RODE Stereo Video Mic Pro Rycote Camera Microphone

219.00 incl. GR VAT

In stock

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene. The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in […]

 

Read more

The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.

The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene. Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.

Another new addition is the integrated Rycote® Lyre® based shock mounting system, which separates the Stereo VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

The Stereo VideoMic Pro, with its ergonomic form factor, make it perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The newly designed Kevlar reinforced braided cable, as well as the improved foam windscreen, provides excellent acoustic decoupling from the camera and offers significantly lower noise transference and higher sensitivity.The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.

A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events. Like the VideoMic Pro, the Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording. The RØDE Stereo VideoMic Pro is designed and made in Australia, and covered by RØDE Microphones’ industry leading 10 year warranty.

Type: Condenser Microphone
Pick Up Pattern: Cardioid
Frequency response: 40Hz – 20kHz
Sensitivity: -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Ιmpedance: 200Ω
Τotal harmonic distortion:
Dimensions: 134mmH x 80mmW x 115mmD
Weight: 116 gr

 

 

Weight 0.12 kg

Reviews

There are no reviews yet.

Be the first to review “RODE Stereo Video Mic Pro Rycote Camera Microphone”

Your email address will not be published. Required fields are marked *

Quick Comparison

RODE Stereo Video Mic Pro Rycote Camera Microphone removeRODE BROADCASTER PRECISION 1 removeAUDIO TECHNICA AT897 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY removeRODE VIDEOMIC DVCAM DIRECTIONAL CONDESER MICROPHONE removeNEUMANN BCM-104 BROADCAST CARDIOID CONDENSER MICROPHONE removeAUDIO TECHNICA BP4071L BROADCASTING MICROPHONE 21.22" long remove
NameRODE Stereo Video Mic Pro Rycote Camera Microphone removeRODE BROADCASTER PRECISION 1 removeAUDIO TECHNICA AT897 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY removeRODE VIDEOMIC DVCAM DIRECTIONAL CONDESER MICROPHONE removeNEUMANN BCM-104 BROADCAST CARDIOID CONDENSER MICROPHONE removeAUDIO TECHNICA BP4071L BROADCASTING MICROPHONE 21.22" long remove
Image
SKUH11RD00055H11RD00014AT897VIDEO MICH11NE00024BP4071L
Rating
Price 219.00 incl. GR VAT 439.00 incl. GR VAT 240.00 incl. GR VAT 95.78 incl. GR VAT 999.00 incl. GR VAT 1,134.00 incl. GR VAT
Stock

In stock

In stock

In stock

In stock

In stock

AvailabilityIn stockIn stockIn stockIn stockIn stock
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.

The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene. Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.


Another new addition is the integrated Rycote® Lyre® based shock mounting system, which separates the Stereo VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.


The Stereo VideoMic Pro, with its ergonomic form factor, make it perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The newly designed Kevlar reinforced braided cable, as well as the improved foam windscreen, provides excellent acoustic decoupling from the camera and offers significantly lower noise transference and higher sensitivity.The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.


A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events. Like the VideoMic Pro, the Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording. The RØDE Stereo VideoMic Pro is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
Type:Condenser Microphone
Pick Up Pattern: Cardioid
Frequency response: 40Hz - 20kHz
Sensitivity: -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Ιmpedance: 200Ω
Τotal harmonic distortion: -
Dimensions: 134mmH x 80mmW x 115mmD
Weight: 116 gr
 

 

Broadcaster - ?The Master of the Airwaves?

Like its name suggests this R?DE microphone was specifically designed ?ON-AIR?
applications where wide frequency response and low distortion are demanded.
Winner of the Radio World/US National Association of Broadcasters (NAB) ?What?s
Cool? award in 1998, the Broadcaster has become an industry standard when studio
sound quality is required for on air applications.
Utilizing an Australian designed and manufactured R?DE 1? externally biased condenser
transducers, the Broadcaster features a switch-able high pass filter to remove low frequency
rumble. A unique ?ON-AIR? LED indicator can be switched ?on? or ?off? by shorting contacts
on the 5 pin audio connector. This feature allows console operators to warn the ?Talent?
that the mic is live. 

