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The VideoMicro is a compact microphone designed to improve the audio quality of your videos. It incorporates a high-quality cardioid condenser microphone capsule for great quality audio recordings when used with a wide range of cameras. A directional microphone, the VideoMicro reduces distracting peripheral sounds and focusses on the audio in front of the camera. Its pickup is more forgiving than RODEʼs other on-camera microphones providing a more natural sound when recording indoors. Perfect for capturing incredible audio to accompany inspiring vision. The microphone body is made from aluminum, giving it a high level of RF rejection, and is finished in RODEʼs high-grade ceramic anti-glare black coating. Included with the VideoMicro is a camera shoe mount featuring a Rycote Lyre shock mount. Featuring a suspension structure composed of a hard-wearing thermoplastic, it is far more effective at minimising unwanted vibrations, handling and cable-borne noise than traditional elastic suspensions. Virtually indestructible, the Rycote Lyre will never sag, snap, wear out or require rethreading to maintain its effectiveness. Also included is the WS9 synthetic furry wind shield with foam inner cell, designed for use in outdoor scenarios where wind and environmental noise can inhibit recordings. Optionally available is the RODE SC7, a TRS to TRRS cable that allows the VideoMicro to be used with smartphones, to capture crystal clear, directional sound for video and video applications such as Periscope.
Compact size and lightweight - only 80mm (3ʼ) long and 42gm (1.5oz)
All-metal microphone body
No battery required (powered by camera plug-in power - min 3V)
Rycote® Lyre® shock mount included
Deluxe furry windshield included
Designed and manufactured in Australia
The camera of the photograph is not included.
| RODE NT G8 Broadcast Quality RF-bias Shotgun Microphone
Based on RØDE's award winning NTG3, the NTG8 is a broadcast quality RF-bias shotgun microphone that exhibits increased directionality across a wide frequency response range. This makes the NTG8 the perfect microphone for film, television, sports and outdoor broadcasting, live performance, and any professional distance miking application.
Like the NTG3, the NTG8 features low self-noise, natural sound without colouration both on and off-axis, and RF bias technology to ensure that it is almost completely resistant to high humidity environments which could cause other condenser microphones to fail.
The NTG8 is finished in matte black and supplied with a specially designed shock mount (SM8) that is engineered to provide excellent handling noise isolation, cable management and versatile mounting options for the microphone. A rugged weatherproof aluminium cylinder is also included, providing ultimate protection for the microphone when in transport or storage. The WSNTG8 windshield completes the package, providing light environmental protection.
Acoustic Principle Line Gradient
Active Electronics RF Bias
Capsule 0.50“
Polar Pattern Hyper Cardioid
Address Type End
Frequency Range 40Hz - 20kHz
Output Impedance 2Ω
Maximum SPL 124dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Maximum Output Level 8.2dBu (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -20.0dB re 1 Volt/Pascal (97.50mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Power Options
(44-52V min 2.5mA)
Weight 345.00gm
Dimensions 559.00mmH x 19.00mmW x 19.00mmD
Output XLR | The R?DE VideoMic is a professional grade shotgun microphone. Based on the
latest ?Film industry? technology, the VideoMic is designed specifically for use with
high quality Digital Video Cameras.
The microphone exhibits low noise and an unusually wide bandwidth for its size. It
is ultra lightweight, yet rugged due to it?s ABS construction. The VideoMic is powered
by a standard 9 V battery and offers a Low Battery LED status indicator and a
switchable high pass filter to reduce unwanted low frequency rumble.
The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting
and utilizes a stereo mini jack for audio output.
SPECIFICATIONS:
Features:
Studio recording quality. Rugged fibre-reinforced ABS construction. 9 V battery operation.
Custom designed integral wind shield. Condenser Microphone. Low noise circuitry. Low
handling noise. Integral camera-shoe mount. Designed & manufactured in Australia.
Full 2 year guarantee.
