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Shure P4HW Wired Bodypack Personal Monitor
P4HW Wired Bodypack
Hardwired Bodypack
Key Features
Attached input cable
High-impact plastic chassis
Operating Controls:
Operating mode (Stereo, Mono, MixMode)
Volume knob
Balance knob
Defeatable limiter
High-frequency boost
-15 db Pad
Backlit LCD Indicators :
Battery life
Input level
Operating mode
Frequency Response
20 to 20,000 Hz
Total Harmonic Distortion
Channel Separation
35 dB (minimum)
Signal-to-noise ratio
85 dB (minimum)
Maximum Output Level
+5 dBu at 1% THD
Maximum Input Level
+7 dBu, input pad OFF
+22 dBu, input pad ON
Actual Input Impedance
> 40 kilohms
Audio Output Connector
3.5 mm stereo (left=tip, right=ring, ground=sleeve)
Power Requirements
9 V Alkaline battery
Battery Life
Up to 8 hours, volume dependant
Phantom Power Protection
Up to 60 VDC
| Key Features :
- Turn Wireless GO into Handheld Mic
- Windshield Included
- For ENG
Turn your Wireless GO Transmitter into a handheld microphone with the RODE Interview GO. Once the transmitter is slotted snugly into the Wireless GO\'s cradle, the adapter will give you the sound and appearance of a handheld microphone. | Gravity MA 3D A POP 1 Traveler 3D Arm with Pop Filter
The Traveler Series' Pop Filter with 3D Arm
Every bit of weight counts when you're travelling by plane or truck from one gig to the next. After all, you can't always rely on the concert venue having the right tool available for you when needed.
The Pop Filter with 3D Arm MA 3D A POP 1 can be taken everywhere you go. It's so light and space-saving, there's absolutely no need for you to worry about weight or storage space.
With this tool you can enhance your voice- and vocal recordings by placing the high-quality pop filter, with double nylon mesh and a large screen diameter of 15.7 cm between you and your microphone. This way you avoid unwanted pop noises and clipping.
Its fastening mechanism is quick and easy to assemble. The large clamping range from 15 to 35 mm lets you mount it on all popular microphone stands, and the three joints' 360° rotation options allow you to install it as you like. Simply loosen, adjust and tighten the wing-screws. Voila - you're all done! Once set, the MA 3D A POP 1 stays locked in place.
Gravity® has once again delivered a small, useful and reliable product for you to round off your collection of stands.
| Product type |
Microphone Accessories |
| Type |
Pop filter |
| Material |
Plastic, Polyamide |
| Color |
Black |
| Joint adjustment |
Wing screw |
| Joint rotation |
360° |
| Joint tilt |
180° |
| Arm length |
400 mm |
| Suitable for mounting on |
Microphone Stands |
| Thread size |
3/8” |
| Screen diameter |
157 mm |
| Setup |
Double nylon screen, plastic frame |
| Suitable for tube diameter |
15 - 35 mm |
| Weight |
0,377 kg |
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Shure PM4E 6in-6out Personal Monitor Mixer
The P4M is a highly versatile four-channel, two-bus stereo mic/line mixer designed to optimize
use of personal (in-ear) monitors like the Shure PSM 400 in live performance. The P4M features
four balanced mic/line inputs, each with level and panning controls. Corresponding XLR split outputs
allow input signals to pass through the unit unaffected, while providing an independent mix.
Personal Stereo Monitors
When coupled with personal monitors, the P4M allows performers the ability to adjust personal mix
levels onstage - even during a performance - without affecting the front-of-house system. This enables
users to create and maintain consistent monitor mixes, regardless of what the venue can provide for monitors.
The P4M is available individually for use with Shure PSM 600 and PSM 700 Personal Monitor Systems; or
packaged with Shure's PSM 400 Hardwired and Wireless Performance Packs.
Installed Sound Systems
The P4M can also be used as a small "piggyback" mixer in applications such as houses of worship, or courtrooms.
