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The E-845S is a high-performance super-cardioid lead vocal microphone with an extended high-frequency response, specially designed for stage use.
Frequency Response : 40.....16000 Hz
Sensitivity in free field, no load : (1kHz) 1,8 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 46 x 185 mm
Weight : w/o cable 330 g
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The first Neumann microphone with a dynamic capsule. Functionally optimized design
specifically for the broadcast field, featuring integrated pop protection, suppression of
structure-borne noise and a hypercardioid directional characteristic.
Emotion conveyed with technical perfection. This is the ideal which the Neumann
microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the
requirements of professional broadcast studios and the individual, functionally optimized
design* ensure that these are microphones of character.
The BCM 705 is Neumann?s first dynamic microphone. The housing and headgrille are
identical to those of the BCM 104; only the green logo indicates that this is something new
from Neumann. The principle of reduction to the essentials can be seen in the dynamic
capsule with a hypercardioid directional characteristic, specifically designed for speech
reproduction at close range. Multi-level isolation from structure-borne noise ensures operation
free of interference, even in a lively studio environment.
Mechanical Features
The microphone headgrille twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her
individual headgrille. Iin front of the capsule, mounted on a frame holder, a fine gauze serves
as a built-in popscreen.
The microphones of the Broadcast Line have an elastic mount against structure-borne noise,
that is compatible with standard broadcast-segment microphone arms.
Acoustic features
The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the
speech intelligibility. The bass frequency response is designed to compensate for the overemphasis
of the bass caused by the proximity effect.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.
Mounting
The preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio
boom arm.
A thread adapter to fit different connector threads is included. In order to provide protection from
structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the microphone by +/-90 degrees.
FEATURES:
Dynamic capsule
Hypercardioid directional characteristic
Characteristic, functionally optimized design*
Integrated, neutral pop protection
Integrated elastic suspension
Individual headgrilles for different users
Colored rings to identify the replacement headgrilles
Easy removal and cleaning of microphone headgrille (with bayonet mount)
Mechanical compatibility with standard studio boom arms
Multi-level isolation from structure-borne noise
No power supply required
APPLICATION HINTS:
Announcer's mic for broadcasting and studio
This is just one of the most common applications. We recommend
additional experimentation to gain maximum use from this microphone.
TECHNICAL DATA:
Acoustical operating principle Pressure gradient transducer
Directional pattern Hypercardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 10 kohm 1,7 mV/Pa = ?55,4 dB ± 1 dB
Rated impedance 200 ohms
Rated load impedance >= 10,000 ohms
Equivalent SPL CCIR 468-3 32 dB
Equivalent SPL DIN/IEC 651 18 dB-A
S/N ratio CCIR 468-3 62 dB
S/N ratio DIN/IEC 651 76 dB
Weight 500 g
Diameter 64 mm
Length 85 mm
Height (without suspension) 110 mm
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- Supercardioid Polar Pattern
- Laminated Varimotion Diaphragm
- Integrated 80 Hz High-Pass Filter
- Integrated Hum-Compensating Coil
- WARRANTY FROM THE OFFICIAL GREEK AKG DISTRIBUTOR
The AKG D7 is a reference handheld dynamic vocal microphone designed to capture vocals and instruments with condenser-like sound for artists and audio engineers in clubs, concert venues, and houses of worship. The laminated dual-layer Varimotion diaphragm exhibits a supercardioid polar pattern for excellent off-axis rejection of audio across the frequency spectrum. This allows high gain before feedback and reduced stage bleed through the mic. Handling noise is minimized by the mechano-pneumatic capsule suspension and an integrated 80 Hz high-pass filter.
Thanks to a 70 Hz to 20 kHz frequency response and a maximum SPL of 147 dB, the D7 delivers detailed sound even on the loudest sources. A hum-compensating coil is incorporated to help reduce interference from electrical devices and to ensure that your captured sound comes through with minimal noise.
In addition, the heavy-duty die-cast chassis with a dent-resistant grille is built rugged to withstand the rigors of daily use. An XLR connector utilizing gold-plated pins ensures signal transfer with maximum conductivity. A padded zip case, SA 61 stand adapter, and a replacement inner windscreen are included.