Operation power:
The VideoMic is designed to operate from a 9 V battery (ANSI:1604A or IEC:6LR61).
The battery is conveniently located within the support arm of the microphone. A fully
removable access cover and a 1-way insertion mechanism ensure ease of loading.
The battery will provide more than 100 hrs. of continuous use due to a low consumption
of only 5.0 mA.
Operation output impedance:
The microphone will operate satisfactorily into a load impedance as low as 1 k?.
If a load below this is used, the output signal level will be reduced.
Acoustic principle: Line plus Gradient
Directional pattern: Super-Cardioid
Frequency range:
40 Hz ~ 20 000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
74 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 20 dB SPL (per IEC651, IEC268-15)
Maximum spl: 134 dB (@ 1% THD into 1 kΩ)
Sensitivity:
-38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB (at 1 kHz in free field into open circuit)
Dynamic range din iec 651: 114 dB (per IEC651, IEC268-15)
Power supply voltage:
9 V DC Alkaline Battery (ANSI:1604A or IEC:6LR61)
Current consumption: 5 mA
Battery life: >100 hours
Output connection: Stereo mini jack plug - ?3.5 mm.
Weight: 176 grm.
Dimensions width: 250mm
Dimensions depth: 65mm
Dimensions height: 102mm |
For when you need even more advanced recording than R-09's built-in mic
CS-15CS-15 For serious field recording, the optional CS-15 cardioid-type stereo microphone is a great match for the R-09. For portability and convenience, the R-09 supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.
Cardioid-type stereo microphone
Battery operation is also possible when using with a recorder that doesn't supply the power
Ideal combination with the R-09 --- also the UA-4FX and the UA-1EX
Comes with a desktop stand, a hand-held mount (can be attached to the microphone stand) and a windscreen |
The MD 42 is a high-quality reporter's microphone with omni-directional pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 42 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features
Two-ply sound inlet basket provides increased protection from wind and pop noise
Rugged metal housing
Rubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noise
Omni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partner
Pick Up Pattern omni-directional
Frequency response 40 - 18 000 Hz
Sensitivity 2,0 mV/Pa
Ιmpedance 1000 Ohm
Dimensions Ø 49 x 250 mm
Weight 360 gr
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The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.
From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.
Wide Stereo PatternThe wide stereo pattern provides a generous pick up area while reproducing signal with accurate stereo placement. This setting is ideal for ambiance capturing, live music, sound effects, etc.Mono (Narrow) PatternThe narrow pattern provides a focused pick up at the front end of the capsule. The result is an accurate signal without noise at the off-axis sections of the capsule.Low Frequency Roll-OffThe low-frequency roll-off switch eliminates hum and low-frequency noise due to wind, handling and proximity effect.Light Weight ProfileThe light weight, slim profile make the CS-50 ideal for location use while mounted on a boom, pistol grip or camera.
What's in the Box:
- Windscreen
- Desktop Prop
- Mic Stand Adapter
- L/R XLR Cable 6.56 feet (2m)
- Soft case
- 1 Year Warranty
Specifications: | ransducer | Back Electret Condenser | | Polar Pattern | Line Cardioid | | Frequency Response |
50 - 20,000Hz
| | Open Circuit Sensitivity | 14.9 mV/Pa, -36.5 dBV @ 1 Pa | | Dynamic Range (Typical) | Not Specified by Manufacturer | | Signal-to-Noise Ratio | Greater than 70dB (at 1kHz/1Pa) | | Maximum Input Sound Level | 126dB S.P.L (at 1kHz, 1% T.H.D. Typical) | | Power Requirements | 48V Phantom x 2ch | | Output Impedance | 200 Ohms | | Current Consumption | 3.8 mA (Typical) | | Output Connectors | 3-pin XLR | | Pad | No | | Low Frequency Roll-Off | Yes | | Dimensions | Not Specified by Manufacturer | | Weight | 2.92 oz (83g) |
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