The unit acts as a console bypass when a permanent installation of a large, operator-controlled mixing console may
require just a few microphones for smaller events. This allows the user easy access and control of up to four signals
without having to utilize the larger console. Given its dual-bus output capabilities, the P4M can also serve as a "two zone"
mixer, routing any combination of mic or line-level signals to two different zones.
More Than Four Inputs
The P4M has a pair of 1/4-inch auxiliary inputs that can be used to add channels from other sources. For example
multiple P4M mixers can be linked together to increase the number of inputs. In addition, sources not present in the original
mix - such as a click track for live percussion - may be included via the auxiliary inputs.
Measurement Conditions (unless otherwise specified):
full gain; 1 kHz, one channel activated; >source impedances: Mic 150 ohms, Aux Level 150 ohms; terminations: Line 600 ohms.
Frequency Response (Ref 1 kHz, controls centered)
20 Hz to 20 kHz +/- 2 dB
Input Specifications
Input
1-4 (front panel) Aux In
Gain (Maximum) 43 dB 0 dB
Impedance (at 1 kHz) 5800 ohms 18 kilohm (each)
9100 ohms (1/L mono)
Input Clipping Level +12 dBV +12 dBV
Crosstalk -100 dB -90 dB
Common Mode Rejection > 75 dB > 70 dB
Output Specifications
Output
Split 1-4 Mix Out
Impedance N/A 500 ohm (unbalanced)
1 kilohm (balanced
Output Clipping Level N/A +5 dBV (10 kilohm balanced
load, -30 dBV input ch. 1-4)
Noise (100 Hz to 22 kHz) -110 dBV -100 dBV (all controls CCW)
-62 dBV (all controls CW)
Distortion (THD) at 1 kHz .0005% |
The AKG C 480 B preamplifier powering unit is the latest model in the ULS series. It accommodates the CK 61/ULS, CK 62/ULS, CK 63/ULS capsules and the new CK 69/ULS shotgun capsule, providing a higher order of performance for these capsules than previously available.
The new preamp has a vastly improved noise floor, permitting self noise performance with the four associated capsules in the range of 9 to 11 dB-A. Maximum sound pressure levels in the range of 144 dB (in the -10 dB sensitivity position) can be attained with no greater than 0.5% distortion, giving the capsules a new level of overall performance. An integral low cut filter (12 dB/octave) can be set for either 150 or 70 Hz. The +6 dB sensitivity position is intended to enhance the performance of the CK 69/ULS interference tube capsules, which normally operate over large distances.
With the available CK 61/ULS cardioid, CK 63/ULS hypercardioid, CK 62/ULS omnidirectional, and highly directional CK 69/ULS shotgun element, the C 480 Series is intended primarily for studio, broadcast and a variety of live sound and speech reinforcement applications in which state-of-the-art performance is required. A complete line of optional accessories is available. The C 480 B operates only on 48 volts phantom powering. Check the Related Products.
Features:
- Ultralow noise preamplifier for use with ULS series capsules
- Multiple directional capsules and configurations available on a high performance powering/preamp module
- Extremely flat on-axis response for all models
- Three sensitivity settings (0, +6, and -10 dB)
- High acoustic level capability
Specifications:
- Polar pattern: 10 to 30,000 Hz
- Preattenuation pad: +6, 0, -10 dB, selectable
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- Bass filter: 12 dB/octave at 70 or 150 Hz
- Impedance: 2000 ohms/1000 pF
- Supply voltage: 48 V phantom power to DIN 45596
- Current consumption:
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Featuring a camera-shoe mount with a 3/8' thread in the base that can be mounted in three different positions, the RØDEGrip can be used in a number of orientations and setups. These include:
- Handheld audio recording with the iXY stereo microphone
- Boom stand mounted audio recording with the iXY
- Camera-mounted audio recording with the iXY
- Handheld pistol grip filming with the iPhone
- Desktop mounted for handsfree iPhone display and filming
- Camera-mounted iPhone display for photography apps
- Constructed from durable, high-quality ABS plastics, it folds down into a small, portable form factor for ease of transport.
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