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Shure's DFR11EQ is a computer-controlled digital equalizer with a multitude of audio processing capabilities offered in a compact, half-rack unit. The innovative DFR software interface runs on Windows® and makes even the most complex processing functions easy to use.
The DFR11EQ Solves a Variety of Problems:
Non-ideal acoustics
Insufficient gain before feedback
Irregular sound system frequency response
Harmful signal peaks that can damage amplifiers and loudspeakers
Features:
EQ - Selectable 10 bands of Parametric EQ or 1/3 Octave Graphic EQ
Feedback Reduction - 10 precision notch filters that automatically seek out and reduce feedback
Scene Presets -10 onboard scene presets, 3 accessible from the front panel. All onboard presets can also be accessed with the DRS-10 Digital Remote Switch accessory.
Limiter and Delay
Remote Modem Access, SIA-Smaart® Pro Interface, and Alternatives to Direct PC Control
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An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
| Features |
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| 3 Music Source Inputs individually selectable to each output | | One Input Source with Override facility (Jukebox or Auto Announcer) | | 5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones | | Can be expanded interlink of two or more MS520 units | | Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option) | | Direct Inputs and Outputs on each zone | | Paging or Alarm Input Override System | | Full Digital Matrix control of functions to all 5 zones | | Up to 10 remote control panels RC 62 can be connected to each MS 520 |
| AMPLIFIER SPECIFICATIONS |
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| Power output: | 5 x 20 | Watt rms | | Frequency Response (Music): | 30 ÷ 45 | Hz ÷ kHz | | Frequency Response (Direct): | 30 ÷ 45 | Hz ÷ kHz | | Frequency Response (Paging): | 200 ÷ 18 | Hz ÷ kHz | | Distortion: | 0.5 | % | | Signal / noise ratio (Music): | -78 | dB | | Signal / noise ratio (Direct): | -78 | dB | | Signal / noise ratio (Paging): | -60 | dB |
| INPUT SECTION |
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| Input sensitivity (Music): | -16 | dBu | | Input sensitivity (Direct): | -16 | dBu | | Input sensitivity (Paging - Line): | - 43 ÷ -27 | dBu | | Input sensitivity (Paging - Mic): | - 58 ÷ -41 | dBu | | Bass Tone: | (100 kHz) ± 8 | dB | | Treble Tone: | (12.5 kHz) ± 8 | dB |
| OUTPUT SECTION |
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| Out level: | -6 / -10 | dB | | Protections: | Short ciurcuit, thermal, AC / DC fuses | | | Power supply: | 16 | V dc |
| POWER REQUIREMENT |
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| Operating voltage: | 220÷240 / 110÷120 V ~ 50 / 60 Hz | V ~ Hz | | Power (consumption): | 370 | W | | Max. Available power: | 100 | W |
| PHISICAL SPECIFICATION |
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| Width: | 438 / 17.24 | mm/inch | | Height: | 44 / 1.73 | mm/inch | | Depth: | 253 / 9.96 | mm/inch | | Net Weight: | 3.66 / 8.06 | Kg/Lbs |
| SHIPPING INFORMATION |
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| Package height: | 75 / 2.95 | mm/inch | | Package width: | 520 / 20.47 | mm/inch | | Package depth: | 280 / 11.02 | mm/inch | | Shipping Weight: | 4.18 / 9.21 | Kg/Lbs |
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Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
User's Manual
| WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
- Wireless Digital Audio Receiver System
- Operating Band ISM 2.4GHz (free band).
- One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
- GFSK digital modulation/demodulation.
- External antenna can help to increase the transmission distance.
- Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
- Automatic mute in bad channel quality conditions or high error code rate.
- Transmission distance higher than 30 meters in open places.
- Up to three transmitters WDT 24 in a zone
- Balanced XLR and unbalanced ¼\'\' jack outputs
- Working mode: stereo or mono
| Power Supply |
AC 9V-500 mA 50/60 Hz |
| Frequency |
2404-2476MHz |
| Channel |
25 |
| Modulation/Demodulation |
GFSK |
| Receive Sensitivity (WDR 24) |
-84dBm (min.) |
| Transmitted Power (WDT 24) |
6 dBm |
| Output Level (WDR 24) |
+13dBu (BAL max.) |
| Input Level (WDT 24) |
+5dBu (max.) |
| Bandwidth |
>=1.8 MHz |
| Frequency Response |
20Hz - 20kHz, +3dB / -3dB |
| S/N |
>80 dB |
| Dynamic Range @ 1 kHz |
>90 dB |
| Crosstalk @ 1kHz |
>90 dB |
| THD |
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AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
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The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! |
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