RODE VIDEOMIC GO DVCAM DIRECTIONAL CONDESER MICROPHONE

73.15 incl. GR VAT

Only 1 left in stock

EAN: N/A
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Clear, directional audio on the GO! Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise. The integrated Rycote® Lyre® […]

 

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Clear, directional audio on the GO!

Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.

The integrated Rycote® Lyre® shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.

Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

The VideoMic GO has no complicated switches or settings and is powered by your camera’s external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.

Acoustic Principle Line Gradient
Frequency Range 100Hz ~ 16,000Hz
Equivalent Noise 34dBA SPL (A – weighted per IEC651)
Signal Noise 60dB SPL (A – weighted per IEC651)
Power Required Plug-in power required (330uA @ 2.5V)
Dimensions 167mmL x 79mmH x 70mmD
Directional Pattern Super-Cardioid
Sensitivity -35dB re 1V/Pa (17.8mV @ 94dB SPL) ±2dB @ 1kHz
Maximum SPL 120dB (@ 1kHz, 1% THD into 1kΩ load)
Dynamic Range 96dB (per IEC651)
Output Connection 3.5mm stereo mini-jack
Weight 73g

Weight 0.10 kg

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Quick Comparison

RODE VIDEOMIC GO DVCAM DIRECTIONAL CONDESER MICROPHONE removeSENNHEISER MD-42 Reporting Dynamic Microphone removeAUDIO TECHNICA AT8035 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY 14.53" removeAUDIO TECHNICA BP4027 SHOTGUN BROADCASTING STEREO MICROPHONE 9.29" long removeEDIROL CS-15 Condenser Stereo Microphone removeAUDIO TECHNICA AT8015 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY remove
NameRODE VIDEOMIC GO DVCAM DIRECTIONAL CONDESER MICROPHONE removeSENNHEISER MD-42 Reporting Dynamic Microphone removeAUDIO TECHNICA AT8035 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY 14.53" removeAUDIO TECHNICA BP4027 SHOTGUN BROADCASTING STEREO MICROPHONE 9.29" long removeEDIROL CS-15 Condenser Stereo Microphone removeAUDIO TECHNICA AT8015 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY remove
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SKUH11RD00042H10SE00127AT8035BP4027CS15AT8015
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Description
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Clear, directional audio on the GO!

Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.

The integrated Rycote® Lyre® shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.

Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.

Acoustic Principle Line Gradient
Frequency Range 100Hz ~ 16,000Hz
Equivalent Noise 34dBA SPL (A - weighted per IEC651)
Signal Noise 60dB SPL (A - weighted per IEC651)
Power Required Plug-in power required (330uA @ 2.5V)
Dimensions 167mmL x 79mmH x 70mmD
Directional Pattern Super-Cardioid
Sensitivity -35dB re 1V/Pa (17.8mV @ 94dB SPL) ±2dB @ 1kHz
Maximum SPL 120dB (@ 1kHz, 1% THD into 1kΩ load)
Dynamic Range 96dB (per IEC651)
Output Connection 3.5mm stereo mini-jack
Weight 73g

The MD 42 is a high-quality reporter's microphone with omni-directional pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 42 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features

    Two-ply sound inlet basket provides increased protection from wind and pop noise
    Rugged metal housing
    Rubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noise
    Omni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partner

Pick Up Pattern omni-directional

Frequency response 40 - 18 000 Hz

Sensitivity 2,0 mV/Pa

Ιmpedance 1000 Ohm

Dimensions Ø 49 x 250 mm

Weight 360 gr

The length (14.53“) of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Length is well-suited for ENG, outdoor recording and other specialized uses
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances


Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: 39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 170 g (6.0 oz)
Dimensions: 369.0 mm (14.53“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8132 windscreen; battery; protective carrying case

Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

For when you need even more advanced recording than R-09's built-in mic
CS-15CS-15 For serious field recording, the optional CS-15 cardioid-type stereo microphone is a great match for the R-09. For portability and convenience, the R-09 supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.
    
Cardioid-type stereo microphone
    
Battery operation is also possible when using with a recorder that doesn't supply the power
    
Ideal combination with the R-09 --- also the UA-4FX and the UA-1EX
    
Comes with a desktop stand, a hand-held mount (can be attached to the microphone stand) and a windscreen

Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: -39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 195 g (6.9 oz)
Dimensions: 460.0 mm (18.11“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8135 windscreen; battery; protective carrying case

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DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.10 kg
Weight 0.10 kg
Weight 0.30 kg
Weight 0.30 kg
Weight 0.10 kg
Weight 0.30 kg