Introducing another musically empowering Samson condenser mic. Never before has a studio mic this good been available at this price. Like the finest studio mics costing hundreds, even thousands of dollars, the CL7 has a true capacitor condenser mic element. Capacitor-based elements are warmer, brighter and bigger sounding than electret-based elements. APPLICATION: The CL7 features […]
Introducing another musically empowering Samson condenser mic. Never before
has a studio mic this good been available at this price. Like the finest studio mics
costing hundreds, even thousands of dollars, the CL7 has a true capacitor condenser
mic element. Capacitor-based elements are warmer, brighter and bigger sounding
than electret-based elements.
APPLICATION:
The CL7 features a large, 1.1-inch, ultra thin diaphragm capsule which faithfully
reproduces a variety of sound sources including vocals, acoustic instruments
and overhead cymbals, to name just a few.
TECHNICAL SPECIFICATIONS:
Frequency Response 20 ~ 20000 HZ
Polar pattern Cardioid
Element type Condenser
Diaphragm thickness 3 microns
Sensitivity -40 dB/Pa
Max SPL 147 dB
Equivalent Noise Level 17dB
Impedance 200 ohms
Mininum Load Impedance 1000 ohms
Power supply voltage phantom power 48V +/-3V
Weight 1.1 lbs. (500 g)
Dimensions
Height: 7″ (175 mm) Width: 2.125″ (54 mm) Depth: 2.125″ (54 mm)
FEATURES:
Large Diaphragm Studio Condenser
1.1″ Capsule with 3-micron Gold Sputtered Diaphragm
Switchable Hi-pass Filter, 12dB per octave at 100 Hz
Smooth and transparent sound reproduction
Cardioid pick-up pattern
36-52 Volt Phantom Power operation (Requires 48V Phantom Power)
Internal Shock-mount
Extended frequency response
Solid Die Cast construction
Swivel Stand Mount and Carry Case included
Weight
1.00 kg
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Introducing another musically empowering Samson condenser mic. Never before
has a studio mic this good been available at this price. Like the finest studio mics
costing hundreds, even thousands of dollars, the CL7 has a true capacitor condenser
mic element. Capacitor-based elements are warmer, brighter and bigger sounding
than electret-based elements.
APPLICATION:
The CL7 features a large, 1.1-inch, ultra thin diaphragm capsule which faithfully
reproduces a variety of sound sources including vocals, acoustic instruments
and overhead cymbals, to name just a few.
TECHNICAL SPECIFICATIONS:
Frequency Response 20 ~ 20000 HZ
Polar pattern Cardioid
Element type Condenser
Diaphragm thickness 3 microns
Sensitivity -40 dB/Pa
Max SPL 147 dB
Equivalent Noise Level 17dB
Impedance 200 ohms
Mininum Load Impedance 1000 ohms
Power supply voltage phantom power 48V +/-3V
Weight 1.1 lbs. (500 g)
Dimensions
Height: 7" (175 mm) Width: 2.125" (54 mm) Depth: 2.125" (54 mm)
FEATURES:
Large Diaphragm Studio Condenser
1.1" Capsule with 3-micron Gold Sputtered Diaphragm
Switchable Hi-pass Filter, 12dB per octave at 100 Hz
Smooth and transparent sound reproduction
Cardioid pick-up pattern
36-52 Volt Phantom Power operation (Requires 48V Phantom Power)
Internal Shock-mount
Extended frequency response
Solid Die Cast construction
Swivel Stand Mount and Carry Case included
A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case.
Type
1" Large Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
18 mV/Pa (-35 dBV)
Max. SPL
135 dB/155 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
78 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
=1000 ohms
Current consumption
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg)
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