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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.
Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.
Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.
You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews.
Rode Stereo Video Mic Features - Stereo X/Y condenser microphone
- Broadcast sound quality
- Two stp high-pass filter - flat or 80 Hz
- Rugged cast aluminum body
- 9V battery operation
- Custom designed integral windshield
- Low noise circuitry
- Low handling noise
- Integral camera-shoe mount
- Includes Dead Kitten windscreen
- Acoustic Principle: Pressure Gradient
- Directional Pattern: Super Cardioid
- Frequency range: 40 Hz - 20 kHz
- Output Impedance: 200 Ohms
- Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
- Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
- Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
- Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
- Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
- Battery Life: 60+ hours
- Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
- Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
- Weight: .72 lbs (330 grams)
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Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.
Designed for video production and broadcast (ENG/EFP) audio acquisition
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: -39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 195 g (6.9 oz)
Dimensions: 460.0 mm (18.11“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8135 windscreen; battery; protective carrying case
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Broadcast sound quality
Low noise circuitry
Rugged metal construction
Convenient digital switching
High Frequency Boost
High Pass Filter (Flat/75Hz)
PAD (-10db)
Ten year extended warranty with online registration
The NTG4 builds on the platform created by RØDE's award-winning NTG1 shotgun microphone. A broadcast-quality directional condenser microphone designed to provide premium audio recording in a versatile range of applications including on-camera and boom mounted.
Visit the NTG4 feature page
NTG4 Specifications
Acoustic Principle Line Gradient
Capsule 0.50“
Polar Pattern Supercardioid
Address Type End
Frequency Range 20Hz - 20kHz(selected HPF @75Hz)
Output Impedance 200Ω
Maximum SPL 135dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 16dB-A
Power Options +12V phantom power+24V phantom power+48V phantom power
Weight 126gm
Dimensions 225mmH x 22mmW x 22mmD
Output XLR Output
Warranty 1 year with free extension to 10 years following registration
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The MD 42 is a high-quality reporter's microphone with omni-directional pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 42 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features
Two-ply sound inlet basket provides increased protection from wind and pop noise
Rugged metal housing
Rubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noise
Omni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partner
Pick Up Pattern omni-directional
Frequency response 40 - 18 000 Hz
Sensitivity 2,0 mV/Pa
Ιmpedance 1000 Ohm
Dimensions Ø 49 x 250 mm
Weight 360 gr
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The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.
From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.
Wide Stereo PatternThe wide stereo pattern provides a generous pick up area while reproducing signal with accurate stereo placement. This setting is ideal for ambiance capturing, live music, sound effects, etc.Mono (Narrow) PatternThe narrow pattern provides a focused pick up at the front end of the capsule. The result is an accurate signal without noise at the off-axis sections of the capsule.Low Frequency Roll-OffThe low-frequency roll-off switch eliminates hum and low-frequency noise due to wind, handling and proximity effect.Light Weight ProfileThe light weight, slim profile make the CS-50 ideal for location use while mounted on a boom, pistol grip or camera.
What's in the Box:
- Windscreen
- Desktop Prop
- Mic Stand Adapter
- L/R XLR Cable 6.56 feet (2m)
- Soft case
- 1 Year Warranty
Specifications: ransducer | Back Electret Condenser | Polar Pattern | Line Cardioid | Frequency Response |
50 - 20,000Hz
| Open Circuit Sensitivity | 14.9 mV/Pa, -36.5 dBV @ 1 Pa | Dynamic Range (Typical) | Not Specified by Manufacturer | Signal-to-Noise Ratio | Greater than 70dB (at 1kHz/1Pa) | Maximum Input Sound Level | 126dB S.P.L (at 1kHz, 1% T.H.D. Typical) | Power Requirements | 48V Phantom x 2ch | Output Impedance | 200 Ohms | Current Consumption | 3.8 mA (Typical) | Output Connectors | 3-pin XLR | Pad | No | Low Frequency Roll-Off | Yes | Dimensions | Not Specified by Manufacturer | Weight | 2.92 oz (83g) |
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Audio-Technica's AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.
Designed for video production and broadcast (ENG/EFP) audio acquisition
Short length (11“) ensures mic stays out of the shot -- even when used with compact digital cameras
Smooth, natural-sounding on-axis audio quality
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 20-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -40 dB (10.0 mV) re 1V at 1 Pa Battery: -41 dB (8.9 mV) re 1V at 1 Pa
Impedance: Phantom: 200 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 129 dB SPL, 1 kHz at 1% T.H.D. Battery: 115 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 112 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 77 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off (recessed)
Weight: 5.1 oz (145 g)
Dimensions: 10.98" (279.0 mm) long, 0.83" (21.0 mm) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8134 windscreen; battery; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case
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