RODE VideoMicro Condenser Microphone

The VideoMicro is a compact microphone designed to improve the audio quality of your videos. It incorporates a high-quality cardioid condenser microphone capsule for great quality audio recordings when used with a wide range of cameras. A directional microphone, the VideoMicro reduces distracting peripheral sounds and focusses on the audio in front of the camera. Its pickup is more forgiving than RODEʼs other on-camera microphones providing a more natural sound when recording indoors. Perfect for capturing incredible audio to accompany inspiring vision. The microphone body is made from aluminum, giving it a high level of RF rejection, and is finished in RODEʼs high-grade ceramic anti-glare black coating. Included with the VideoMicro is a camera shoe mount featuring a Rycote Lyre shock mount. Featuring a suspension structure composed of a hard-wearing thermoplastic, it is far more effective at minimising unwanted vibrations, handling and cable-borne noise than traditional elastic suspensions. Virtually indestructible, the Rycote Lyre will never sag, snap, wear out or require rethreading to maintain its effectiveness. Also included is the WS9 synthetic furry wind shield with foam inner cell, designed for use in outdoor scenarios where wind and environmental noise can inhibit recordings. Optionally available is the RODE SC7, a TRS to TRRS cable that allows the VideoMicro to be used with smartphones, to capture crystal clear, directional sound for video and video applications such as Periscope.

Compact size and lightweight - only 80mm (3ʼ) long and 42gm (1.5oz) All-metal microphone body No battery required (powered by camera plug-in power - min 3V) Rycote® Lyre® shock mount included Deluxe furry windshield included Designed and manufactured in Australia

The camera of the photograph is not included.

Internally switchable proximity effect compensation and sensitivity reduction.

The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.

Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user

Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.

Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.

Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.

Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm

This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews. Rode Stereo Video Mic Features

• Stereo X/Y condenser microphone
• Broadcast sound quality
• Two stp high-pass filter - flat or 80 Hz
• Rugged cast aluminum body
• 9V battery operation
• Custom designed integral windshield
• Low noise circuitry
• Low handling noise
• Integral camera-shoe mount
• Includes Dead Kitten windscreen

• Acoustic Principle: Pressure Gradient
• Directional Pattern: Super Cardioid
• Frequency range: 40 Hz - 20 kHz
• Output Impedance: 200 Ohms
• Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
• Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
• Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
• Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
• Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
• Battery Life: 60+ hours
• Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
• Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
• Weight: .72 lbs (330 grams)

The MD 42 is a high-quality reporter's microphone with omni-directional pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 42 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features

    Two-ply sound inlet basket provides increased protection from wind and pop noise
    Rugged metal housing
    Rubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noise
    Omni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partner

Pick Up Pattern omni-directional

Frequency response 40 - 18 000 Hz

Sensitivity 2,0 mV/Pa

Ιmpedance 1000 Ohm

Dimensions Ø 49 x 250 mm

Weight 360 gr

Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.

From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.

What's in the Box:

• Windscreen
• Desktop Prop
• Mic Stand Adapter
• L/R XLR Cable 6.56 feet (2m)
• Soft case
  
• 1 Year Warranty