Dual-Thickness Varimotion Diaphragm
Provides a subtle and open sound in all frequency ranges
Feedback Suppression
The laminate diaphragm material damps critical resonance peaks
Integrated Hum-Compensating Coil
Provides a crisp and a cleaner sound
Precision Metal Dust Filter
Protects the capsule from sound-changing pollution
Mechano-Pneumatic Suspension
Effectively eliminates unwanted handling noises
Microphone
| Sound Field |
Mono |
| Operating Principle |
Pressure Gradient |
| Capsule |
Dynamic |
| Polar Pattern |
Supercardioid |
| Circuitry |
Solid-State |
| Pad |
None |
| High-Pass Filter |
80 Hz |
Performance
| Frequency Range |
70 Hz to 20 kHz |
| Maximum SPL |
147 dB SPL |
| Impedance |
600 Ohms |
| Load Impedance |
2000 Ohms |
| Sensitivity |
2.6 mV/Pa |
| Signal-to-Noise Ratio |
76 dB A-Weighted |
| Equivalent Noise Level |
18 dB A-Weighted |
Connectivity
| Output Connectors |
1 x XLR 3-Pin |
Physical
| Dimensions |
ø: 2.01 x L: 7.28" / ø: 51 x L: 184.91 mm |
| Weight |
11.29 oz / 320 g |
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The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface:
all metal body with black leatherette finish, sound inlet basket: nickel plated.
Pick-up pattern : super-cardioid
Sensitivity in free field, no load : (1kHz) 1,8 mV/Pa +- 2 dB
Nominal impedance : 200 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 270 x 33 x 36 mm
Weight : 450 g
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The E-835S is a cardioid lead vocal stage microphone specially designed to perform under pressure.
Frequency Response : 40.....16000 Hz
Sensitivity in free field, no load : (1kHz) 2,7 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 48 x 180 mm
Weight : w/o cable 330 g
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- Tailored for Vocals & Speech
- Cardioid Polar Pattern
- Shock-Mounted Dynamic Cartridge
- 50 Hz to 15 kHz Frequency Response
The Shure 55SH Series II is a Unidyne cardioid dynamic microphone boasting a classic look and vocal-tailored sound for recording sessions, live stage applications, and on-camera use. The dynamic cartridge is shock-mounted to impede handling noise and vibrations transferred through your mic stand. The implementation of a cardioid polar pattern minimizes pickup of off-axis noise and ambience, yielding higher gain before feedback and attenuated stage bleed.
The mic delivers a frequency response of 50 Hz to 15 kHz with a gentle presence boost peaking at approximately 6.5 kHz. Its XLR 3-pin output ensures compatibility with most mixer inputs, microphone preamps, and portable PA systems. An on/off switch is provided for convenient muting of the mic between speeches or performances. The attached, self-tensioning, 5/8“-27 thread swivel mount can be tilted up to 45 degrees forward and 80 degrees backward. Chrome die-cast metal construction provides tour-worthy durability.
Classic Appearance
In addition to being a mic with solid audio characteristics for the studio and stage, the 55SH Series II makes a great prop microphone in video shoots, photos, and theater applications
Tailored Frequency Response
The 50 Hz to 15 kHz frequency response features a slight dip in the low-mid frequency range and a gentle rise from 1 to 10 kHz, making its sonic performance optimized for vocals, public address, and dialog
Cardioid Polar Pattern
The cardioid polar pattern is effective in minimizing sound pickup at the off-axis sections of the capsule, ensuring high gain before feedback
Shock-Mounted Cartridge
The dynamic capsule is shock-mounted for added protection against shock- and structure-born noise
Shure 55SH II Specs
Microphone
| Sound Field |
Mono |
| Operating Principle |
Pressure Gradient |
| Capsule |
Dynamic |
| Polar Pattern |
Cardioid |
| Circuitry |
Solid-State |
| Pad |
None |
| High-Pass Filter |
None |
Performance
| Frequency Range |
50 Hz to 15 kHz |
| Impedance |
270 Ohms |
| Sensitivity |
-58 dBV/Pa at 1 kHz |
Connectivity
| Output Connectors |
1 x XLR 3-Pin |
Physical
| Dimensions |
ø: 3.06 x L: 7.4" / ø: 77.8 x L: 188 mm |
| Weight |
1.37 lb / 0.62 kg |
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