The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. XLR cable included. The PGA56 is a professional quality snare / tom microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Additional design highlights […]
The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. XLR cable included.
The PGA56 is a professional quality snare / tom microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence.
Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning, and a tailored cartridge for clear reproduction of sound sources. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
Frequency Response
50–15,000 Hz
Phantom power required?
No
Polar Pattern
Cardioid
Type
Dynamic
Weight
0.50 kg
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The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. XLR cable included.
The PGA56 is a professional quality snare / tom microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence.
Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning, and a tailored cartridge for clear reproduction of sound sources. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
Frequency response shaped specifically for kick drums and bass instruments
Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal–to–noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability
Type
Dynamic (moving coil)
Frequency Response
20 to 10,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis
Output Level
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL
Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
Mew A98D flexible drum mount
SPL handling to 160dB
frequency response of 20 to 20,000Hz and included preamplifier
shock mount and windscreen
Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.
New volume control knob allows musicians to adjust the volume to fit each musical situation
New rugged, dynamic cartridge with improved response
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Wind / percussion instrument clip microphone 
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