SHURE PGA56-XLR Cardioid Dynamic Snare / Tom Microphone

98.93 incl. GR VAT

Only 5 left in stock

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The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. XLR cable included. The PGA56 is a professional quality snare / tom microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Additional design highlights […]

 

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The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. XLR cable included.

The PGA56 is a professional quality snare / tom microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence.

Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning, and a tailored cartridge for clear reproduction of sound sources. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Frequency Response 50–15,000 Hz
Phantom power required? No
Polar Pattern Cardioid
Type Dynamic
Weight 0.50 kg

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Quick Comparison

SHURE PGA56-XLR Cardioid Dynamic Snare / Tom Microphone removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE SM-57LCE - Dynamic Instrument Microphone removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove
NameSHURE PGA56-XLR Cardioid Dynamic Snare / Tom Microphone removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE SM-57LCE - Dynamic Instrument Microphone removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove
Imagebeyerdynamaic m 88 tg dynamic hyperdioid microphone
SKUPGA56-XLRBETA 52AM-88 TGBETA 56ASM-57LCEKSM137/SL
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Price 98.93 incl. GR VAT 231.36 incl. GR VAT 419.99 incl. GR VAT 196.80 incl. GR VAT 119.95 incl. GR VAT 396.80 incl. GR VAT
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Description
  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for stage and studio
  • Unbelievably rich sound
  • Made in germany
Content

The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. XLR cable included.

The PGA56 is a professional quality snare / tom microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence.

Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning, and a tailored cartridge for clear reproduction of sound sources. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Frequency Response 50–15,000 Hz
Phantom power required? No
Polar Pattern Cardioid
Type Dynamic

Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum. The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Features
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
Type Dynamic (moving coil)
Frequency Response 20 to 10,000 Hz
Polar Pattern Supercardioid, rotationally symmetrical about microphone axis
Output Level Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL

Technical Data

Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin

Made in Germany

Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.

 
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!  
Flexible tool iN The studio

The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
  • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
  • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
  • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Extremely durable under the heaviest use
  • Frequency response: 40 to 15,000 Hz
Frequency Range 40 Hz to 15 kHz
Impedance 150 Ohms
Load Impedance 310 Ohms
Sensitivity 56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color Gray
Mounting 5/8"-27 Female, Mic Clip (Included)
Construction Material Steel, Steel Wire Grille
Dimensions ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight 10.02 oz / 284 g
 

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

Weight0.50 kg0.80 kg0.600 kg0.80 kg1.00 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.80 kg
Weight 0.600 kg
Weight 0.80 kg
Weight 1.00 kg
Weight 0.50 kg