SPECIFICATIONS:
Features:
True condenser transducer On-Air indicator L.E.D. Ultra low noise
Cardioid polar pattern with high 180 rejection Voice tailored Low Cut
Filter Internal Pop Filter Rugged stainless steel body
Acoustic principle: Externally polarised 25mm (1?) condenser
Directional pattern:  Cardioid
Frequency range: 20 Hz ~ 20 kHz
Output impedance:  40Ω
Signal noise ratio din iec 651:
>80 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 114 dB (per IEC651, IEC268-15)
Power supply voltage: P48, P24 phantom
Weight without battery: 577g
Weight with battery: 1.3kg
Dimensions width: 167mm
Dimensions depth: 50mm
Dimensions height: 50mm
Maximum output voltage: +2 dBu (@ 1% THD into 1kΩ)
 

Audio-Technica's AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Short length (11“) ensures mic stays out of the shot -- even when used with compact digital cameras
Smooth, natural-sounding on-axis audio quality
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 20-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -40 dB (10.0 mV) re 1V at 1 Pa Battery: -41 dB (8.9 mV) re 1V at 1 Pa
Impedance: Phantom: 200 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 129 dB SPL, 1 kHz at 1% T.H.D. Battery: 115 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 112 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 77 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off (recessed)
Weight: 5.1 oz (145 g)
Dimensions: 10.98" (279.0 mm) long, 0.83" (21.0 mm) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8134 windscreen; battery; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

The R?DE VideoMic is a professional grade shotgun microphone. Based on the latest ?Film industry? technology, the VideoMic is designed specifically for use with high quality Digital Video Cameras. The microphone exhibits low noise and an unusually wide bandwidth for its size. It is ultra lightweight, yet rugged due to it?s ABS construction. The VideoMic is powered by a standard 9 V battery and offers a Low Battery LED status indicator and a switchable high pass filter to reduce unwanted low frequency rumble. The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilizes a stereo mini jack for audio output. SPECIFICATIONS: Features: Studio recording quality. Rugged fibre-reinforced ABS construction. 9 V battery operation. Custom designed integral wind shield. Condenser Microphone. Low noise circuitry. Low handling noise. Integral camera-shoe mount. Designed & manufactured in Australia. Full 2 year guarantee. Operation power: The VideoMic is designed to operate from a 9 V battery (ANSI:1604A or IEC:6LR61). The battery is conveniently located within the support arm of the microphone. A fully removable access cover and a 1-way insertion mechanism ensure ease of loading. The battery will provide more than 100 hrs. of continuous use due to a low consumption of only 5.0 mA. Operation output impedance: The microphone will operate satisfactorily into a load impedance as low as 1 k?. If a load below this is used, the output signal level will be reduced. Acoustic principle: Line plus Gradient Directional pattern:  Super-Cardioid Frequency range: 40 Hz ~ 20 000 Hz selectable HPF @ 80 Hz/12 dB/octave Output impedance: 200 Ω Signal noise ratio din iec 651: 74 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15) Equvalent noise: 20 dB SPL (per IEC651, IEC268-15) Maximum spl: 134 dB (@ 1% THD into 1 kΩ) Sensitivity: -38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB (at 1 kHz in free field into open circuit) Dynamic range din iec 651: 114 dB (per IEC651, IEC268-15) Power supply voltage: 9 V DC Alkaline Battery (ANSI:1604A or IEC:6LR61) Current consumption:  5 mA Battery life: >100 hours Output connection: Stereo mini jack plug - ?3.5 mm. Weight: 176 grm. Dimensions width:  250mm Dimensions depth:  65mm Dimensions height:  102mm

Internally switchable proximity effect compensation and sensitivity reduction.

The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.

Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user

Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.

Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.

Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.

Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm

Element: Externally polarized (DC bias) capacitor
Polar Pattern: Line + gradient
Frequency Response: 20-18,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: -29 dB (35.5 mV) re 1V at 1 Pa
Impedance: 50 ohms
Maximum Input Sound Level: 141 dB SPL, 1 kHz at 1% T.H.D.; 151 dB SPL, with 10 dB pad (nominal)
Dynamic Range: 128 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 81 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 48V DC, 4.8 mA typical
Weight: 175 g (6.2 oz)
Dimensions: 539.0 mm (21.22“) long, 21.0 mm (0.83“) maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8147 windscreen; two O-Rings; protective carrying case

Weight0.12 kg2.50 kg0.30 kg2.00 kg1.00 kg0.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.12 kg
Weight 2.50 kg
Weight 0.30 kg
Weight 2.00 kg
Weight 1.00 kg
Weight 0.30 kg