SHURE BETA91A Instrument Microphone

330.00 incl. GR VAT

Only 1 left in stock (can be backordered)

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The Shure Beta 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality […]

 

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The Shure Beta 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).

Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
Requires no external mounting or accessories for ease of use and storage
Furnished with zipper pouch

Type
Electret Condenser
Frequency Response
20 to 20,000 Hz
Polar Pattern
Half-cardioid (cardioid in hemisphere above mounting surface)
Impedance
146 Ohms
Sensitivity (at 1 kHz, open circuit voltage)
-48.5 dBV/Pa (3.8mV)
1 Pascal=94 dB SPL
Maximum SPL (1 kHz at 1% THD)
1000 Ohm load: 151 dB, 2500 Ohm load: 155 dB
Signal-to-Noise Ratio (referenced at 94 dB SPL at 1 kHz)
64 dB
S/N ratio is difference between 94 dB SPL and equivalent SPL of self noise, A-weighted
Dynamic Range (at 1 kHz)
1000 Ohm load: 121.5 dB
2500 Ohm load: 125.5 dB
Common Mode Rejection (20 Hz to 20 kHz)
> 55 dB

Clipping Level (20Hz-20 kHz at 1% THD)
1000 Ohm load: 7.50 dBV, 2500 Ohm load: 12.5 dBV
THD of microphone preamplifier when applied input signal is equivalent to cartridge output at specified SPL
Self Noise (typical, equivalent SPL, A-weighted)
29.5 dB SPL-A
Polarity
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Weight
Net: 470 g (16.6 oz.)
Frequency Contour Switch
7 dB of attenuation centered at 400 kHz
Connector
Three-pin professional audio (XLR), male, balanced
Power Requirements
11-52 Vdc phantom power, 5.6 mA

Weight 0.40 kg

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Quick Comparison

SHURE BETA91A Instrument Microphone removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeELECTRO VOICE PL35 Snare/Tom DYNAMIC CARDIOID MICROPHONE removeSENNHEISER E-609 Dynamic Microphone for Strings removeDAP AUDIO D1301 PL-07 Instrument Dynamic Microphone remove
NameSHURE BETA91A Instrument Microphone removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeELECTRO VOICE PL35 Snare/Tom DYNAMIC CARDIOID MICROPHONE removeSENNHEISER E-609 Dynamic Microphone for Strings removeDAP AUDIO D1301 PL-07 Instrument Dynamic Microphone remove
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SKUBETA91AH10SE00118BETA 56A001809H10SE00147D1301
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Price330.00 incl. GR VAT 148.00 incl. GR VAT 196.80 incl. GR VAT 98.00 incl. GR VAT 98.00 incl. GR VAT 43.39 incl. GR VAT
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Description
ContentThe Shure Beta 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL). Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the "low-mid scoop” setting for a strong low frequency "punch” with plenty of higher frequency attack Requires no external mounting or accessories for ease of use and storage Furnished with zipper pouch Type Electret Condenser Frequency Response 20 to 20,000 Hz Polar Pattern Half-cardioid (cardioid in hemisphere above mounting surface) Impedance 146 Ohms Sensitivity (at 1 kHz, open circuit voltage) -48.5 dBV/Pa (3.8mV) 1 Pascal=94 dB SPL Maximum SPL (1 kHz at 1% THD) 1000 Ohm load: 151 dB, 2500 Ohm load: 155 dB Signal-to-Noise Ratio (referenced at 94 dB SPL at 1 kHz) 64 dB S/N ratio is difference between 94 dB SPL and equivalent SPL of self noise, A-weighted Dynamic Range (at 1 kHz) 1000 Ohm load: 121.5 dB 2500 Ohm load: 125.5 dB Common Mode Rejection (20 Hz to 20 kHz) > 55 dB Clipping Level (20Hz-20 kHz at 1% THD) 1000 Ohm load: 7.50 dBV, 2500 Ohm load: 12.5 dBV THD of microphone preamplifier when applied input signal is equivalent to cartridge output at specified SPL Self Noise (typical, equivalent SPL, A-weighted) 29.5 dB SPL-A Polarity Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Weight Net: 470 g (16.6 oz.) Frequency Contour Switch 7 dB of attenuation centered at 400 kHz Connector Three-pin professional audio (XLR), male, balanced Power Requirements 11-52 Vdc phantom power, 5.6 mA

The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.


Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz

Audio Frequency Response    50 Hz - 16,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    600 Ω
Mic Type    Instrumental
Open Circuit Voltage    2.2 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Wired/Wireless    Wired
Weight Net    8.32 oz (236 g)

The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g

The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps. Technical Info Type: Dynamic, Moving coil. Freq.Resp.: 40 to 16.500 Hz. Polar Pattern: Cardioid Sensitivity (1000Hz): 1,7 mV/Pa* (*1 Pa = 94 dB SPL) Max SPL: 137dB Impedance: 600 Ohm Power supply: none Connector: 3p. XLR male-type). Net. Weight: 245 g Dimensions: (Ø 32 mm x L 157 mm) Accessories: 6 mtr balanced cable with XLR plugs
Weight0.40 kg0.55 kg0.80 kg0.25 kg0.14 kg0.24 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.40 kg
Weight 0.55 kg
Weight 0.80 kg
Weight 0.25 kg
Weight 0.14 kg
Weight 0.24 kg