal noise ratio din iec 651:
>80 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 114 dB (per IEC651, IEC268-15)
Power supply voltage: P48, P24 phantom
Weight without battery: 577g
Weight with battery: 1.3kg
Dimensions width: 167mm
Dimensions depth: 50mm
Dimensions height: 50mm
Maximum output voltage: +2 dBu (@ 1% THD into 1kΩ)
| OLED display (on receiver)
One button pairing
Three level gain control
AA battery or USB powered
Includes RØDE\'s broadcast Lavalier microphone
RØDELink represents the next generation of digital wireless systems. Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDEʼs omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality.
RØDELink Filmmaker Kit Specifications
Transmission type 2.4GHz Fixed Frequency Agile System
System dynamic range 112dB
Range (distance) 100m
Frequency range 35Hz - 22kHz
Maximum output level 1v Rms (2.8v P-p)
Max input signal level 1v Rms (2.8v P-p)
Max latency 4ms
Receiver (RX-CAM)
Power source 2 X AA Battery Or MicroUSB
Antenna Internal
Output connection 3.5mm TRS Locking Jack Socket - Dual Mono
Output impedance 300Ω
Dimensions 111mm X 65mm X 52mm
Weight 190gm
Transmitter (TX-BELT)
Power source 2 X AA Battery Or MicroUSB
Antenna Internal
Output connection 3.5mm TRS Locking Jack Socket
Output impedance 10kΩ
Dimensions 111mm X 65mm X 40mm
Weight 190gm
Lavalier
Acoustic Principle Pressure Gradient
Active Electronics JFET impedance converter
Capsule 0.10“
Address Type End
Frequency Range 60Hz - 18kHz
Output Impedance 3000Ω
Maximum SPL 110dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Maximum Output Level 189.0dBu (@ 1kHz, 1% THD into 1KΩ load
Sensitivity -33.5dB re 1 Volt/Pascal (21.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 25dB-A
Weight 1.00gm
Dimensions 12.00mmH x 4.50mmW x 4.50mmD
Warranty 10 year warranty |
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